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Messages - ffcal

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41
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 27, 2013, 04:47:17 PM »
I think people who have disagreed with you in this thread have said quite a bit more to you than "I have more experience," but you seem not to process what they're saying or just dismiss it out of hand.  Maybe you should re-read some of the responses, especially Paul's detailed ones.  There's no secret society here, but if I were you I wouldn't be too proud about being a contrarian for contrariness' sake.  And no, your tone throughout this thread has been offensive.  If you're seeking some help, you're going about it the wrong way.

Forrest


42
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 27, 2013, 04:16:10 PM »
Immersion said:

You seem to be getting lost in the details and are not attuned to what some of the more experienced musicians are trying to say to you. 

I think if some one said that to you you would consider such statements proactive.
I wish we could have a coequal discussion, where all people are equally worth, and not people riding on high horses saying things like "I have better experience then you"  it really kills the discussion, and is not really constructive and right.

I said that the years of experience is of no relevance, some people have it in them some have not, so to make this into some kind of competition who has released most albums and how have been working with certain audio in certai amount of years I find really provocative and arrogant.  People use it as their main argument that they have certain years of experience so for that reason everything they say is above others,  there is so many artists out there who have been working all life so years of experience say really zero to be honest.  Some one achieve the same results in 1 year then the other person achieve in 30 years in terms of sound quality  and production.

I think the people responding to your thread have for the most part been very restrained and I think most of the fire has been coming from your direction.  I certainly haven't been talking down to you and tried to give you constructive feedback on a piece you posted to the forum.  The only biting comments seem to be coming from people who seem frustrated by the generalizations in your responses.  Did you ever consider that maybe in your defensiveness you're overcompensating for insecurities about your own inexperience?  The best defense is not always an offense.

One other nontechnical word of advice--getting some musical training in performing or music theory, if you don't have some already, will benefit you in the long run.

Finally, while I know you're trying, some of your sentences do not flow well grammatically and at times it can difficult to understand what you're saying.

Forrest

43
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 27, 2013, 03:29:25 PM »
Immersion said:

"There is a lot of talk about 10 years of experience, and 15 years of experience it is really  not anything that is revelation to the discussion there is a lot of artists that have life long careers, as a musician and producer is a lot about your taste and sense of audio , some one have it some have not.  Of course I understand you did might not say it directely but indirectly, the whole general attitude seemed to be that you could get away with bad equipment with the right skills.. I told many times this correct but to a certain level, to beyond a certain thresold you really need more then good skills you also need good tools and equipments."

Seems like you haven't been reading with others have been saying.  As Mike and others have said already, no-one is advocating the use of "bad" equipment with the "right" skills.  You seem to be getting lost in the details and are not attuned to what some of the more experienced musicians are trying to say to you.  One of things I have learned through the years is that you will learn more if you approach your craft with more humility and appreciate that will always be much that you don't know and possibly will never know.  The alternative is to resonate within your own echo chamber, but I suspect that that is not the result you're seeking.

Good luck.

Forrest

44
Music Gearheads Tech Talk / Re: Thoughts on the zither?
« on: November 26, 2013, 05:34:35 PM »
A better title for this topic would have been "Whither the zither?"

Or how about, "dither on the zither?"

Forrest

45
Music Gearheads Tech Talk / Re: Thoughts on the zither?
« on: November 26, 2013, 05:33:32 PM »
I saw a couple of tremoloas available on ebay recently. They weren't as expensive as I expected but then again, there's probably not a huge demand for them. Hadn't heard of the other two but I looked them up and they seem like cool instruments. I've never played a bowed instrument before though.

They sound a bit like bowed psaltry, only a little fuller.  One thing to keep in mind is, at least with the older ones, they are very difficult to tune and to keep in tune.  Helps to have perfect or relative pitch, too.

Forrest

46
Music Gearheads Tech Talk / Re: Thoughts on the zither?
« on: November 26, 2013, 05:13:30 PM »
Yeah, the strings do sustain themselves well. It's like they have a little bit of a natural reverb. I like to go pretty light with the EQ as well. Stripping out all the midrange on a zither recording is not a good thing.

Do you have any other zithers besides the guzheng?

Yes, I have an ukelin, a pianolin and tremeloa.  Fun to play/improvise on them, but my takes using them don't always make it to the final cut.  I used an ukelin on the opening cut on :Animism" (Tailing Wind).

Forrest

47
Music Gearheads Tech Talk / Re: Thoughts on the zither?
« on: November 26, 2013, 03:51:33 PM »
I use them.  I would be careful with the use of reverb on them, as the strings on the zither should sustain pretty well by themselves.  I don't have any special advice on effects (other than to be sparing), but I prefer for them to be close-miked and/or that a contact mic used.  If miked too far away, they tend to sound tinny without much midrange.

Forrest

48
Hi Immersion,

I meant to tell you that I gave your track with the lower volume mix a listen (burned it onto CDR and listened to it through my stereo system).  Some nice textures...I like your sounds at the high end, but the mix as a whole seems to lack a midrange (maybe you overcompensated the EQ by trying to avoid a muddy midrange??).  I would also dial back the reverb tail on the high end--it seems to smear a bit and there could be a little space there, so that the reverb setting could come through better.

HTH,
Forrest

49
Other Ambient (and related) Music / Re: Where is Thom Brennan?
« on: November 26, 2013, 10:28:27 AM »
looking forward to for the new album..but I can't understand how an ambient record can take so long...

Hmmmmm...pot kettle black?   ;)  (Sorry, couldn't resist.)

Forrest

50
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 22, 2013, 09:43:26 PM »
"Also, how much are you ready to pay for a more "effortless" experience when creating music, or do you prefer to work really hard
to make your cheap gear sound expensive, personally for me I am tired it, I want an inspiring setup that sounds amazing, not spend endless
time and energy to make something as I want when I can do that the on the fly with good equipment, that is the thing for me I want an effortless
way of expression and not have to deal with "crap"  just to save some money, cheap gear and most plugs does not inspire me I want that extra..."

Ah, but that's the rub.  For each new piece of complex piece of gear you add to the system, you steepen your potential learning curve and things can become harder, not more effortless.  It's much like the difference between going into a neighborhood grocery store that chooses its items wisely and going into the Costco warehouse.  I hope you're able to find your own bliss with your new aggregation of gear, but I would think that at some point, you would run the risk of getting diminishing returns out of the complexity of your setup.

Forrest

51
Now Playing / Re: Currently listening, part 1
« on: November 22, 2013, 10:31:31 AM »
Facture is releasing a new Orla Wren album in early December that contains reworkings of tracks from these sessions.

I've preordered this one already:)  The "art" package approach they have to their releases is special.  Hard to tell if the music is enhancing the art, or the other way around (or both).  It's an approach I wish more labels would take (especially indies), but I'm sure it's costly and time consuming to do.  Another good example of this would be the Time Released Sound label.

Forrest

52
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 11:35:12 AM »
Though this strays off of the D/A topic, I agree with Seren that it's important to have some sense of what you are trying to achieve, especially if you are just getting started, before accumulating too much expensive gear.  I actually stuck with open reel four-track recording for a very long time before I finally felt ready to make the shift into digital in the early 90s with the purchase of an ADAT.  The economics of it can also be a big factor if you don't have the means to maximize the potential of the gear you are acquiring or if the gear doesn't really address the core of what you sense you need.  Who hasn't at least once purchased an instrument or a piece of gear and later felt buyer's remorse?  Though electronics has been a big part of my sound, I've always been partial to acoustic instruments, so I've never felt the need to acquire the biggest and baddest modular synth or processor.  But everyone has different needs, so one size doesn't really fit all.

Forrest

53
Art and Literature, Movies and TV / Re: Serafini's Codex Seraphinianus
« on: November 05, 2013, 12:08:52 PM »
I love this kind of stuff.  Art Brut, naive art, or whatever you call it.  Raw Vision magazine is devoted to this type of very personal genre.  H, If you're into Lesage's work, you'd probably also like Adolf Wölfli's work, too (saw a rare exhibit of Wölfli's strange art years ago):

http://en.wikipedia.org/wiki/Adolf_W%C3%B6lfli

Mike, I ordered the book from Amazon (it's a little pricy, but cheaper than the the hundreds of dollars for an earlier edition).

Forrest

54
Now Playing / Re: Currently listening, part 1
« on: November 02, 2013, 11:51:47 PM »
Forrest Fang- Phantoms

Awesome album.

Agreed. Top-notch. Though I think "Animism" edges it.

Thanks, guys.  I appreciate it.

Forrest

55
Art and Literature, Movies and TV / Serafini's Codex Seraphinianus
« on: October 31, 2013, 02:53:02 PM »
A favorite art book I have not seen for years is back in print--Luigi Serafini's Codex Seraphinianus.  Very hard to describe it.  I always thought of it as a reference book from another world.  I remember seeing a copy of it for the first time in the 80s and its weird images stuck with me for years afterward.  Very beautiful, odd scenes and figures that seem to well up from the subconscious:

http://dangerousminds.net/comments/codex_seraphinianus_a_new_edition_of_the_strangest_book_in_the_world

Forrest

56
Now Playing / Re: Currently listening, part 1
« on: October 30, 2013, 09:54:33 AM »
I saw Lou Reed perform the New York album in Berkeley in the late 80s.  That's how I will remember him--performing some of his best work with two guitars, bass and drums.

Forrest

57
Forum Member Projects News and Promotion / Re: Loop-Based Music
« on: October 22, 2013, 07:14:43 PM »
Hello Big Looper,

The pieces sounds a bit bare and raw, especially considering the brief duration of the samples you are using.  They might sound more finished if they were layered and processed, so that it would bring some other quality out of them beyond just the raw sound.

I would also spend a bit more time woodshedding with the sounds.  It would be time well spent; you wouldn't want to give listeners a negative or indifferent impression right off the bat.

Forrest

58
Everything and Nothing / Re: A Favor from my Hypnos friends.
« on: October 21, 2013, 01:59:07 PM »
That was very nice to hear from Trang.  Her work is very special, so I'm sure we'll be hearing more from her in the future.  Thanks for letting us know about her work (and your accompanying music), Loren.

I couldn't resist firing off a quick email to KCET questioning the use of a "competition" between two dissimilar projects, the lack of controls or clear parameters for voting, and relying on the effective use of social media as an accurate proxy for viewer interest or as a measure of each project's worthiness.

Forrest

59
Everything and Nothing / Re: A Favor from my Hypnos friends.
« on: October 19, 2013, 03:36:57 PM »
Uh-oh.  They're 18 votes ahead again.

60
Everything and Nothing / Re: A Favor from my Hypnos friends.
« on: October 18, 2013, 01:39:39 PM »
They've apparently enlisted a gallery to Twitter on its behalf.

Forrest

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