« on: November 14, 2015, 01:06:24 AM »
Frore "Cyclic Movement" CDr
Paul Casper from Virginia Beach, the sole protagonist behind Frore, remains united with Relaxed Machinery gang and his second album for this label, entitled "Cyclic Movement", is out since January 2015. Featuring attractive new rM design concept with cover image by Jan Casper, Paul's wife, who is a professional portrait photographer. Since not every rM artist takes the path with physical releases, I am really grateful to see Frore available at least on CDr format, keep on going, Paul!!! Frore's previous rM release "Shadowlands" from 2013 still strongly resonates, so let's dive deeply into another thrillingly fragranced tribal ambient adventure!!!
"Spirit Call", an 11 and half minute long piece ignites the journey with slowly circling enigmatic expanses along with awaken intangibly rumbling primordial ephemeralness. Then primeval percussions permeate and soon this vivaciously emerging rhythmic parade steal the center stage and gratifyingly interact with evocative native flute nuances, intricate shamanic chants and weirdly twisted whistles. Undoubtedly all Frore's distinguishingly rewarding insignias are fully activated and trigger a truly fascinating ride to the forefront of the galvanizing ceremony to Mother Earth. Superb, full-bodied intro!!! "Northern Wind", almost similar in length with its predecessor, drifts on the wings of celestial tranquility, while elusive ear-tickling cyber-tech subtleties with smoothly increasing laid-back downtempos persistently mesmerize and balmily commingle with warmly cinematic meanders, transient flute calls and primitive artefacts. A true elixir for my ears!!! But Frore sturdily keeps on unfolding all his intrinsic magic also on the next piece entitled "Gavia", which reveals with heavenly washes counterpointed with progressing array of percussions and high-tech swirls. The texture graciously expands into magnificently panoramic sceneries reinforced by climaxing tribal wizardry, gossamer ocarina-like glimpses and organic tapestries. Wow, the acoustics and electronics are sophisticatedly sculpted and meticulously balanced in this prodigiously delightful composition, which might be one of the most phenomenal Frore has ever recorded, bravo, Paul!!! A 15 minutes of pure tribal ambient ecstasy awaits here!!! "The Bell Garden" calmly blossoms with spaciously scenic glides bridged with contemplative tinkles and high-pitched yearning undulations. Remote percussions surreptitiously pervade until they capture intensely ponderous and spellbindingly mindscaping magnitude, occasionally illuminated by primordial gleams. "Fading Embers", which clocks just over 9 and half minute mark, immediately overwhelms with its gracefully drifting scenario, later occupied by enrapturing percussive splendiferousness, both indigenous and cybernetic with additional twinkling sequences thrown in. "Luminary" incorporates a variety of native flavored whistles, tiding flute invocations, ear-piercing rattles, evanescent bells and clandestine didgeridoo roars, all masterfully surrounded by exuberant biotic zones. Then this natural cacophony is overran by ascending high-spirited and mesmerizingly circling tribal grooves with heavy pounding beats. Again a big one and a perfect closer for this splendidly carved album!!!
"Cyclic Movement" is another triumphant, 69 minutes long proof of Frore's peculiar voice within the tribal/ambient soundsculpting, exhibiting his exquisitely filigree signatures when fastidiously coalescing immersing primeval languages with galvanizingly provoking electro/industrial-charged cadence. Bravo, Paul!!! Certainly a must-have exploration!!! And don't forget, Frore is also responsible, together with his Arkansas based collaborator Shane Morris, for one of the highlights of 2015, entitled "Blood Moon", which followed few months after "Cyclic Movement" on Spotted Peccary.
Richard Gürtler (Nov 11, 2015, Bratislava, Slovakia)