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Messages - richardgurtler

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301
I just did a little correction in my review. I somehow missed info from Tomas Weiss that "Submental Vol. 1" is just him this time, without Mathias Grassow. In any case, I am absolutely fascinated by this work, no matter if it's without or with Mathias. Great work, Tomas, and excuse for my misinterpretation. Keep on going!!!

Richard

302


Nautic Depths "Submental Vol. 1" CDr

Deep sea drone scientist, Tomas Weiss acting under the moniker of Nautic Depths (on previous two albums featuring also Mathias Grassow), returns after two years with brand new installment and first volume of the "Submental" series. Volume 1, released in February 2012 on El Culto's new Submental label, features one long-form piece clocking to nearly 51 minutes that will immediately submerge us into the most bizzare zones of the ocean. This highly adventurous odyssey opens very sharply with heavy weight drone alchemy, for the first, roughly 5 minutes, in more static shape, but holding undeniable signature of this project. Things get a bit quieter, but just for some shorter time and our expectations are soon surpassed when intense dronescapes invade the depths. Noisier industrial outbursts dive in and we explore some environmental sounds reminiscent of underwater calls of fishes or whales as well as mysteriously distant voices and chants. The drone layering becomes deeper, richer and more massive, long, continuous monstrous drifts amazingly interplay with louder sonic eruptions, all wrapped in gradually sinking and culminating tension to capture truly penetrating and mind-bending deep sea observation experience. A true sonic bliss served by Nautic Depths!!! A gateway to enter another zone, a zone where sunlight can't go through. We are invaded by the realm of darkness, but this is also the time to explore the spectacular show of incredible bioluminescent creatures that inhabit this gloomy domain. Tinkling bells attractively color this breathtaking performance, the pressure is relieving a bit and we enjoy spiralingly serene drone that smoothly navigates us to another rougher territory, colored by twinkling rumblings. But still remaining in rather calmer and tranquil static zones. The time is clocking to its finale, we are reaching almost abyssal zone, but it's time for safe return... Thank you so much for this fascinatingly thrilling and strikingly attractive journey!!! Keep the bathyscaphe ready, I can't wait for the next exploration!!!

Richard Gürtler (Mar 06, 2012, Bratislava, Slovakia)

303


Thought Guild "Third Voyage" CDr

"Third Voyage", released in February 2012 on Harmonic Resonance Recordings, marks the third and unfortunately the last chapter of collaboration betweeen Alpha Wave Movement's Gregory Kyryluk and his country mate, synthesist Christopher Cameron, who passed away on August 22, 2011. Before exploring the vintage synth sound of this final voyage, we are confronted with nicely looking retro packaging with 5.25 floppy disc, released in a limited edition of 50 copies and hand numbered. Definitely a true collector's item!!! "Third Voyage" unfolds with celestially elated and tranquilly sweeping texture, "The Ebbing Universe". Its warmly inviting and graceful atmosphere is nicely emphasized by agelic choir-like sounds and tenderly tinkling effects. Excellent opener!!! "Iridescent Universe" is slightly more eclectic and expressive in its first half with stronger nostalgic feel, towards the end it becomes more serene and aerial. Charming ethereal mid-tempo melodies invade the next piece, "Last Train To Lyon", and attractively interplay with occasional, evocative and catchy electric guitar riffs. Emotionally strong and exciting composition!!! Darker and deeper intro of "Retropolis" soon slips into actively rhythmed and ever-changing tune. Hauntingly rich, colorful and uplifting blend of melodies and atmospheres. "Moon Blossom Meditation" is dominated by evocative and immersing sorrow soundscapes enriched by crispy bells. The next piece, "VCO Vs. DCO", keeps at the beginning its sad, more orchestral-like feel, but later it quickly cascades into rapidly and dynamically vibrant and refreshing sequence patterns. "Titanium Ashram" attracts with its sky high ride spiced with crystalline gurgles shimmeringly swirling around listener's ears. Peaceful and graceful washes enter "Celestial Glossolalia" and carry it with fragilely pulsing effects into vast open realms with all its sublimity and magnificence, pure aural beauty and majestic way to finish off this highly treasured voyage!!! Gregory Kyryluk definitely succeded in his mission to reflect the vintage atmosphere/vibe of the Thought Guild history and paid tribute to the memory of Christopher Cameron. Thank you so much, Greg, for sharing these memorable moments and recordings with us, Chris will always be remembered through his music, creativity and passion!!!

Richard Gürtler (Mar 04, 2012, Bratislava, Slovakia)

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I really wish I could be there to enjoy this memorial event...

Richard

305


Phillip Wilkerson "The Stars And Afterward" CDr

The newest work of Phillip Wilkerson, released in February 2012, exposes with Berlin EM school infected "Monoceros", a freshly sequenced and gently uplifting journey to observe one of the amazing constellations while mapping out nocturnal patterns. "Among The Nebulae" is dominated by aerial washes and colored by mid-tempo high-tech grooves that smoothly glide and relax body and mind of each listener. Mechanical tranquility at its finest!!! Long form deep and free floating space odyssey "Radiance" clocks over 21 minutes and explores awesome majesty of immense space realms. It paints moods that transport us to some spectacularly unique dimensions. Phil's crafted soundscaping shines on this beautifully immersing and joyous piece!!! "Endlessly Spiraling" keeps its dream-like quality with little touch of nostalgic mood, and it precisely fits its title. With "Seven Degrees North Of Castor", a warmly pulsing composition, we observe again deep sky targets. Ambient mix of "Among The Nebulae" marks return to peacefully floating skyscapes and captures the magnificence of sublime and idyllic tranquility. Serenely drifting title track, "The Stars And Afterward", closes the album with all its grace. Phil Wilkerson filled this album with passion and optimism, he skillfully bridged and harmonically interacted electronic rhythms with soundscapings. And he ensured that each space journeyer experiences a highly productive night of star gazing. Mastered by Lotuspike's Ben Cox and artwork executed by Brad Ross-MacLeod. Don't forget, also remastered version of long form piece "Radiance" is available as download EP.

Richard Gürtler (Feb 26, 2012, Bratislava, Slovakia)

306
As a really big fan of all Greg's projects, I can't miss his Within Reason "Subtle Shift" CD, it looks and sounds absolutely exciting. Just ordered through his HRR website. And time to explore other Periphery releases. Thank you, Darren, for bringing these releases to us!!!

Richard

307


Mathias Grassow "Alchemystery" 2xCD

Promising Swedish label Gterma returns with another beauty by German drone virtuoso, Mathias Grassow. While his first Gterma release "Sky" was revised and edited old classic from 2000, "Alchemystery" is new double album composed by Mathias during 2010 and released in February 2012. The first CD, entitled as "Alchemy Suite Part I: Adrift On A Strange Wind" and featuring two compositions, unfolds with absolutely serene, nearly 17 minutes long, piece enriched by beautiful sounds of nature like smoothly flowing water sounds and by alluring interactions of celestial femme and male choirs. "Veiled Auranauts" is not only a truly magnificent composition of sublime tranquility, but also nicely displayed atmosphere through its title. The next long form piece, "Obscured By A Falling Light", clocks over 42 minutes and enters at the beginning into more minimal and meditative realms leaded by bells and gongs. After few minutes the composition sneaks into motionless floating ambience, occasionally spiced with some noisier, factory-like ingredients. Also mysterious voice-like and breathing machine-like sounds enter the show and will ensure the most complete adventurous and immersing experience. This composition produces tremendous sense of unmeasurable tranquility even if traversing through several plateaus, from intense dramas through cinematic vistas to meditative introspections. This masterful composition captures the pure magnificence of sophisticated dronescaping by Mathias Grassow!!! The disc two, entitled "Alchemy Suite Part II: Inside The Inner", features again two tracks and opens with "In A Temple Of Longing", another long form piece reaching 43 and half minutes. As portrayed by its title, this composition moves into massively darker, obscure territories spiced by various sacred choirs, odd voice samples, monumental percussions and all backed by endlessly spiraling drones presenting Mathias Grassow's sound alchemy at the most shadowy and enigmatic in search to explore all mysteries, buried treasures and secrets of Mother Earth. A truly exciting ambient dronescape for those infinite nocturnal journeys that you just never want to end. Another masterpiece holding the signature that is only Mathias Grassow!!! "A Ring Of Standing Stones", clocking to 25 and half minutes, is by far less colossal and more droning, where quieter ambience is fused with fragilely tinkling bells. At times it becomes more intense, but still gracefully drifting into awesome majesty of splendid panoramic vistas. "Alchemystery" is enormously penetrating!!! The drone king is sitting on his throne!!! Last but not least, Mathias Grassow's aural alchemy is accompanied by 16-page booklet featuring gorgeous pictures of nature by Johan Rehn/Gterma.

Richard Gürtler (Feb 19, 2012, Bratislava, Slovakia)

308
Independent Music Reviews / My review of "Liveforms" CD by Oxyd
« on: February 19, 2012, 04:42:03 AM »


Oxyd "Liveforms" CD

It's always a great pleasure to review album "Made in Slovakia" that is somehow related to ambient genre. Yes, of course both protagonists of Oxyd (and Disharmony), Lord Sauron and Ryby, always venture into other styles like industrial, electro, dark ambient or IDM, but why not to give a try to this richly colorful sonic adventure melting broader spectrum of synthetic atmozones, noises and rhythms. Yes, don't expect here any type of droning or slow-motion ambience to glide with. This album, featuring recordings of live performances in 2005, is loaded with ever-changing and cascading high-tech passages and movements, heading from mysteriously obscure terrains through futuristic industrial factories to mesmerizing vast outer spaces. "Liveforms" open the journey with fragile, mechanized effects that are masterfully fused with active hypnotic grooves and carefully backed by euphoric atmospheres. Man, this title track is a huge one, a true masterpiece in my ears!!! The first part of "Dead Souls" moves into by far darker, cinematic territories peppered with femme choirs and manufacture-like sonic outbursts, evoking a purely futuristically sounding environment that almost unrecognized overlaps also into the next composition, "Propulsion". But soon it transfers into much more noisier and heavier, beat-infected industrialized area. All the tension is gone when the second part of "Dead Souls" enters the stage, but that might be just the silence before the storm. Yes, this composition soon turns into shorter, more disturbing percussive part with femme voice samples that interplay with another deeply immersing futuristic zones. "Voices In Me" is the first of the two tracks where Oxyd meets Disharmony. This composition again bridges various styles where synthetic rhythms are united with darker atmospheres, kind of electro-trance-industrial escapade with few monk chants thrown in. Third and fourth parts of "Dead Souls" are colored with various femme choirs, assorted voice samples and all wrapped in misty atmosfears of otherworldly or fantastic machineries. "Emphatic Clone" is the second piece on which Oxyd meets Disharmony and it kicks right away in your face with high-tech crystalline beats and extraterrestrial voices, stunningly energetic!!! Closing two tracks, "Moonlight" and "Aura", quickly dive with cinematic atmospheres enriched by sacred chants into darkly apocalyptic abyssal depths. "Liveforms", released in collaboration with US label Signifier, is vividly sculpted sonic chamaeleon transporting the listener into many spectacularly adventurous and mysterious sites. Yes, it's not a secret here, I am the guy who likes his music much more droning, atmospheric, without larger doses of industrialized or dark ambient toppings. However, "Liveforms" album will undoubtedly please all connoisseurs of dark-electro-industrial as well as all followers of Aliens Production label. Nice work, guys!!!

Richard Gürtler (Feb 19, 2012, Bratislava, Slovakia)

309
Other Ambient (and related) Music / Re: Your favorite Steve Roach pieces
« on: February 12, 2012, 09:57:22 AM »
Nice idea, DeepR, and yes, a truly difficult task to select the best pieces. Just a quick selection of my top fave pieces, but I am quite sure I didn't mention all I wanted...:-) In no particular order, although "Gone from Here" with Jorge Reyes is a very special one for me that always will be connected to Jorge's passing...

Gone from Here (Vine ~ Bark & Spore with Jorge Reyes)
Connected Underground (Origins)
First Blessing (Earth Island with Jorge Reyes and Suso Saiz)
Dissolving the Code (Blood Machine with Vir Unis)
After the Dream (The Lost Pieces)
Depart at Sunrise (The Road Eternal with Erik Wøllo)
Living the Dream (Life Sequence)
The Road Eternal (The Road Eternal with Erik Wøllo)
Where Rasa Lives (Back to Life)
Resonation Revelation (Core) -> using this one as my mobile ringtone... :)
Curandera (Earth Island with Jorge Reyes and Suso Saiz)
Nightbloom Part 1 (Nightbloom with Mark Seelig)
Since We Are Away (The Lost Pieces)
On This Planet (On This Planet)
Fearless (Strata with Robert Rich)
East Kiva: Calling in the Midnight Water (Kiva with Michael Stearns and Ron Sunsinger)
Gone West (Dust to Dust with Roger King)
Deep Hours (Well of Souls with Vidna Obmana)

and many more... :)

Richard

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Other Ambient (and related) Music / Re: Recent music purchases
« on: February 05, 2012, 11:20:26 AM »
Yes, three great albums!!!

Richard

311
Just ordered, Tomas! All the best... :)

Richard

312
Now Playing / Re: Currently listening, part 1
« on: January 28, 2012, 08:42:25 AM »
Quote
Rediscovering an old favorite...

Steve Roach - Arc of Passion

Yes, it's always very nice to rediscover beauties like this one... :)

Richard

313


Oöphoi & Paul Vnuk Jr. "Dreamfields" CD

This is already the second collaboration between Italian drone wizard Oöphoi (Gianluigi Gasparetti) and US-Wisconsin based sound designer Paul Vnuk Jr., who is also known as a member of Ma Ja Le project (featuring also Christopher Short). Their first co-work "Distance To Zero" was released in 2006 on Hypnos. "Dreamfields" CD was released in December of 2011 on Czech label Nextera, the home of several Oöphoi's releases. Actually, according to the release notes, the story behind "Dreamfields" project started back in 2005, when Paul sent to Gigi some loops, but it was in 2009, when Gigi went back to these sound sources. A quite long time span, but in any case it's my great pleasure to explore now these "Dreamfields"!!! And the album strikes firstly with its stunning front cover image realized by Polish photographer Rafal "Szincza" Kijas, definitely one of my fave cover artworks of 2011!!! Containing four longer pieces (clocking from 10 to 23 minutes), "Dreamfields" open with "North Field: Axis", a 23-minute deeply drifting and slowly spiraling exploration, expressively spiced by various fragilely tinkling bells and mysterious femme voice by Luna. Highly absorbing piece of dronescapes, magnificently portrayed by the album's images. Colossally gracious overture!!! "South Field: Khyber" is colored by rather aerial atmospheres melted with high-tech bleeps and gurgles, crystalline percussions and frightening sounds. Quite soon this longer composition, reaching nearly 22 minutes, passes into more darkened, mysterious and meditative terrains. In the second half also child voice is emerging (poetry reading by Paul's son Paul Vnuk III). This deeply cavernous ambience immerses each listener into mysteriously adventurous atmosphere and unfolds darker realms of the imagination. The next composition, "East Field: Helikum", is slowly and serenely meandering dronescape to calm your mind. It drifts and swells through hauntingly beautiful hypnotic and tranquil solitudes. "West Field: Awua" takes us again into deeper cave system to explore impressive sceneries and formations through swirling dark drones, ominous rumblings and noises, deeply echoed gongs and singing bowls. A truly exciting journey into rarely seen places!!! "Dreamfields" celebrate the creative forces of both, Oöphoi & Paul Vnuk Jr., who have effectively merged their talents and managed to paint breathtaking pictures to guide each listener into magically misty and gloomy atmospheric splendor. A must for all addicts of deep ambient soundscaping!!! And I give extra points also to Nextera for beautiful digipak packaging.

Richard Gürtler (Jan 14, 2012, Bratislava, Slovakia)

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Hi guys,

yes, at this moment it's the best way to order this CD directly from Brian and his Floating Point Records at:

http://www.floatingpointrecords.com/SeeHearSpeakNone.html
http://www.floatingpointrecords.com/Store.html

along with bunch of older Brian's releases.

All the best and keep on enjoying his music. :)

Richard

315


Brian Parnham "See None, Hear None, Speak None" CD

The end of 2011 brought to us many outstanding works in ambient genre, here comes one of them. Released during December on Brian Parnham's own Floating Point Records, this album for sure marks new venture from Brian when smoothly transfering from desert tribal ambient soundscaping into uncharted terrains of rather aggro electro-acoustic blend of trance, tribal and ambient with hints of electro-industrial thrown in and spiced by various field recordings. Since this CD features no less than 15 tracks, there is a quite large variety of textures flowing through "See None, Hear None, Speak None" album. First three tracks show exactly some of the modifications in Brian's artistic direction. Whether it's high-tech trance tribal groove-infused title track "See None, Hear None, Speak None" or hardtechno-industrial adventurous "Head In The Sand" or harsher tribal beats of "Suspended Plumes". But we can explore many other examples displaying this broader spectrum of unified and interacting styles. For example "Race To The Source" with rapidly breathing grooves later sneaking into mid-paced tribals carried by deep washes, bunch of shorter pieces like futuristically gurgling "Half Full" and "Tipping Point" or more eclectic experimental "Half Empty". Submerging by exciting rhythms is provided also by kinetic electro pulsating "While We’re Here" or by hypnotic hyper beats of "Business As Usual". Of course darker atmospheric soundscapes are presented as well. "Eroding Shore" is warmly drifting organic ambience influenced by Steve Roach's track "Infinite Shore" from "The Magnificent Void" album. Deeply immersing "1111", the longest piece on the album or ominously scary, but soon relieving organic "Everyone Gets Their Turn". Cavernously obscure and massive "Earth Mourning" with haunting didgeridoo parts and metallic effects or cyber groove soundscape "Enjoy The Ride" with hidden catchy didgeridoo and voice samples. Or the closing atmospheric journey with slowly fading away heartbeats, perfectly displaying its title, "Last Breath". It's not easy to select my most fave piece among many masterpieces on this album, but maybe I would go for "Earth Mourning". Or "Enjoy The Ride"? Or the title track "See None, Hear None, Speak None"? Or... In any case, Brian Parnham's newest work is highly colorful, luminously creative and precisely sophisticated with top-notch sound quality. Yes, even if wider variety of styles are bridged on this album, its overall feel is still quite complex and it refreshingly glides along the ambient shores. Great work, Brian!!! And an intensely breathtaking ride for me, even without Arizona Stronghold Nachise, but Leffe Brune justified it too...:-)

Richard Gürtler (Jan 07, 2012, Bratislava, Slovakia)

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Thank you, Harry!!! I hope you will be enjoying it as much I do, all the best... :)

Richard

317


Amir Baghiri "Live Long And Prosper" CD

Iranian ambient designer, based in Germany, Amir Baghiri celebrates here his comeback to the scene. Almost 5 years passed since his last co-work with Wee Bandits entitled "A Brief History Of Light" and released back in 2007. December 1st, 2011 marks his return on Databloem's sublabel Bluebox with "Live Long And Prosper" CD. "Shore Leave" opens the show with peacefully swirling organic ambience infused with various environmental recordings that smoothly shifts into more active terrains emphasised with gentle and crystalline tribal beats. This heavily textured composition moves through various passages where deeper primordial atmospheres are attractively interplaying with rhythmed high-tech elements. "Forbidden Planet" carefully explores immense realms painted by darker, but warmly inviting washes, again enriched by natural sounds of birds' chirpings. "Romulus" is a 16-minute opus with evolving and ever-changing, strongly organic texture floating from tranquilly desert washes towards highly mesmerizing trancey grooves. "Romulus" creates a very intimate, warmly nocturnal atmosphere and captures a pure moment of natural magic. I know that Amir has dedicated this album to all fans of Star Trek series and thus I should be journeying through sky high realms, but so far the images painted by his soundscapes rather evoke hot and dry nightly desert vistas. But no problem for me, I love these pictures so much!!! And they keep on appearing also through the next composition "Mudd" that features slow-motion spiraling washes, tranquilly sonorous and magnificent! Sort of native voice samples unfold "Where No Man Has Gone Before" and add mysterious guidance to this composition, where deeper drones are later merged with more frenetic tribals. Towards the end the texture swiftly sneakes into calmly hypnotic outro. A quite shamanistic performance!!! "Blood Fever" invades with deeper, droning passages, more colossal and intense, now it's the time when I am transported into fascinating interstellar territories. The heavy drone overlaps to the next piece, "The Minds Eye", enriched by some occasional outer space sonic outbursts, but also spiced by assorted ancient percussions and sounds. Amazingly intense and immersing!!! "The City On The Edge Of Forever" keeps its grandiose, aerial structure with hints of various industrial effects that swifly transfers into monstrously beautiful drones, deep space odyssey has just begun again and my deserted landscape imaging is forgotten. Amir at his most droning!!! "Lost In Space", with its intense organic feel, uniting watery percussive sounds with celestial washes, brings this fantastic voyage into a truly mesmerizing and evocative ending! Even if several of the tracks hold strong influence by the Master, "Live Long And Prosper" is undoubtedly done with big passion and accomplishment, paying attention to all details, including the sound quality. Welcome back and keep on soundscaping, Amir!!!

Richard Gürtler (Jan 06, 2012, Bratislava, Slovakia)

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Tomas Weiss & Mathias Grassow "Quiet Calling III" CDr

Drone kings are back!!! Yes, Tomas Weiss & Mathias Grassow have delivered at the end of 2011 on El Culto's Musical Philosophy label third and closing installment of their "Quiet Calling" trilogy. Comprised of 4, rather lengthy parts (ranging from 6 minutes to nearly 25 minutes), all entitled "Final Call". This ultimate mind journey reveals with "Final Call I", as usual constructed with heavy weight drones, but this time wrapped in quite "lively" spiraling texture with slowly and gradually increasing tension. This longest part is filled with huge intensity and depth to trigger a definite mind-bending adventure!!! "Final Call I" could easily aspire for the "creme de la creme" of the complete serie!!! Closing five minutes of this part smoothly sneak into more monotonous and less massive, relieving drifts, yet still deeply droning. Just the same as with previous two chapters, there aren't any gaps between tracks, so we are confronted with colossal walls of continuous drones. Slowly breathing drone mastery continues on the shortest piece, "Final Call II". It's slightly more aerially and calmly tranquil than the monumental first part, even if in its middle we explore a bit of rapidly increasing intesity, but it's just a hint. The closing two parts, number three clocks over 21 and half minutes and number four gets over 16 minutes, feature monotonously curving atmospheres drifting into enormously expansive spaces and immersing each listener into a purely meditative sonic journey of deep relaxation. You will hardly notice the transformation between these last two pieces. Could be described as minimally textured, but careful examination of these uninterrupted dronescapes will explore layers of secretly cascading sounds, all skillfully structured into highly effective blend of deeply evocative sonic canvas. The finale is monstrously gracious and mesmerizing before it ultimately returns back to its roots, the silence. A must have and "a piece of tasty cake" for all followers to guarantee a superfluous listening experience always provocatively inviting for repeated research, but it might be a tough odyssey for an outsider. But who knows, maybe it's time to explore some new challenges... 4-panel eco digipak comes with traditional "Quiet Calling" images by Markus Vogt, this time with black and gray color variations.

Richard Gürtler (Jan 05, 2012, Bratislava, Slovakia)

319
Other Ambient (and related) Music / Re: Robert Rich: Medicine Box (2011)
« on: January 04, 2012, 11:43:59 AM »
Hi Robert, in case you haven't read my review of "Medicine Box" CD, here is the link and feel free to explore my feelings about it:

http://www.hypnos.com/smf/index.php?topic=4449.0

All the best and enjoy the music... :)

Richard

320
Independent Music Reviews / My review of "Peninsula" CDr by Nunc Stans
« on: January 04, 2012, 03:29:28 AM »


Nunc Stans "Peninsula" CDr

Nunc Stans' sole creator Anthony Paul Kerby returns with a brand new album released at the beginning of December 2011 on his DataObscura label. Usually heading to more drone based, icy northern sound, "Peninsula" is no exception. The album begins with a 10-minute title overture, "Peninsula", a calmly floating and organically breathing soundscape carefully picturing misty shorelines of the album's cover images where all forgotten memories seem to be still alive. "November Rain" gently drifts above rainy clouds and tranquilly extends the mood set by the opening composition. As much absorbing, but slightly more massive drifts invade the next piece, "We Must Leave", again enriched by relaxing location sounds of shoreline and sculpted with grace and nostalgia. Deeper drones reveal "Fathoms" and calmly carry them into absolutely peaceful and magnificent realms. Few more expressive, but fragile sound effects are added to emphasise the overall mood of this stunningly beautiful and strongly cinematic composition. A masterpiece!!! But this sonic bliss continues on "The Sea Becomes Still", with richly built altering and interplaying moods and movements. Highly evocative ambience, another big one! Monstrous heavy drones with watery sounds and occasional mysterious voice samples submerge "The Clarity Of Darkness" into the great depth of oceanic abyss to venture into the world of eternal darkness. Certainly one of my fave compositions on this album. Heavy drone wizardry by Nunc Stans at its best!!! And it keeps on expanding with "When The Sea Burns", where monumental drifts, spiced by various industrial rumblings on the background, superbly represent the track title. Dramatically culminating and powerfully expressive, 13-plus minutes long sonic opus, at its most droning and adventurous!!! "This Forgotten Place" draws the album to a gracious conclusion with its serenely gliding cinematic soundscapes. "Peninsula" is a skillfully crafted and polished work offering to each attentive listener deliciously rewarding sonic experience. Turn out the lights, turn up the volume and immerse yourself in this beautifully scenic journey!!!

Richard Gürtler (Jan 03, 2012, Bratislava, Slovakia)

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