« on: September 24, 2016, 09:01:07 PM »
Listening to vp vol1.
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Michael's long-overdue planetarium album "Music for the Dome" is finished & already at TrepStar ready to be uploaded to BandCamp. But, it's holding off on releasing it 'till September when college radio is back 'online' for the fall semester. Everything simply shuts down in the summer.Thx for the update. Really missing MS work. Totally awesome music.
Most of Michael's time has been spent scoring a feature film for Sony, long project that will take him through next spring for release in 2018.
In addition, he's been working on a new two room studio up in the foothills of Santa Fe. The upstairs studio will be all synths and guitars, downstairs is a large Dolby Atmos mixing stage. Downstairs is finished, he's working now on the upstairs studio and systems integration at the moment.
From my understanding Michael spends most of his creative time doing sound for amusement parks and the occasional movie. I also heard he was going to perform in Tucson last February, but I don't know what came of that. I think I saw some photos of him on Facebook of late, it looked like he was traveling.
considering it as an investment since it will become an collector item which you probably can sell on ebay for much more then what you gave in the future.
Well lets see who buy the book for that price.
what is expensive is very relative..so..
I will be there.Nice! Maybe jump in for a short duo? Or not. Take a seat and chill out to Steve. I wonder what Steve has in store for us this year.
Wow, not even I would travel (and I'm just a few states away) to a Steve Roach concert, unless if it was within 50 miles. Now that's dedication!
It certainly feels terrible to actually have to type & announce, but if many of you have yet to hear, Edgar Froese died on January 20th.
As I've written elsewhere, I'm sitting here trying to come to terms with that, on so many different levels. Icon, pioneer, visionary…you can levy these sobriquets at him, and while applicable, it seems all too easy resorting to obvious signifiers, as if such by-rote labeling is enough to measure the man's historical weight. Tangerine Dream was my entreé into the world of electronic music, environments augured by Mssrs. Froese, Franke, Baumann, Schmoelling, et al, that to my young ears was a vivid, life-altering, ear-bending reveal of science fiction worlds initialized in sound. "Force Majeure" was the first TD album I bought, and it did my head in—the vast rainbow of elusive, multi-hued sounds & patterns on the album has rarely been eclipsed in successive years, and while I of course embrace all their classic work, that's the record that remains their masterpiece to me.
I interviewed Edgar for the second issue of my print magazine "i/e" back in '92, and it was an encounter I remember well; he was gregarious, attentive, and intense. I had just witnessed their superb performance at the Scottsdale Amphitheatre in Arizona, after which Edgar & I spent a memorable hour privately talking in the building's exit stairwell. I can still recall how fixed his gaze was on me, answering my questions with great detail and obvious enthusiasm. I'll never forget the experience—and despite the band's arguably diminishing aural returns the past few decades, the legacy of what Froese & TD wrought through their expert knob twiddling remains uncontestable. Edgar and his group's influence on my life, as a writer, listener, performer, and collector of electronic music is incalcuable, immeasurable, and surely informs the foundation of my interests in these musics for over four decades.
Thru metamorphic rocks indeed...