Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Topics - richardgurtler

Pages: 1 2 [3] 4 5 ... 10
41


Byron Metcalf & Rob Thomas "Medicine Work" CD

An invitation to journey through ancient realms by two medicine men, productive Arizonian shamanic tribal trance drummer Byron Metcalf and virtuoso didgeridoo performer Rob Thomas, one half of the legendary Inlakesh project. "Medicine Work" CD was released during June 2013 on Byron's Dr. BAM's Music. Yes, I was very excited when heard about this collaborative project for the first time. Byron Metcalf keeps busy with his solo projects during the last few years as well as with numerous, highly acclaimed projects with Steve Roach, Mark Seelig or Dashmesh Khalsa. On the other side, Inlakesh was quite silent since their 1999's masterpiece "The Gathering", but I know Rob & Tanya were involved in numerous projects during this period of time, including their latest move from New Mexico's Santa Fe to the mountains of North Carolina to work full-time for Didgeridoo Down Under school programs that combine music, art, social studies, science, reading encouragement, character building. Deep respect for their beautiful mission!!! Of course I will always miss Inlakesh, but who knows, maybe one day... In any case, I will keep my ear to the ground.

The album's title and immersing cover image by Kati Astraeir set the atmosphere even before the first note. But then 14-minute opener "This Way" unfolds with primordial hum, but soon Rob's mysterious didgeridoo drone joins along with Byron's rattle and shaker magics and sparse shamanic drums. Unmeasurable artistry of both curanderos melts together into one, hauntingly cohesive body and slowly unwraps into deeply magnificent and utterly mindscaping vibrant ancient terrains. A true shamanic tribal trance experience awaits!!! "A Deeper Descent", slightly longer than its ancestor, is leaded by spellbinding growls of didge, surrounded by humming wind and deep groans. During the second third thunderous drum passage sneak in, but also intensely mesmerizing shaker rhythms want to keep the pace and highlight this ceremonial rite. Your body and mind is bathed with pure sonic elixir exhibiting chromatic range of two acoustic virtuosities, more please!!! The title track "Medicine Work" keeps on the path with didge drone mysteries, but soon drumming mastery steal the show and takes it into hyper-active organics bridged with sharply shimmering shakers and tight didge backups. A highly tempestuous amalgamate, nearly 17 minutes long, reaches its volcanic peak two minutes before its end. A genuine sound magic!!! 8-minute "Gates Of Initiation" continue with more relieving mind-trip, merging hypnotic tribal rhythms, dreamtime didge, expressive breaths and primal rumbles. Yes, slightly lighter composition, but still profoundly immersing and transcendent!!! "Servants Of The Mystery" is the closing and longest piece, revealing with pristine trance-induced percussions and circling drone pipe hypnotics and growls. Evolving and cascading through briskly moving, positively psychoactive rhythm expansions before diffusing on the cloud banks of didge drones. Another fascinating soundscape!!!

Byron Metcalf and Rob Thomas are high-spirited performers, who are exposing on "Medicine Work" all their musical intelligence and artistry and demonstrate their iconic, distinctive musicianship. They both make music with heart and passion, that's "Medicine Work"!!! Amazing sound quality too, so headphones are highly recommended!!! A truly essential, deeply rewarding listening!!! And most recently, about two weeks ago Mark Seelig has stopped in Prescott Valley at Byron's new studio to enjoy their recording session for their newest collaborative project...

Richard Gürtler (Oct 06, 2013, Bratislava, Slovakia)

42


Amir Baghiri "Light Textures" CDr

Collaboration between ambient composer and painter Amir Baghiri, a native Iranian based in Germany and ambitious German Attenuation Circuit label keeps on growing. Just the same as with "Prayers For The Earth" album, also "Light Textures" CDr comes in nice origami-style cardboard sleeve with eye-catching artwork by Kati Astraeir and design by Attenuation Circuit's leader Sascha Stadlmeier known as Emerge. The album was released in July 2013 in limited edition of 55 copies and is dedicated to a Persian mathematician, astronomer, and poet Omar Khayyam, who was one of the important philosophers and teachers of the medieval period.

"Crossing The Sky" fires the journey as the longest piece clocking to nearly 20-minute mark and immediately setting the atmosphere with moon landing voice transmissions, didgeridoo dronescape, slower tribal rhythm and subtle organic infusions. Smoothly moving through various, richly sculpted elevations, from primordial magic through expansive panoramic drifts to gentle tribal grooves, always immaculately harmonious and fascinatingly spacious. A truly immersing odyssey to the deepest end of atmospheric delightfulness!!! Amir is back at his best and I am completely hooked again!!! Rather noisier didge drones straightly invade "Red, Green And Blue", flavored by humming tinkles, but soon frenzied tribal drumming escapade steal the center stage, with phantoms guarding atop. After about 4 minutes the track converses like a chamaeleon into a landscape of tranquilly moving meanders, here and there enhanced by distant roars and undulating strains. The next, 10-minute cut, "Came With Dust Gone With Winds", unfolds with gracefully floating, ebbing and swelling peaceful washes. Utterly immense soundfields are explored, a virtuoso atmospheric performance continues!!! "Neither Stay, Nor Be Away" remains in continuously embracing terrains, slightly less colossal, but as much warmly sweeping and hauntingly sonorous as its predecessor. And this calmly absorbing journey proceeds with "When The Veil Falls", where rising and falling drifts paint ethereally vaporous tapestries, monstrously wide-screen and mesmerizingly amorphous dronewalls!!! "Sleepwalking Through....", a 10-plus minutes long piece closes this masterfully sublime and divine walk through supremely soothing aural paradise with eternally tiding nocturnal blankets with deep hums showcasing apparent influence by the Master. Fascinating listening experience for all stargazers!!!

"Light Textures" album features a very solid soundscapes by Amir Baghiri, where sonics are beautifully bridged with both, the main theme and the visuals and where the overall, incredibly grandiose spaciousness is cleverly colored by some refine earthy delicacies. If I were in your shoes, I wouldn't wait too long before ordering "Light Textures" CDr because of smaller run, so act now!!!

Richard Gürtler (Sep 29, 2013, Bratislava, Slovakia)

43
Independent Music Reviews / My review of "369" CDr by Zero Ohms
« on: September 22, 2013, 05:32:10 AM »


Zero Ohms "369" CDr

US virtuoso flutist Richard Roberts known as Zero Ohms is back with his second installment for Relaxed Machinery label by utilizing his usual inventory of flutes, bass flutes and wind-controlled synthesizers. Released at the end of July 2013 (with cover design by Steve Brand), "369" is a follow-up to his masterwork "Worlds, Afterworlds" (October 2011). Zero Ohms' impressive body of work since 1998 includes also recordings for labels such as Lotuspike, Space For Music or Richard's own Zop Opus label. Acknowledged also for notable collaborations with Craig Padilla, Skip Murphy, Brannan Lane, Gordon Rhyne or Markus Reuter (this last one available as download only via Ian Boddy's DiN label).

"3", a 25-minute long piece, launches the journey with meditative flute dronescapes conjugated with the lush sounds of a fauna and sharply rustling leaves with few additional unrecognized voices, rumbling noises and baby cry thrown in. A deep listening session unfolds into pleasant long paths and undulations, painting strongly tranquilizing sceneries of forested landscapes. A truly gorgeous walk through the rural areas of outstanding natural beauty!!! Next cut, slightly shorter "6", keeps its serenely atmospheric feel although the woodwind drones create more expansive, reverberating and murmuring ambience, a quite mindscaping too. A gentle stillness hanging in the air is fully exhilarating. Fully immerse yourself and dive deeply into this relaxing soundscape and enjoy the whole essence of this impeccably magical place that is within. "9" is the ending piece clocking to 11 minutes and comprising more urgent and aerially unbounded wind-synth blankets, drifting, sweeping, humming and hypnotizing with all its warmly immense grace and great depth. Toward the end peaceful environmental sounds again sneak in, almost unperceivably and take this journey into its finale.

"369" showcases charming harmony between minimal, but strongly mesmeric soulful woodwind reveries and calmly embracing natural surroundings. Richard Roberts is the master of subtle delicacy. That's Zero Ohms in a nutshell!!! So if you are a connoisseur of masterly placid ambient music that has a properly colorful, organic touch, Zero Ohms is your ticket to a soothingly balsamic listening experience!!!

Richard Gürtler (Sep 22, 2013, Bratislava, Slovakia)

44
Independent Music Reviews / My review of "The Great Hoop" CDr by Steve Brand
« on: September 18, 2013, 11:00:15 AM »


Steve Brand "The Great Hoop" CDr

"The Great Hoop" album is one of the latest recordings by acclaimed US ambient journeyer Steve Brand. Released on one of his usual labels, Relaxed Machinery, in mid-June, 2013. Just like one of his older works, "Cahokia", also "The Great Hoop" is inspired by the magical power of Cahokia Mounds, the site of an ancient Native American city, where advanced, sophisticated and influential culture was built, centuries before Columbus reached the shores of America. Abandoned more than a century before Europeans arrived in North America, today, Cahokia Mounds is the largest archaeological site in North America, north of Central Mexico and one of only 21 UNESCO World Heritage Sites within United States.

Firstly, I am impressed by the cover image of small terra cotta figure as well as by inside panoramic photo featuring words of Black Elk, of the Oglala Sioux. His writings, as stated by Steve Brand, inspired some of the track titles. The opener, 16-plus minutes long "Great Plains", grabs quickly my attention with its minimal texture, but enormously expressive with the use ancient tools such as flute, rattles, shakers, guarded by distant, soothingly waving washes and occasional spirited whisperings by Jill Brand, Steve's wife. Very sparse, but strongly embracing, with gorgeous interactions between contemplative primordial ambience and majestically permeating stillness. This composition is magnificently displayed by the insert's inside panoramas. Slightly longer "Hoop Of The Earth" is again sparsely sculpted, but slightly more frightening as chorus of howling coyotes (contributed by Shane Morris) breaks the dark night. Then the fore is invaded by rising and falling drone reverberations along with emerging field recordings of rain. Small flute cacophony joins the stage with assorted, peculiarly unsettling rumbles, some heavy drum beat infusions and other sounds of archetypal instruments. Quite minimal, yet richly transmuting sonic travel into deeper shamanistic realms. Expansive soulful flute wizardry leads "Medicine Bag Ghosts" surrounded by morning frog calls after a rainy night. Deeply humming drones sneak in later with trance-inducing tribal rhythms delivered by guest Paul Casper aka Frore and hallucinogenic voice magics. Massively immersing and intensively transcendental alchemy creating a powerful tribute to Native American spirituality. Large dose of ultimate sonic medicine is served here, a true masterpiece!!! "Mountain Pass" unfolds with graceful bass flute murmur spreading across the valley, intervened by cavernous twinkles with some uncanny faunal sounds swirling above. Deeply panoramic drone warmly rises and expands in gorgeous harmony with acoustic musings and mysterious ethnographics. Another virtuoso performance, bravo!!! "Suspension Vision" remains in stunningly flavored terrains, amalgamating evocative ethnic instruments, distinctive whistling traceries, placid natural sounds and gradually evolving, climaxing and dissolving, spectacularly imposing drone walls. This is a truly grandiose conclusion of "The Great Hoop"!!!

CDr edition with slim jewel case packaging doesn't justify the content of this album, but this is the same old story mentioned in my previous reviews of Steve Brand's recordings. But one thing is clear, "The Great Hoop" is absolutely breathtaking journey to the frontier of primordial shamanistic electroacoustic soundmagic. The best work of Steve Brand to date and one of the finest albums of 2013 so far!!! Deep respect, Maestro!!!

Richard Gürtler (Sep 18, 2013, Bratislava, Slovakia)

45


Oöphoi & Ran Kirlian "The Physics Of Heaven" CDr

This collaborative project was released by Altera Orbe at April 20, 2013, just one week after the passing of Gigi, the grandmaster behind Oöphoi. The semi-finished recordings for this album were sculpted by Gigi at his studio Kiva during 2009-2011, while Ran Kirlian brought this highly ethereal effort into its final shape at his Blue_Room studio during 2012-2013. Italian Gianluigi "Gigi" Gasparetti aka Oöphoi needs no introduction here, he is one of the most respected drone virtuosos, who has left us tremendous amount of unforgettable aural meditations and who will always live in the memories we deeply treasure. Ran Kirlian, one of the driving forces behind Altera Orbe label, is one of the rising stars of the compelling Spanish ambient scene along the likes of Max Corbacho, Bruno Sanfilippo, Landru and Joxan Ruiz.

"The Physics Of Heaven" album immediately attracts with its impressive cover artwork, based on Oöphoi's original image with some additional manipulations by Ran Kirlian. The voyage launches with "Breath", which dives straightly into monstrous chasm of waving voice-like drones, monotonously embracing and guarded by distant rumbling metallic eeriness and organic traceries. 10 and a half minutes long drone wizardry, transporting into superiorly magnificent realms. "Ascend" takes us directly into a towering spiral journey, continuously expanding and excessively drifting through spatial immenseness. Grandiosely reverberating mind-bender!!! "White Shores I", the longest composition here with 20 minutes in length, unfolds into gorgeously graceful dimensions, where ebbing and floating washes are merged with soothingly sweeping ocean waves and seagulls calls. A beautifully continuous and mesmerizingly contemplative images are emerging and carrying the listener away into magically eternal domains. A deeply sophisticated atmospheric bliss, a journey into a vast emptiness of unexplored nothingness, an ultimate magnum opus!!! Exploratory odyssey culminates and reaches "White Shores II" and then tardily fades away into tranquil sublimity of celestial grandness. Relentlessly amorphous and warmly luminous!!! "Transmigration" shifts into monotonous shadowy drone terrains, rather monochromatic with flood tide of intenser, slightly fearing soundwalls. Profoundly mindscaping experience awaits!!! "The Golden Fields" close this exceptional journey with drones swerving into tremendously heartening metamorphosis, where light and dark colors compassionately coalesce together with soothingly encircling field recordings and emit marvelous gleam of blissfulness. Pure magic, thank you so much!!!

"The Physics Of Heaven" is absolutely essential, spiritually powerful recording, uniting together two kindred spirits, who explore the continuum of life and death. Ran, we are very grateful for bringing this album to us, Gigi would be really proud of it!!! The memory of this wonderful person will always be in our hearts. Gigi, we all miss you greatly!!!

Richard Gürtler (Sep 14, 2013, Bratislava, Slovakia)

46


Meg Bowles "The Shimmering Land" CD

"The Shimmering Land" is a brand new album by highly applauded US ambient composer Meg Bowles, released during June 2013 through Meg's own Kumatone label. A follow-up to "A Quiet Light" album from February 2011, which marked composer's return after 12 years of silence. In mind with extraordinary works from the 90's such as "Blue Cosmos" or "From The Dark Earth" (featuring David Bilger, Principal Trumpet of the Philadelphia Orchestra), I am always ready for another deeply contemplative listening exploration by this crafted artist from Connecticut.

The album, packaged in elegant 4-panel digipak, starts with 7-minute "Undulant Sea", which spreads with serenely floating washes, smoothly meandering throughout the piece, coupled with gently fragranced, crystalline embellishments. Synthetic percussive part, nicely echoed, moves to the fore and elatedly swirls across the ears in beautiful harmony with warmly melodious sequences and sublimely expanding horizons. Graceful waves of angelic choir-like drifts invade for the closing 3 minutes. Absolutely gorgeous opening, Meg Bowles is back at her best!!! "The Sweetness Of Mist" immediately attracts with its deeply reflective atmosphere with continuously embracing and immersing majesty and grace of opaque realms. Serenely floating and slowly culminating into more monumental splendor. Then again peacefully diminishing into balmy harmonious reverie. The journey continues, this is another hauntingly enveloping texture!!! "Venus Rising" is the longest piece, clocking to nearly 14 and half minute mark. Serene expansions and subtle transitions from tranquil wide-screen blankets to more dramatic scenarios with spaciously intense and powerful tides, richly magnificent in depth. These sonic panoramas are masterfully bridged and harmonized and deliver a truly captivating listening experience to each enthusiast of sublimely comforting soundscapes. This atmospheric essence safely overlaps to the next composition, "Into The Gloaming". Again gracefully moving through enchantingly celestial realms, with fascinating interactions between calmly washing passages, guarded by angelic appearance, and unfolding dramatic culminations. Skilfully enriched here and there by various high-tech hissy clusters and organic rattles, adding distinctive, slightly cybernetic touch to this stunningly absorbing and glowingly exhilarating ambience. Bravo, certainly one of the pinnacles of "The Shimmering Land"!!! "Beneath The Radiant Stars" remains in magnificently tranquil nocturnal terrains, slightly mysterious, surrounded by beautifully textured cascades with alluringly illuminating clinks, tinkles and swirls. Again majestically meandering and gently peaking and intensifying, definitely another full-bodied soundsculpting showcasing the virtuosity of Meg Bowles!!! "Nightwalk Across The Isle Of Dream" reveals with darker drone hum on the back and warmly inviting celestial choir on the fore. Ever-changing texture is filled with strikingly beautiful ethereal sonic crescendos and stunningly immersing enigmatic atmozones with delicate orchestral touch. Sparse exotic sound traceries can be detected as well. The music is as much charmingly soothing as its title, a very strong conclusion!!!

Not to forget, on the top of the pure sonic beauty and tranquility, you get also superb sound quality, the album was mastered by Richard Price, a husband of Meg Bowles and a Grammy award-winning producer, mastering engineer and president of Candlewood Digital, a classical music recording company based in New Fairfield, Connecticut. "The Shimmering Land" CD is another greatly accomplished recording from Meg Bowles, don't miss this sonic jewel!!!

Richard Gürtler (Sep 08, 2013, Bratislava, Slovakia)

47


Steve Roach "Live Transmission - From The Drone Zone At Soma FM" 2xCD

This double CD, released by Projekt during August 2013, documents two-hour live performance from The Drone Zone radioshow at SomaFM at May 7th, famous commercial-free internet-only radio station based in San Francisco. Officially launched in February 2000, the Drone Zone was its first station. Hosted by Rusty Hodge, the founder of SomaFM.com. Planned and discussed for few years to create a first-time-ever live electronic transmission directly from the SomaFM headquarters, this live session followed only two days after Steve's concert at applauded AMBIcon 2013 festival in San Rafael, CA. Steve Roach traveled to the SomaFM's headquarters with a portable version of his Timeroom Studio. Listening to a live stream of this performance was for me a truly magical experience that still deeply resonates. Now, with this double CD each connoisseur of fine ambient soundscapes is able to transport these exceptional moments directly to his/her own listening environment. Packaged in elegant 6-panel digipak featuring 4 live photographs taken by Rusty Hodge. Additional credits for packaging include Dawn Wilson-Enoch for Spiral Fossil photo and Sam Rosenthal for graphic design.

22-minute long "In The Light Of Day" fires this unforgettable journey with gorgeously ebbing and flowing ethereal atmozone. Later on occasional crystalline rumble step in and awakes primordial shaman. Soon followed by gently invasive, locomoting tribal trance magics, enhanced by enigmatic breaths. Absolutely magnificent sonic travelogue, bridging cyber-reality with ancient excursion. With headphones on, the listener is immediately taken to the forefront of transcendental sonic realms, a true shamanistic powerhouse is back again!!! Most likely born on the ashes of lost piece "Light Of Day" from 2001. "Zone Of Drones" calms down, yet remains in mysterious chasm pervaded by soaring drones, colored here and there by high-tech fragments and guarded by distant phantasmagorical voice eeriness. The next piece, "Looking For Safety", unfolds with eternally majestic and grandiosely panoramic desert drifts, beautifully expanding and floating through warmly embracing cascades. Mesmerizing cyber-trance grooves join the stage and stunningly interact with evocative wide-screen stark landscapes, toward the end soothingly riding atop of whimsical flora and fauna. Ultra immersing, 14 and half minutes long aural bliss awaits!!! Ancient memories of magical "Dreamtime Return" revive... Amazing fujara sounds along with chirping birds and insects lead "Reflecting Chamber" (fujara source credit goes to Dirk Serries). I am always really proud when hearing this instrument in ambient music, because this majestic deep-bass overtone folk flute is a native instrument of Slovak shepherds, preserved over centuries in its original shape. Fujara slowly disappears, circling drone groan steps to the fore, but soon pristine, gently hypnotic tribal beat artistry (original source by Byron Metcalf) steals the show, shortly followed by didgeridoo barks. Intensely absorbing and powerfully magical aural perfection, welcome to the tribal ambient paradise!!! By the way, different, shorter version of this track appeared for the first time on phenomenal "Light Fantastic" album in 1999. The closing cut, "Kairos Portal", reveals through mysteriously spiraling drones, but soon softer luminous cyber-tech pulses invade and precisely amalgamate with backing monochromatic drone walls (originated from "Resonation Portal") and lead into fast-paced hypnotic culminations. Quite short, but splendidly expanding symbiotic mindscape!!! A superb one-hour CD, greatly polished in every detail with top-notch sound quality, certainly another proof why Steve Roach is one of the unquestionable giants of ambient genre. He did it again!!!

The second CD opens with "Vortex Immersion", a 32 and half minutes long composition, placidly meandering through softly gurgling cyber electronic realms. After 10 minutes trance rhythm slowly arise, move in ever-changing tempos, escalate into speedy locomotive-like movements and then fade out, while unpredictably coiling and twisting synthetic currents modulate and undulate continuously throughout. Beautifully hypnotic transitions, richly fragranced in intensity and movement, are deeply intriguing and vigorously adventurous. Electro-organic convergence at its most forceful!!! "Westwind" kicks attractively and actively with sharp and rapid sequence mingle, expanding, swirling, climaxing and orbiting in analogue heaven. Nearly 17 minutes of luxuriously energetic as well as gorgeously resonant brilliance!!! The original, slightly longer version of "Westwind" ignites fantastic "Proof Positive" album. The grand finale of second disc is provided by "Today", a very special composition, its original version was recorded live in the morning of February 16, 2013 and at the same day published as a download gift for all fans of Steve Roach. This date is also Steve's birthday and he recorded this track with his mobile live studio, which he set up for some days in the empty house in San Diego, where he grew up. Get ready for ultimate 17-minute listening excitement that is "Today"!!! Hauntingly expressive sparkling sequences precisely interact with utterly evocative floating and sweeping atmospheric splendor, tranquilizing cicadas emerge from the nocturnal stillness. Deeper drone shadows sneak in for the closing 6 minutes. This track masterfully captures profoundly evocative moments, where long buried memories awake and bridge with presence. Full immersion is guaranteed, a masterpiece!!! Now my dreams of "Life Sequence 2" are revealed...

"Live Transmission" is undoubtedly a crème de la crème of 2013!!! A truly monstrous, fully packed comprehensive double CD set gloriously documenting ingenious soundworlds by The Master unfolding in front of the attentive listener. Hats off to Steve Roach & Rusty Hodge!!!

Richard Gürtler (Sep 07, 2013, Bratislava, Slovakia)

48


Luca Gherardi "Cosmosis" 2xCDr

Italian soundsculptor Luca Gherardi, based in Bologna, is most likely better known under his STN09 moniker, a project focusing on dark ambient terrains bridged with some martial/industrial fragrances, but now he acts under his real name. I was pointed to his solo debut "Distant Earth" by my good Italian friend Toni (molte grazie!!!) shortly after its release in October 2012. This release clearly marks Luca Gherardi's move to quieter, nocturnal ambient landscapes, although few noisier dissonances are still active. His next work, entitled "Cosmosis", was released at the end of June 2013 by his own LKN Productions label as a double CDr album, packaged in elegant A5 4-panel sleeve with stunning cover images (layout & design by Pesten). "Cosmosis" exists in two limited editions, the normal, above mentioned edition was available in edition of 40 copies while the ultra limited edition features on the top of that extra space cards and black laminate envelope and was limited to 11 copies. Unfortunately, both editions were sold out even before I was able to publish these lines, but "Cosmosis" definitely deserves this attention!!! This double album is still available as download and who knows, maybe one day there will be some re-issue...

As already mentioned, the cover artwork, both outside and inside, looks absolutely gorgeous, simple, but strongly effective and immediately sets the atmosphere for the upcoming sonics. First extra points are awarded already!!! The liner notes include also dedication to Gianluigi Gasparetti. The first CD is entitled "The Dawn Of The Morning" and it unfolds with long form odyssey "Uranus", reaching 27 minutes in length. It moves through exquisitely colorful space elevations, ranging from quieter drifts with gentle embellishments to low drone hums, from ear-bending, tensive soundwalls, filled with drama and depth to monstrously elevating panoramic aural bliss at its most powerful and graceful!!! Certainly a jaw-dropping deep space soundscaping by Luca Gherardi, bravissimo!!! Shorter title track, "Cosmosis", is invaded by warmly tranquil drifts, relieving the tension, with heavenly voice-like guards safely riding atop. The next composition, "Memorie dall'Infinito Part 3 - Sea Of Tranquillity", as indicated by its title, remains in serenely surrounding sceneries. Field recordings of seashore waves with some children voices create a wonderfully relaxing atmosphere, which smoothly shifts into immense drone dimensions, hauntingly embracing each listener. Few gently thrown disruptions, maybe some kind of processed seagull calls, add nice flavor to this expanding and progressing movement. "Unknown Orbitation" delves deeply into mindscaping drone territory, enhanced by assorted space rumbles. Again journeying through various passages, from hypnotic to ear-tickling, from cyber-infused mystery to charmingly captivating. Shorter "Mornings..." blends early morning rain environments with gentle cyber sparkles and nostalgic modern classical ingredients. The closing part of disc one, "Memorie dall'Infinito Part 4 - Paradise?", enters into minimal terrains, which slowly expand into more spacious vistas, becoming more tranquil and sublime. This celestial grandness is later increased by well-placed astronaut transmissions. An ultimate sonic paradise!!! Wow, the first half of this 141-minute journey is absolutely thrilling and magnificent, this is deep space soundsculpting at its most transporting!!!

"Omega" is the title of second disc, which opens with "Omega I - Nebula", a 22-plus minutes long composition featuring rather lighter, dreamscaping washes. Diverse catchy dissonant clicks, electronic cicadas, distant hums or sharper, hissy fragments on the back carefully decorate the overall mood and emphasize its unbounded spaciousness and spellbinding gracefulness. Another outstanding interstellar odyssey, magnífico!!! Two shorter, transitional pieces follow, mysteriously droning "Apophis" and celestially flavored "Melancholia" bridged with abyssal rumbles and minimal modern classical piano part (guest piano by Marco Carlucci). 41-minute long composition "Omega II - From Antares To Canis Majoris..." closes this amazing journey with huge amount of adventurous transitions, where deep, humming drones interact with richly colorful disruptions. Slowly unfolding, expanding, floating, cascading and culminating into mammoth "all-inclusive" deep space drone wizardry. Hauntingly immersing and gigantically fascinating grand finale, which will please each outer space aficionado. Another must hear track!!!

Luca Gheradi did absolutely fantastic job with "Cosmosis", which safely drifts on the edge between ambient and dark ambient realms. "Cosmosis" showcases his huge talent and potential. It's a pity, the physical copies are not available anymore, because work like this deserves much bigger exposure, but we all know there is no justice in music industry. But don't give up, try to get in touch with Luca, maybe he has still available some top secret copies... Right now, as I am finishing these lines, Luca works on his next release, again described as night ambient music, 2-3 new tracks are in works, so make sure to stay tuned, I definitely will, because I am sure this Italian guy has a lot more to offer. To me, Luca Gherardi is one of the biggest revelations of 2013 and "Cosmosis" double album is a true sonic treasure from start to end!!!

Richard Gürtler (Aug 31, 2013, Bratislava, Slovakia)

49


Robert Rich "Trances & Drones" 2xCD

I was always dreaming about penning down few lines on this very special recording, I think today is the right day, so let's do it. Yes, "Trances/Drones" is a very important recording for me, I still keep clearly in mind the day in 1995 when Extreme edition of "Trances/Drones" crossed my targets. My sonic explorations were culminating around that time. But as soon as "Hayagriva" invaded my listening room, I knew something special is about to happen... Yes, a brand new gates were unlocked, a definite turning point!!! Of course at that day I didn't know too much about the guy named Robert Rich, but soon after that I dove deeper into the soundworlds of Robert Rich and soon realized amazing facts about this release. Robert Rich has recorded tracks for "Trances/Drones" during 1982 and 1983, aged between 19 and 20 years old. And this is what fascinates me the most!!! This was also the period of time, when Robert Rich has given his legendary sleep concerts during his studies at Stanford University. All these recordings were a truly visionary work, that soon became a base for his future extensive body of work. Firstly released as three separate cassettes "Sunyata", "Trances" and "Drones" by Robert's own Soundscape Productions label, in 1994 for the first time presented as a double CD edition "Trances/Drones" by Australian Extreme label featuring most of the tracks from these three cassettes, in remastered versions (remastered in 1993 by Robert Rich with the assistance of HoS veteran Bob Olhsson). First reissue followed during 2000 on US label Release Entertainment, a sublabel of Relapse Records. Now, 13 years later, we can celebrate a really gorgeous, richly repackaged digipak reissue by Hypnos (big thanks to Mike Griffin!!!) in collaboration with Robert's Soundscape Productions, released during July, 2013. The return of the Milestone!!!

Maybe it's not usual reviewing 30-year old recordings, but I don't mind, because this music sounds exceptional and it keeps on revealing its magic even in 2013!!! Also excuse me for being too personal in this review, but these are my feelings about "Trances/Drones" and this is the way I will always treasure this extraordinary piece of art!!!

The journey unfolds with "Cave Paintings", the listener is immediately transported into mysterious forest, falling night with serenading cicadas-like sounds, the full immersion invades, the darker, drone passages are stunningly intermingled with lighter traceries and rather high-pitched, soaring lap steel guitar expressions, always harmoniously fitting and progressing. Slightly nostalgic feel surrounds the entire, 24-minute long composition. A virtuoso opening!!! The next track, a 25-plus minutes long opus, is entitled "Hayagriva", a live recording. It dives straightly into breathtaking abyssal realms, modular synth drones meander through spectacularly magnificent cascades, drifting from more resonating, heavy weight passages through phantasmal, dramatic elevations to ear-tickling dissonances. This is extremely mind-blowing sonic experience, one of the most intense I have ever heard, what a journey!!! "Sunyata (Emptiness)" is the oldest piece on "Trances", recorded in 1982. With this composition, Robert Rich invites each listener to enter uncharted shadowy terrains and explore uniquely organic soundscape at its most primordial. Sounds of gentle rain drops and chirping frogs are merged with dense drone walls and strange flute-infused roars. And guarded throughout by otherworldly amorphous groans. A must have for all connoisseurs of the finest deepness and darkness!!! All in all, "Trances" is enormously triumphant sonic adventure, introducing among others bamboo flute and lap steel guitar magics, which later became significant characteristics of Robert Rich's brilliant soundsculpting.

"Drones" reveal tranquilly with 30-minute "Seascape". It exactly sounds as it is titled, elegantly warm, atmospheric cascades are blanketed by soothing ocean wave sounds. As the composition proceeds, calm coastal landscape continuously expands into more disruptive, yet continuously immersing drone bliss. Lots of beautiful meanders, hauntingly serene drifts invade and fade away, then deeply mindscaping shifts steal the show with resonating drone walls and eerie moans. Then smoothly gliding back to more aerial and restful shoreline panoramas. Echoed string wizardry takes "Seascape" to its conclusion. A truly phenomenal composition!!! "Wheel Of Earth", only slightly shorter as its predecessor, swiftly reveals its magic with the invasion of ultra deep slow drones, shortly from the back, milder, soaring fragments sneak in to thick the overall sound massiveness, which strongly embraces with its monotonousness. This is Robert Rich at his most mesmerizing!!! "Resonance" free falls into immeasurable deep chasm of coldly resonating hums intertwined with intangible dim fragments. Ghostly dronescapes provide really serious exercise for your speakers and additional massage for your belly too... By the way, "Resonance" is an exclusive track to this set, recorded in 1983, it didn't appear on any of the three above mentioned cassette releases. And undoubtedly, "Drones" are as much fascinating and glowing as "Trances"!!!

Robert Rich is one of the true masters of our genre, monstrously talented, creative, sophisticated and distinguishing!!! Today, at August 23rd, 2013, when I am publishing these lines, Robert Rich celebrates his 50th Birthday. This is my little big thanks, Robert, for all your wonderful music, enjoy this special day as much as we enjoy your essential sonic innovations throughout all these years!!! We all have a special day every time you release a new album!!!

Richard Gürtler (Aug 23, 2013, Bratislava, Slovakia)

50


Phillip Wilkerson "Sojourner" CDr

After numerous download only releases during the last year or so, in Naples, Florida based ambient drifter Phillip Wilkerson returns with his newest album, again released also on CDr format through his usual output via Kunaki. Out since July 30, 2013, I was immediately hooked by soothing cover image (done by Danish documentary photographer Flemming Bo Jansen, additional artwork credit goes to US landscape painter Damon Pla), which precisely illustrates Phillip's free floating tranquility. On the top of that, his extensive liner notes set the overall atmosphere even before entering these relaxing aural realms. And for the mastering knobs was responsible Robert Rich.

"Sojourner" opens with 12-plus minute "Epiphany". Slower circles of calmly embracing washes invade and warmly float and glide, filled with infinite peace and grace, with touch of longing mood. Deeply contemplative journey awaits here!!! "Sanctuary", as its title indicates, is slightly more monochromatic and mysterious, capturing more extensive, cathedral-like ambience while the next composition, "Sunlit Drift" moves majestically through captivating panoramas, yet keeping its monotonous dimension, but always pleasantly warm, wrapped by sorrowful atmosphere. "Gates Of Mercy" are unlocked and the listener slowly dives into more massive and immense sound fields, where utterly sublime passages are carefully tied with slightly more intense, wealthily evocative, but gentle cascades. Magnificently immersing, 16-minute long masterpiece transports us into warmly heartwarming and tranquilizing sonic paradise. Certainly the ultimate highlight of "Sojourner" proving the bravura of its creator, most likely my all-time fave composition by this Floridian!!! "An Endless Light" keeps on soothingly floating path, at once quieter, almost silent, but in a few seconds shifting into slightly thicker and intenser level and then moving back again. Just like the gentle ocean waves sweeping the shoreline on the album's cover. "The Awaiting Presence" is the closing and longest piece, getting over 22 minutes in length. It attracts immediately with its sheer beauty of deeper, grandeur drone walls, which morph through mesmerizing, wide-screen sceneries to more dissonant and mind-bending tensions. Toward the end calmly fading away into absolute peacefulness. A superb ending!!!

If you are craving for serenely drifting dreamscapes, always emotionally rich, Phillip Wilkerson is the guy you can definitely bet on!!! To me, "Sojourner" is the pinnacle of his extensive list of recordings. And if you still prefer rounded silver objects like me, Phillip Wilkerson's complete CDr discography is available at very friendly prices via Kunaki, so make sure to explore it and get ready for deep listening sessions!!!

Richard Gürtler (Aug 17, 2013, Bratislava, Slovakia)

51
Independent Music Reviews / My review of "Lux Primordia" CDr by Telomere
« on: August 04, 2013, 07:33:07 AM »


Telomere "Lux Primordia" CDr

In California based Christopher MacDonald known as Telomere returns after more than 5 years of silence with brand new work, his 4th full length album entitled "Lux Primordia". Released during January 2013 through his own Evenfall label. This time available in CDr format, but again heavily loaded with some of the most magnificent deep space soundscapes ever created on Serge Modular and Roland Jupiter 8 synths.

This guy didn't lose anything of his mastery, it's strongly evident during the opening piece, clocking to nearly 9 and half minute mark. "Sol Zero" takes us to sublimely graceful zones, tranquilly floating and warmly expanding into utterly infinite domains. Gently enveloping monumental soundwalls are masterfully amalgamated with harmoniously glimmering spirals. What a journey, welcome to Telomere's deep sonic heaven!!! "Flightpath" unfolds with oscillating embellishments, guarded by deeper drones. Meandering and quietly outbursting helixes invade and swirl around your ears. All surrounded by endlessly sublime grandness!!! Space hums announce "Spiral Arms", but soon heartwarming drifts steal the show, enhanced by wide-screen, dramatic waves and melodies with strongly touching feel. Elegant and gracious!!! The next composition, "Visions", is the longest one on this odyssey with 10 and half minutes. Expansive dronescapes are richly colored by hauntingly immersing cascades and transitions. The myriads of dissonant sparkles and twists emerge, all the time in refined harmony with spatial emptiness. Again wealthily packed with darker and lighter motifs. "Celestial Sky", as displayed by its title, unveils with immense drones, attentively enriched by assorted euphoric glimpses, giving to this piece its ultimate magnificence. Certainly another highlight, fully absorbing and rewarding, and showcasing tremendous potential of this Californian space drifting maestro!!! "Startides" dive into deeper drone realms, spaciously weaving and transferring from tighter spheres into lighter passageways, before quietly fading away into peaceful silence. "Pillars And Jets" provide the closing episode, with slightly more monotonous feel, yet gently flavored with warmly inviting fragments and gracefully drifting through gorgeous space sceneries. Beautifully mesmerizing finale!!!

Telomere did it again, "Lux Primordia" is another sonic pearl revealing all grace, marvel and exhilaration of deep space realms!!! And yes, Telomere is still one of the best kept secrets. Undeservingly, because Christopher MacDonald is marching shoulder-to-shoulder with the giants of this genre!!! "Lux Primordia" is a must have, just like each of his previous albums!!!

Richard Gürtler (Aug 04, 2013, Bratislava, Slovakia)

52


Netherworld "Alchemy Of Ice" CD

36 degrees Celsius outside, the temps still move up, my head is burning, however I am ready for another aural journey and I can't imagine better album than "Alchemy Of Ice"... Alessandro Tedeschi, the leading soul behind amazing Glacial Movements Records, has released during May 2013 his newest album "Alchemy Of Ice". So after "Mørketid" (April 2007) and "Over The Summit" (January 2011), it's time to fully experience another breathtaking sceneries of vast open icy landscapes of the polar regions, unmistakable trademark signature of all Glacial Movements releases.

Precisely selected track titles with traditional photo and image wizardry by Bjarne Riesto and Noah M swiftly transport and transcend each listener into stunningly spectacular places even before pressing play button on your CD player. Aural pleasure follows as soon the title track "Alchemy Of Ice" invades my listening room and the temp drops down. Encircling icy abyssal hums immediately give exercise to my speakers. Bells provide slightly mysterious images while raising and falling drone tensions take center stage and do their deeply embracing mission. Occasional piano motifs and distant low heartbeat join as well. Images of snow capped church somewhere on forgotten remote arctic land emerge... Silent mystery of "Polo Nord dell'inaccessibilita*" is masterfully counterpointed with murmuring rumbles and then magnificently interrupted by hissy winds and appealing voice transmissions, all wrapped by hauntingly melancholic blankets and slenderly lighted by moonlight with icy fog. Splendidly minimal, but all the time monstrously immersing, this is certainly Netherworld at its most crafted, bravo, Alessandro!!! "Icepulse" introduces slightly modern classical-infused piano melody, but drone rumbles and alien breaths keep the composition within immense arctic panoramas. Slow drone walls increase and decrease, all ingredients, although always sparse, attract with the synergy, harmoniously bridging warm acoustic motifs, sonorous drones and eerie dissonances. Another big one!!! Shorter "White Silence" blends distant monochromatic drifts with intense sonic spirals and frightening harsh ruptures. Some strange sounds enter, maybe it's the wood frog before drifting into a deep, frozen sleep... "85°50'S 65°47'E" moves slowly into warmly glimmering and colossally wide-screen glacial ice fields. Chasmal roars, ghostly reverberations, slowed down heartbeat, tinkling embellishments and background voices color this fascinating journey to explore incredibly desolate sheets of billowing whiteness. Netherworld keeps on ruling!!! The closing composition, "Hymns To A Melancholic Sunset", again perfectly demonstrates Netherworld's trademarks, sublimely ebbing and flowing drones, strongly focused on soothingly interacting evocative tapestries with crystalline silence. A truly gorgeous finale!!!

After nearly 44 minutes I should leave these highly refreshing Frigid Zones, but I don't really want to go away, more please!!! Renowned Denis Blackham did the mastering job. I think "Alchemy Of Ice" is a magnum opus by Netherworld and it tops any of his bigger label-mates' releases on Glacial Movements. And wait until "Alchemy Of Ice" will reveal all its magic during the time, when snowflakes knock on your window... Congratulazioni, Alessandro!!!

Richard Gürtler (Jul 28, 2013, Bratislava, Slovakia)

53
Independent Music Reviews / My review of "Shadowlands" CDr by Frore
« on: June 30, 2013, 09:37:06 AM »


Frore "Shadowlands" CDr

Frore is Paul Casper from Virginia Beach, who spreads his composing talent not only with his tribal ambient infused project, but also with Scar Limit, focusing on harsher, industrial terrains. But we will remain in quieter electro-acoustic realms, so let's take now a closer look on Paul's newest work entitled "Shadowlands", which was released on Relaxed Machinery during March 2013 as Frore's 5th full length album. Frore's discography include also two CDr albums, "The Nameless Place" (2009) and "Undercurrent" (2013), both released via Dark Duck Records, as well as two download releases for Earth Mantra, "The Raven" (2009) and "Axis Mundi" (2012). Frore has already achieved a lot of positive reactions with his previous albums, so I am very glad to see this gifted soundscaper taking his part in Relaxed Machinery community, it's well-deserved!!!

In case you are not familiar with Frore, "Shadowlands" is a perfect example, where Paul Casper skillfully utilizes except electronics also various acoustic instruments. The opening "Sky Glow" precisely bridges modern with ancient, expansive, wide-screen desert drones intermingle with gently emerging and evolving tribal pulses. Myriad of gradually increasing percussions coexists in absolutely gorgeous synergy with primordial wind instrument invasions (flutes, Slovak fujara...) and mysteriously immersing drone zones. This is definitely a tribal ambience at its finest, a true medicine for my ears!!! "Terra Pulse" unfolds with sparse, but deeply ebbing abyssal drifts augmented by assorted distant rumbling dissonances. Later balmy tribal pulses smoothly invade, progress, cascade and culminate into cavernously evocative and hypnotically intense shamanistic journey. Again richly detailed and hormoniously spellbinding, another big one!!! Announced by a thunder, a 19-minute long "A Fevered Sleep" moves into softly radiant groove terrains, smoothly growing into mesmerizingly ritualistic climax. Second third embraces with its quieter and meandering surface, fully captivating, before sneaking back into groovier ethno origins. Towards the end, miscellaneous sonic artifacts awake and take us to gorgeously spectacular subterranean cavern. Aurally delicious and glorious composition!!! "First Ray Of Light" continues on this stunningly absorbing path, where warmly aerial washes sweep across tranquilly graceful panoramas, here and there meticulously enriched by distant tinkles. This is Frore at its most serene scenario, monstrously visualizing and soothingly surrounding!!! Desert-ambient maximus!!! Gentle rain sounds lead "A Name On The Wind", but soon heartening mandolin's stringed wizardry joins the stage with utterly evocative drifts. Later on gorgeously poignant shakuhachi flute steps in, but it's Armenian duduk that steals the whole show with all its magical beauty and expression. Immense cinematic drone textures with seductively yearning acoustics are fused in absolutely magnificent fashion. Creme de la creme of "Shadowlands"!!! And even if slightly reminiscent of longing atmospheric splendor explored on "Fissures" milestone, "A Name On The Wind" gets promptly my nomination for Ambient Hall of Fame!!!

Hats off to Paul Casper, Frore is certainly one of the rising stars on tribal ambient scene and "Shadowlands" album only confirms this status. Exquisitely fine in flavors and instrumentations, yet virtuously balanced work showcasing huge talent, accomplishment and potential of its sculptor. I also hope one day the albums like "The Raven" and "Axis Mundi" will find their way to a silver disc... But until then, "Shadowlands" album is a really triumphant release to get!!!

Richard Gürtler (Jun 30, 2013, Bratislava, Slovakia)

54


Siyanie "Homo Multidimensional" CD

Siyanie is a newcomer ambient project hailing from Russia, fronted by Sergey Ilchuk (from Yaroslavl) and Dmitry Shilov (from Moscow). But both protagonists are experienced soundscapers from ambient/experimental scene, who were recording as Vresnit, Voe_Ero, Pugna... (all by Sergey Ilchuk) and Neznamo (project of Dmitry Shilov). "Homo Multidimensional" album was released during January 2013 on Moonsun Productions label, a small label run by Sergey and Dmitry, as a third release by Siyanie. The other two are "Shining Of Unity" album and collaboration with Neznamo entitled "Sonans". "Homo Multidimensional" strikes immediately with its visual presentation, the CD comes in 6-panel sleeve with insert card with extensive instructions for "Homo Multidimensional" written in Russian and English. This is a limited edition of 300 copies, but there is also a special edition of 13 copies, which features additional 15 A5 art prints, all designed by Sergey/Siyanie Art. The whole artwork is stunningly gorgeous, a pure visual bliss for your eyes!!!

"Homo Multidimensional", focusing on multidimensional nature of human being, starts with "Evolution Tracery", where distant aerials are leaded by Russian spoken male sample, soon deeply hypnotic-infused ambience steal the journey. Masterfully flavored by celestial choir-like drones, intensely psychoactive spirals, remote expressive flute magics and various fragile tinkles. All distinctively layered and shaped in one utterly delightful and powerfully immersing composition that precisely interacts with the visuals. Wow, this is absolutely sensational and breathtaking, bravissimo, Sergey & Dmitry!!! Colorful organics invade "Spaceship Human Body" along with glitchy haze. Various spoken samples appear together with all kinds of shiny chimes and swirls. Spatial voice-infused mesmerism with trancey drone blankets safely weave above. Huge dose of tranquilly homogeneous elixir awaits, these guys rule!!! Even if I am not familiar with any of their older projects mentioned above, I still feel quite ashamed for not exploring Siyanie much earlier, but the more I am enjoying it now!!! "Dimensions Womb", with 5-plus minutes the shortest piece on album, strikes promptly with warmly inviting guitar space-sounds recalling the old, long forgotten memories. Soaring string wizardry with some pleasing dissonances paint hauntingly transporting sceneries, filled with filigree craft and divine grace. Female prayer chants open "Incarnation Mystery", this composition slowly builds and remarkably expands into mysteriously colored primordial realms with deeply submerging touch. The chants remain hidden on the back and become quite phantasmagoric, while enormously transcendental aural circles move to the fore. Male/female voices and more dominant organic rumbles again invade during the closing minute and masterly enrich and balance the whole journey. This is absolutely phenomenal composition displaying the huge potential of Siyanie!!! "Blissful Dolphin" merges soothing washes with guitar splendor into mesmerizing reverberations enhanced by assorted cyber embellishments (maybe some kind of processed dolphin whistle-like sounds...). A truly joyous and peaceful, just like these fascinating marine mammals. And as much blissful for the listener too!! "Goddess Birth" unfolds with organic intro, but soon immense space domains are encountered with choir-like drones guarding above. Gently expressive flute traceries along with soft string clinks permeate too to stimulate the synapses of all electro-acoustic aficionados. "Realm Of The New Measure" closes the odyssey with strongly trance-driven dreamscape, extensively spiraling and mindscaping. My jaw remains dropped...

Yes, to me, Siyanie is certainly one of the biggest revelations I have heard lately!!! These Russian guys are enormously gifted and creative, with "Homo Multidimensional" they deliver an "all-inclusive" product offering gloriously polished and breathtakingly enthralling enjoyment, powerfully tranquilizing and monstrously mesmerizing, that will fully reward your ears and eyes. Highly recommended and no matter, if you get the arty special edition or the regular limited version. Bolshoe spasibo, Sergey & Dmitry!!! Keep on journeying!!!

Richard Gürtler (Jun 29, 2013, Bratislava, Slovakia)

55


Within Reason "Transient Broadcasts" CD

Gregory Kyryluk aka Within Reason (also the driving force behind Alpha Wave Movement and Open Canvas) marks with "Transient Broadcasts" CD the debut release (March 2013) for newly-born Anodize label, run by Darren Bergstein. The first album by Within Reason entitled "Subtle Shift" was released in February 2012 as CDr edition limited to 50 copies by other Darren's label Periphery. And it was a huge one, still resonating deeply as one of the highlights of 2012. Now, one year later, Anodize, as a subdivision of Periphery, is bringing to all connoisseurs of high-tech hypnoscapes a glass mastered CD delivered in hinged rectangular tin containing two-panel insert. Definitely a very good move by Anodize!!!

"Assign Emotion" fires the show with freshly pulsing IDM-infused piece, where ear-catching, razor sharp rhythms are delicately backed by hissy flavored mesmeric blankets. A very strong induction!!! "Soul Pillow" keeps its cyber-tech feel, although more laid-back flavored than its predecessor. Myriad of synthetically radiating crystalline swirls interweaves precisely with euphoniously warm, semi-melodious reinforcements. It sounds exactly as it is titled!!! "Correlate" immediately attracts with its sparser texture highlighted by coldly pulsing cybernetic electronica. Again masterfully paired with panoramically captivating atmozones. Gregory Kyryluk is excelling at this one, with its silken thinness, but exquisitely lustrous, definitely a top-notch sonic jewel!!! This jaw-dropping electroscaping overlaps also to the next composition, "Amorphic Design", where vibrant electro beats smoothly emerge and embrace each listener with its hauntingly electrifying dynamics, with kind of funky-like outline and bonded by velvety convergences. "Morke (Darkness)", as indicated, unfolds with darker drones, but soon hummed, slowed down dub techno embellishments and celestial chant traceries enter the stage along with the variety of minimal and colder rhythm motifs and voice samples. Intriguing and enigmatic!!! "Diaphanous" unfolds with soothingly contemplative minimalism that soon transfers into swiftly pulse-driven escapade, here and there gently fragranced by exotic female chants. "Sunrise Ekko" is a hyper modern trancescape with deeply tranquilizing Mediterranean effect, splendidly evoking beautifully relaxing summer morning somewhere at the Côte d'Azur, with gentle sea breeze sweeping your face. Stunningly comforting aural realms await here!!! Hissy clouds cover the closing cut, "Contemplate.dream", and shift it into absolutely fascinating spheres with mildly oscillating melodies, guarded by utterly gorgeous shimmering horizons. Calming jazz-funk tapestries come to light as well and harmoniously enrich the overall mood. This is undoubtedly a grand finale, welcome to the infinite sonic paradise!!!

"Transient Broadcasts" is another sensational recording by Within Reason and also quite divergent when comparing it to "Subtle Shift". I keep on repeating this, but Gregory Kyryluk is a true genius, a composer with filigree touch and passionate visions, one of its kind sonic sculptor!!! In case you don't know this, in Dover, Massachusetts, based composer, you have no idea what you are missing!!!

Richard Gürtler (Jun 22, 2013, Bratislava, Slovakia)

56


Cymphonic "Dimensionata" CD

After son & father collaboration on "Post Mortem Investigations", the Dutchman Stanley Swinkels comes back with fresh work, repeatedly released under the wings of Databloem label (April 2013). Again with some guidance by his father, Vintage H, on three tracks (1,2 & 4), "Dimensionata", the 4th album by Cymphonic, immediately hooks my attention by its eye-catching cover design by Theo Rabou, who does constantly stunning job with each Databloem's artwork.

"Hibernation" leads the album with humming drones gliding through mesmerizing moon halo, joined by variety of softly emerging collages, both pleasant and strange, assorted field recordings (animal calls, gently running water...) and some voice oddities. Precisely fitting track title!!! "Primavera" reveals with repeated female voices, crystalline string magic and warmly sweeping nocturnal ambience and water sounds. Male spoken samples add quite a bit mystery to the overall surface, there is always attached some kind of singular tension interweaving with environmental tranquilizers. Cymphonic's hallmark soundsculpting reaches certainly here its first peak, absolutely awesome journey!!! Shimmering cyber grooves with sharply radiating electro pulses invade "Ascension" for purely high-tech sonic escapade, later guided by female voices into cascades of quietly, nearly meditative passages with slightly exotic flavor counterpointed with vibrant, razor-sharp high-tech sparkles. "Weaving" relieves with serene, dreamscaping washes and sacred choirs. Other voice samples join the stage along with futuristic aerials and breaths, before waning with exotic scent. Everything in this composition is masterfully sculpted into one, homogeneously shaped texture generating deeply immersing mindscapes during your late-night travels. Shorter "The Hill" is more harsher and cacophonously dissonant. "Alignment Of Realities" opens with monochromatic drone and weirdly circling disruptions, outbursts and rumbles. Ghostly voices step in here and there. A truly peculiar, dark and hypnotic soundscape with amazing juxtaposition between modern and primordial!!! A journey to subglacial "Lake Vostok" is provided by eerie and mysterious dronescapades, ear-splitting atmosfears and phantasmal voice samples. Towards the end the texture devolves into more calmer terrains, relieving the tension and earthy field recordings with cinematic piano motifs supply elixir for your ears. The next piece, "Dancing In Purple Light", features chill-out cyber pulses, surrounded by murmuring drifts and distant, bizarre voice samples and celestial choirs. Uplifting electro melodies steal the center stage during the second half and produce stunningly dreamy, yet strongly stimulating spirits. "Siberian Summer" delves deeply into subconsciously colored realms with its virtuously amalgamated contemplativeness and ambiguousness. Another magnificent ride to the frontiers of mind-blowing experiences!!! "Panorama", with 14-plus minutes the longest composition on "Dimensionata", initiates with soothingly mesmerizing natural sounds and intensely evocative synth vistas, serenely transferring through richly fragranced elevations, from more nostalgia-infused bright stillness to slightly darker and mysteriously percolating, intoxicating scenarios with few modern classical elements and stringed tenseness thrown in. But always continuously bonded by that wide-screen warmth. An ultimate sonic opium!!! "P139" keeps sublime environmentals, aerials and exotic strings from previous cut and mingles them with angelic choirs, tender whisperings and occasional disruptions. Nice outro!!!

No questions here, Stanley Swinkels had fashioned here another extraordinary album, although quite multifaceted, always strongly consistent, where each composition safely holds unmistakable signature that is only Cymphonic. And that's what always really counts about this Dutchman!!! "Dimensionata" is your key to explore spectacularly breathtaking hallucinogenic sceneries, enter now the soundworlds of Cymphonic!!!

Richard Gürtler (Jun 16, 2013, Bratislava, Slovakia)

57


James Johnson | Aperus "Ecotone" CD

Wow, this is a very impressive joint effort involving respected veteran ambient composer James Johnson and gifted sound sculptor Brian McWilliams known as Aperus or Remanence (together with John Phipps). While James Johnson is equipped with vast discography, mostly releasing on AtmoWorks or on his Zero Music label, Aperus has recorded highly treasured works such as "Tumbleweed Obfuscated By Camera Failure" (now newly reissued!!!) or "Hinterland" released on mPath Records about 10 years ago. What was mPath Records before, now became Geophonic Records, run by Brian McWilliams, and "Ecotone" is a premiere CD on this label published at March 31st, 2013.

Although released in ordinary jewel case, the artwork looks totally stunning!!! Both protagonists are indeed highly accomplished photographers, so besides 4-panel insert there is included also a vellum envelope with 4 additional pictures, randomly selected from 9 available shoots. The visual presentation of this release immediately gets extra points and that was the case with all previous works of Aperus and Remanence. But that's just the beginning, because gorgeous images are soon joined as the opening piece, "Descending Arc", blossoms with its deeply evocative mood. Natural environments, assorted primordial tinkles and rumbles (evoking Gamelan), and gentle drone cascades reveal all their tranquil allure and magic, 11 minutes of purely contemplative sonic bliss!!! But the duo keeps on excelling, "Cycle 17" invites with graciously warm, panoramic washes melted with raising and falling, briskly shimmering embellishments. Deep immersion immediately guaranteed, what a journey!!! Shorter "Nostalgia And Memory", as indicated by its title, returns to calmer terrains, enriched by sparse, but expressive, sad piano passage and other elliptical, smoothly disharmonious fragments. Quietly minimal and pleasingly displaying its title. "Crow Over Walnut Canyon" is another beautifully entitled track, it attracts with its gorgeously serene symmetry between modern classical elements, background subtleties and slightly rougher hums and organics. A music of sheer brilliance that will top any of the giants bridging modern classical textures with ambient soundscapes!!! The longest piece, clocking to nearly 12 minutes, "Long Goodbye" dives into deeply reflective realms filled with haunting piano and string expressions, warmly drifting tapestries, assorted high-pitched metallic squeaks and outbursts and distant natural sounds. Amalgamated in absolutely masterful way, painting wonderfully wide-screen sceneries of harmoniously heartening introspection. Another virtuoso performance!!! The next piece, "Ancestral Voices", unites all kinds of rumbles, tinkles, rings and other traceries in one, quite cacophonous sculpture guarded by ceremonial chants. Uniquely distracting, transporting the listener to a pilgrimage site!!! "The Moth Jar" moves into piano-fragmented, reverberant terrains, again intermingled with razor sharp, discomforting metallics and processed, richly flavored arrangements. Uniquely mesmerizing escapade!!! "Transmigration" is a quite eclectically built texture, flavored with voice-like drones, few modern classical ingredients evoking nostalgic moments and ebbing infusions, softly buzzing, beating, vibrant and swirling. Adventurously distinguishing journey continues!!! Shorter outro "Traces" consists of gentle Gamelan-like tinkles and buzzing resonations, achieving a deeply meditative state. Brief, but strongly effective!!!

"Ecotone" is enormously fruitful, all-inclusive collaboration between two efficient aural and visual hikers. The synergistic wizardry of both these Americans is just amazing on "Ecotone", where broad palette of atmospheres and sounds is expertly navigated into spectacularly complex and harmonious form, precisely polished in every detail. Audiophile sound quality included, so get ready your headphones too. "Ecotone" is a huge monument paying splendid tribute to Earth's magics!!! Unquestionably one of the pinnacles of 2013, hats off to James Johnson & Brian McWilliams!!!

Richard Gürtler (Jun 09, 2013, Bratislava, Slovakia)

58


Dirk Serries "Microphonics XXI-XXV" CD

Dirk Serries, the legendary Belgian genius behind vidnaObmana and Fear Falls Burning projects, celebrates here another chapter of his challenging "Microphonics" efforts. After the conclusion of previously mentioned projects, Dirk keeps on his journey to the boundaries of uncharted sonic terrains, a territory fusing all his long time musical experiences, visions and virtuosities. "Microphonics XXI-XXV" CD, a follow up to Dirk's debut "Microphonics I-V" from the end 2008, was released by Dutch Tonefloat Records in the middle of March, 2013 and it comes in attractive mini album gatefold sleeve featuring stunning urban pictures by Martina Verhoeven, Dirk's wife. Mastered by James Plotkin.

The opener, "Mounting Among The Waves" unfolds with quite harsh guitar dissonances, although minimally sculpted, the sound palette is quite wide, where intensely emerging passages of noise perplexes blend with floating backgrounds. The piece gradually build and steadily increase into powerfully immense sonic sceneries of utterly deep evocativeness. Even if having throughout its slightly ear-splitting surface, these peaking drones develop into a stunningly visualizing movements filled with sheer beauty and poignancy. Elegiac strings invade "There's A Light In Vein", but this melancholic stillness is soon intermingled on the background with slowly evolving panoramic textures, expanding by every second in its intensity and monstrousness. Ultra thick guitar dronescapes reach full bloom and paint genuinely magnificent and harmonious canvas, where unforgettable memories of vidnaObmana are awaken... This composition is a huge milestone melting the most magical moments of both, vidnaObmana and Fear Falls Burning, with Dirk's most recent harmonic desolations, a brightly shinning kaleidoscope of sounds, sensitiveness and reminiscences, an emotional powerhouse gratifying the listener's soul!!! "There's A Light In Vein" will counterpart any of the most famous vidnaObmana compositions, guitar drone manipulations have never sounded better!!! Thank you so much, Maestro, for this truly unique listening delight!!! "The Burden Of Hope" is announced by rawer riffs, again its shape sounds rather minimal, especially during the first three minutes, but always effective. The background drone blanket slowly enlarges into thicker volume and fully blossom into another breathtaking wide-screen scenario, melting rougher tensities with weighty dose of expansive drone roars and streams into one, monumentally monolithic sculpture, gloriously encircling and stimulating. Certainly another phenomenal piece in this set!!! "Thousands Of Rivers" relieves the tension a bit, although keeping its harsh edge, again masterfully intertwined with warmly gliding cloudscapes. Beautifully disturbing!!!

Yes, I am still deeply missing vidnaObmana, and always will, but with this album Dirk Serries has accomplished another huge step in his musical explorations. "Microphonics XXI-XXV" is a triumphant piece of art displaying extraordinary emotional sonorousness and invites each devoted listener to the frontier of intriguing guitar drone wizardry!!! And by the way, "Low Volume Music 2" with his long time traveler Steve Roach is the works too...

Richard Gürtler (Jun 02, 2013, Bratislava, Slovakia)

59


Amir Baghiri "Prayers For The Earth" CDr

The glowing discography of Amir Baghiri, in Lemgo, Germany based, but native of Iran, sonic designer and painter, gets here its newest jewel. This time released (March 2013) on German Attenuation Circuit label as limited edition of 120 copies packaged in attractive folded cardboard sleeve with gorgeous digital mandala image by no one else but Kati Astraeir.

The first of six prayers, dedicated to Mother Earth, entitled "An Earth Mantra", is shorter intro swiftly emerging into more expansive terrains with beautifully craving, intense drifts. The next piece, charmingly titled "For The Love Of The Earth", is the longest one, when clocking over 13-minute mark. It enters straight away into magnificently sublime dreamscaping realms. Tranquilly expanding and ebbing into extra massive panoramas, always glaring and sweeping with utterly graceful immensity and contemplation. This is a pure atmospheric bliss, bravissimo, Maestro!!! "Through The Memories Of This Place" is almost as lengthy as its predecessor and also as much enchantingly sonorous and absorbing. Slightly more darker, gently enriched here and there by distant sonic invasions and escalations. All the natural magic of nocturnal desert soundscaping is masterfully captured, ambient maximus guaranteed!!! "Nameless Sky", as indicated by its title, guides us through uncharted, vast open domains with colossally drifting, circling and cascading synth textures, harmoniously flowing through light and dark colors, through great emptiness of delightful nothingness. "A Sacred Place" remains in these deeply imaginative and spacious terrains, but it smoothly shifts into dreamtime era, where cloud banks of drones, both sublime and dramatic, are bridged with sparse, placid tribal undercurrents and tranquil environments. Thrilling dose of expansive soundscapes is delivered here by rooting both future and past, and revealing the most essential and fascinating horizons. "Somewhere In Nowhere", the closing prayer, spreads with rising and falling washes and heavenly choirs, sublimely embracing the listener. The texture gradually evolves into monstrously intense drone zones, hauntingly meandering and mesmerizingly spiraling, before peacefully calming and fading away. Amir Baghiri explores through "Prayers For The Earth" rather familiar terrains, but his virtuosity of drifting towards the deepest end of atmospheric brilliancy is just amazing. Experience it, feel the serenity, spirit and grandness of planet Earth, it's time to take a deeply spellbinding journey without leaving your listening room!!!

On the top of that, Amir is quite busy with dusting off his rare recordings, a 5 CD "Private Archive" collection, packaged in special wooden case is planned. Plus "Light Textures" album is scheduled for the summer release on Databloem's sister label Bluebox, the usual output for Amir Baghiri's soundworlds since 2005. As always, I will keep my ear to the ground...

Richard Gürtler (Jun 01, 2013, Bratislava, Slovakia)

60


The Circular Ruins and Mystified "Fantastic Journey" CDr

The Circular Ruins/Anthony Paul Kerby and Mystified/Thomas Park have already collaborated back in 2009 on the album "One Thousand Dreams", on which APK appears as Nunc Stans. Now both of these sound sculptors have reunited for another chapter, celebrating early science fiction writings and paying tribute to pioneers such as Jules Verne, H.G. Wells and others. Released during February 2013 on APK's DataObscura label.

Cavernous primitive tinkles, along with field recordings and deep drone clouds, unfold the first journey, "Twenty Thousand Leagues". At 13 minutes it is the longest track on the album. Myriads of unfathomable noises, rumbles and gurgles provide a truly breathtaking ride through underwater domains full of wonders and mysteries. "The World Beneath", with hypnagogic drones merged with sparse and subtle phantasmagorical cacophonies, invites you to an adventurous journey through huge caverns of Dinotopia, a hidden island inhabited by humans and sentient dinosaurs who have formed together a harmonious society. Richly colorful sonic marvels embellish "Forbidden Planet" along with hissy organics, ghostly apparition and distant crypto drones. Wow, a truly unique and fascinating piece exploring fabulous primordial mysteries!!! Sonic adventure continues as we land on "Mysterious Island", surrounded by serenely expanding and meandering primal dronescapes, later cascading through deeper soundwalls to densely blurred passages. It showcases absolutely thrilling aural alchemy between both explorers!!! The next track, "Beyond The Farthest Star", reveals with mysterious drone rumbles and assorted weird voices, noises, soars and organics, moving up and down and all wrapped by hissy blankets. Another extraordinary listening odyssey awaits, even if not easily accessible!!! The final cut,"The Voyage Home", opens with deep drones and rumbles, but soon warmly expansive cinematic drifts invade, enriched by some subtly tinkling fragments, and express moments of sadness. The second third dives deeply into abyssal realms, powerfully immersing and masterfully flavored by diverse tinkles, rumbles and eerie voices. The track moves through raw, dissonant accompaniments and brings the journey to its final point, exactly where it was initiated 60 minutes ago. For all lovers of stunningly adventurous dronescapes, this is a genuinely "Fantastic Journey"!!! The more you listen to it, I mean deeply devoted, the more the soundscapes embrace you!!! Great job, Anthony & Thomas, certainly one of the top releases of 2013 so far!!!

Richard Gürtler (May 25, 2013, Bratislava, Slovakia)

Pages: 1 2 [3] 4 5 ... 10