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Messages - ffcal

Pages: 1 ... 34 35 [36] 37 38 ... 55
701
Everything and Nothing / Re: The price of CDs
« on: March 22, 2010, 10:01:29 PM »
Timeline?  Can't happen soon enough.

I'm at the other end.  I generally won't buy a new release without a package, unless it is the only available format or I'm only testing the waters with a less expensive version.  I find archiving releases in mp3 format that are not keepers a useful way to keep the size of my collection under control.  When people stop buying the physical format, I'll probably stop releasing altogether.

Forrest

702
Now Playing / Re: Currently listening, part 1
« on: March 22, 2010, 09:57:59 PM »
Matthew Florianz - Maalbeek (nicely done impressionistic dark ambient CD from Matthew.  He also has nice set of unreleased pieces ('Tauern') you can get free from Shopsonic after registering for the site; my only slight quibble is the 160 kbps res, but you can't argue with the price)

HASYMO - Has/Ymo (DVD) (a bit of a splurge, but I really enjoy hearing the core of YMO playing live alongside pedal steel).

Forrest

703
Hi Matthew,

Of Sloan's earlier releases, I especially like "The Space Between Beginnings" and "The Shoreline of An End."  His later works are more varied and a little more noisy, though I like his 2008 release, "ending [light]," a double CDR that hints at his earlier style, but uses algorithmic software he developed.  Some of his earlier releases are available on eMusic.

Forrest

704
Now Playing / Re: Currently listening, part 1
« on: March 07, 2010, 01:14:50 AM »
Barry Cleveland - Hologramatron (a departure for Barry, intense, with a rockish edge in a Crimson vein, and politicized lyrics that are front and center.  I like it, though folks may be split on it because of its edge and political theme.  I have a 8-minute ambient remix on it that is included as one of the bonus tracks. On MoonJune records, a prog/avant label)

Forrest

705
Hi Matthew,

Been enjoying your tracks posted to your posterous site, especially the more recent ones.  Your music has a nice ambiguous quality about it, not unlike Jason Sloan's.  Ordered Maalbeek and Electronic Forest and am looking forward to hearing them.

Regards,
Forrest

706
Other Ambient (and related) Music / Re: Dolorian
« on: March 05, 2010, 06:11:47 PM »
And I only listen to music made on plug-ins;)

Forrest

707
Other Ambient (and related) Music / Re: Robert Rich: Ylang
« on: March 05, 2010, 08:51:57 AM »
Joseph, I agree, Robert has a special ear for bringing together musicians from different backgrounds and finding interesting points of intersection.  It's almost a progressive sound, in the positive sense of the word.  (Glad you liked my brief solo, too:))  It can refreshing to hear music that has been "played," instead of "laptopped."

Forrest

708
Everything and Nothing / Re: Michael Moore - Capitalism: A Love Story
« on: March 05, 2010, 08:46:30 AM »
The "no holds barred" section was deleted many moons ago.  This topic would probably qualify for that section.

Forrest

709
Now Playing / Re: Chopin 200 years
« on: February 26, 2010, 08:25:46 AM »
Hey, DeepR.  Thanks.  Didn't know it was (or about) Chopin's 200th.  He is definitely one of classical's biggies, and a deep and complex one, too.  My favorite interpreter of his work is Artur Rubinstein.

Forrest

710
Everything and Nothing / Re: Board Advice
« on: February 25, 2010, 08:14:55 PM »
Keep your output to your pace/level, the hell with everyone one else.

All kidding aside, I think that type of attitude is likely to drive our tiny genre past irrelevance.  Maybe this answers the question why others may have stopped listening.  Better to think of yourself as a representative of the genre itself, you might feel differently about it.

Forrest

711
Everything and Nothing / Re: Board Advice
« on: February 25, 2010, 08:47:22 AM »
You forgot one...6.  Thou shalt express more humility about one's own prodigious output on public bulletin boards.  ;)...

Forrest

712
Now Playing / Re: Currently listening, part 1
« on: February 21, 2010, 10:36:02 AM »
Andrew Chalk - The Cable House (very happy to see released on CD, as the limited vinyl disappeared rather quickly.  Comparable to Goldfall, but I like it even a bit more.)

Forrest

713
Hey, this sounds very cool.  I'll be sure to check it out.  Have you heard of Ellen Fullman, Harry Bertoia or Robert Rutman?  They done some very interesting work with experimental bowed string instruments, too.

Forrest

714
Other Ambient (and related) Music / Re: Robert Rich New CD and Tour
« on: February 21, 2010, 10:32:26 AM »
Since I contribute violin to 2 of the album's tracks, I've already had a sneak peak of it, and really enjoy it.  It has a slightly dubby feel in places, has a pleasantly melodic feel elsewhere, and incorporates some very interesting South Indian flute and percussion, too.

Forrest

715
Congratulations, Sara! 

I haven't heard the first two (yet), bu I'd highly recommend the third one, which has some very interesting soundscapes coupled with Sara's layered and processed ambient choir.

Forrest

716
Everything and Nothing / Re: Projekt wants you to fight piracy!
« on: February 19, 2010, 10:25:46 PM »
The problem with a returns policy, at least when it comes to CDs, is that some will abuse it by simply making a digital copy.  Also, I don't see how you compensate a label for having opened up the CD and returned it.  Yeah, I've wasting money buying CDs (and albums) that I ultimately didn't like, but that's why I would check for reviews or hear what my friends thought of new releases.  Re the "music wants to be free" strain, there seems almost a naivete about the concept that ignores the economic realities of releasing a visually and aurally interesting album that people would want to keep.

Forrest

717
Everything and Nothing / Re: Questions for artists and labels re: Piracy
« on: February 19, 2010, 01:56:05 PM »
I pretty much agree with what Mike said, so I don't have much to add, except to concur that the overall situation sucks.  As for major label stuff, that argument about the quality of releases has been around for some time.  I'm not sure that the quality of major label releases is any better or worse than it was 15-20 years ago.  That said, I think that the majors took more chances in the 70s, and I prefer some of the non-commercial music that came out of that era.

Forrest

718
3. Now you're duking it out with classical music fans (and only a percentage of them) and film score fans. Of course quite often to reduce our chances even further we like to mess with or eliminate the structure for good measure(pardon the pun) so we get moved further to the back of the popularity line.

Steve

I actually find ambient and classical to be very compatible musics with substantial overlap in certain areas (like longer form pieces with expositions that take some time (and patience) to develop, and elements of repetition and minimalism, or ambiguous tonalities).  There's no reason for a listener to have to choose, unless you're making a desert island list. I think, though, that an ambient piece could suffer by comparison if not enough attention is paid to creating an interesting structure or form.

Forrest

719
Everything and Nothing / Re: RQ015 - what are the "rules" of ambient music?
« on: February 17, 2010, 01:44:16 PM »
What I want to know is what Brenholts would've had to say about this.  This thread has his name written all over it;)

Forrest

720
Other Ambient (and related) Music / Re: Mastering from The Masters?
« on: February 17, 2010, 01:41:10 PM »
Blackinfinity, I don't you'd find many who would disagree with your last statement.  But I think it's important not to confuse a distaste for absolutes with shutting down the learning process.  As the cliche goes, you only realize how much you know by knowing how much you don’t know.  I agree it can be counterproductive to turn music-making into a chore, but if can also be worth it if you see a benefit in the results.  What I don’t like about the “good enough for ambient” ethos is the way it seemingly encourages beginning artists to treat their preliminary doodles as a finished product, instead of taking the time to shape and re-shape the form and sonics of their music.

Forrest

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