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Messages - richardgurtler

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I can't wait to receive my ordered copy, Darren's and Drone on's comments make me even more curious!!! This is another proof of the huge talent of Gregory Kyryluk.

Richard

302


Craig Padilla / Zero Ohms "When The Earth Is Far Away" CD

After two highly acclaimed collaborations ("Path Of Least Resistance" in 2005 and "Beyond The Portal" in 2009, the later featuring also Skip Murphy), veteran US drifters Craig Padilla (based in Coeur d'Alene, Idaho) and Richard Roberts aka Zero Ohms (Byhalia, Mississippi) have teamed again, with some help of Skip Murphy (Redding, California), for another graciously floating space exploration, a journey to encounter magnificent emptiness and silence of intergalactic space. Released on Lotuspike during October 2012, the album immediately strikes with the title composition "When The Earth Is Far Away", which masterfully melts Craig Padilla's utterly sublime synth washes and Zero Ohms' woodwind instruments wizardry. The fusion of warm and dreamy electroscapes with soaring and breathing primordial flutes is magically captivating and stunningly panoramic and absorbing. A truly grandiose overture, Maestros!!! Hauntingly immersing electro-acoustic vibrations overlap to the next composition, "Timelessness". With Skip Murphy, who is credited on this one for co-writing and synths, the duo attracts with quietly drifting and ebbing atmozones occasionally interplaying with slightly colossal drone expansions. During its length of nearly 17 minutes, serene piano parts step in here and there, along with sorrowful flute fragments, blanketed by swirling distant tinkles and futuristic sonic sparkles. "Timelessness" is totally awesome, it's tranquilly grandeur and it powerfully exhilarates the synapses of all outer space aficionados!!! Low space rumbles and freezing winds invade "Strange Storms" and drift into breathtakingly mesmerizing intergalactic space realms, colored by celestial harmonic choirs and catchy dissonances to emphasize its unbounded spaciousness. Sonic bliss continues with "Blue Distance", clocking over 12 minutes. Distant rumbles and ethereal voices carry this composition into meandering and waning, warmly inviting, nearly cinematic domain, with slightly nostalgic feel added by murky clouds of touching and evocative flute work. Tranquilizing sea shore waves unfold "Dream Travel" and smoothly transform into deeper circling drone terrains, coupled with lighter, dream-like washes and assorted breaths, swirls and tinkles, all precisely drawn and layered to sculpt a hauntingly aural soundscape, paying a tribute to the bond between the earth and outer space. The closing "Terraforming" (Skip Murphy again appears as guest on synths), with 18 minutes the longest piece, is wrapped by deeper drones, gracefully unfolding and expanding, leaving the infinite shores and entering the gates of the void. Then it swiftly cascades into more relieving and pulsing, sequencer-infused phase interacting with breathy and ethereal flute images, until the earthy field recordings announce the return back home from this amazing interstellar odyssey. Not to forget, Jeff Kowal (artwork) and Ben Cox (mastering) have done great work too, 4-panel eco wallet packaging looks absolutely flawless, there is even a print on both inside pockets!!! "When The Earth Is Far Away" is a must have sonic pearl skillfully merging evocative and magical ancient wind instruments with compelling synth interplanetary panoramas, richly luminous, gigantically fascinating and tranquilly immersing!!! Bravo!!!

Richard Gürtler (Dec 16, 2012, Bratislava, Slovakia)

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Independent Music Reviews / My review of "Gaze" CDr by Joxan Ruiz
« on: December 09, 2012, 09:44:21 AM »


Joxan Ruiz "Gaze" CDr

Spanish label Altera Orbe, run by Ran Kirlian and Landru, keeps on growing, with "Gaze" they introduce a brand new name on their roster, Joxan Ruiz from Madrid. "Gaze" is Joxan's debut work, although he has already appeared in 2011 on Jamendo's download release by Skaven entitled "Divine Intervention", where Joxan appears as guest on didgeridoo and singing bowls. The album launches with "Blue Light", sublimely drifting and sorrowfully cascading primordial soundscape. "Gaze", the title track, meanders towards the sky high realms, with gradual expansions into more massive and intense dronewalls, and backed here and there by hazed cybernetic infusions. "Afterglow" moves in its orbit quite monotonously, along with few more dramatic, but vague intrusions. Beautifully tranquil waves of "Ocean Vibration" are masterfully bridged with gentle cyber grooves and soothing coastal recordings. In the second half distant gauzy tribal beats join this deeply mesmerizing sonic experience, magnífico!!! "Zero Point" enters into more meditative terrains with quietly minimal texture. "Virtual Darkness" unfolds straightly with mysterious drones, enriched by distinctive electro pulses. Both, the darker and the cyber-tech substances are perfectly synapsed into a whole new listening sensibility. Certainly one of the highlights introducing Joxan Ruiz at the top of his artistry!!! The next piece, "Finding The Way", effectively merges the ancient and the modern in slightly discordant way. "Painting Bubbles", one of the shortest tracks on "Gaze", clocking to nearly 3 minutes, is sculpted with minimal warm washes and serenely tinkling sounds evoking upcoming Christmas season. "Hypnos" dives deeply into shadowy subterranean domains, where slow mind-bending drones are spiced by assorted spooky low resonating rumbles and swirls and high-pitched spiraling soars, accomplishing a genuinely trance-inducing atmosphere. Cavernous rumbles lead "Sirenis", the longest composition getting over 10 and half minutes, which flows on minimal, meditative waves coupled also with various crystalline tinkles. Another deeply primordial focused soundscape. "Alpha" immediately returns into monotonous and monstrous drone scenario, again blended with assorted distant noises and sharper cyber-electro-organics. The drones graciously glide throughout and expand into hugely immense panoramas, ranging from more intense and cinematic to more sublime and relieving. Another standout piece, a pure, 10-minute sonic bliss!!! 2 minute long outro "Gone From Here" is sculpted with expressive solo piano. A fairly colorful and distinctive debut by this Spaniard and a perfect addition to Altera Orbe's portfolio. Fellow countrymen Ran Kirlian and Max Corbacho are responsible for the mixing and mastering duties. If you like a wealthy mixture of mysterious dronescaping and few hypnotic cyber-tech escapades, you will enjoy "Gaze"!!! Joxan Ruiz has a quite big collection of flutes and as a member The International Native American and World Flute Association, I am sure he has a lot to offer within the fusion of ancient flutes and electronic sound design.

Richard Gürtler (Dec 09, 2012, Bratislava, Slovakia)

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This is a great news, Greg!!! Time to buy some Christmas gift for myself, so expect my order soon... :)

Richard

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Good to know "City Skies 2011" will be available also via Hypnos, this release definitely deserves more exposure. And thank you so much, Harry, for your kind words!!! More reviews are in the pipeline, hopefully I will post them during the Christmas & New Year holidays.  ;)

Richard

306


Tony Gerber & Paul Vnuk Jr. "City Skies 2011" CDr

City Skies is an electronic music festival organized yearly by Jim Combs and his team in Kavarna (I like so much that name, I guess it's taken from Czech word "Kavárna" which means café or coffee house) located in Decatur, Georgia, USA. Always focusing on the best US electronic musicians, covering styles such as ambient, downtempo chillout, Berlin school, electropop, IDM, space rock, experimental... 4th Annual City Skies Festival at April 29th & 30th, 2011 has brought together on the stage two veteran ambient sculptors. "City Skies 2011", released on SpaceForMusic.com Records, is the result of strongly evocative sonic dialogue between Tony Gerber from Nashville (also recording as Spacecraft, Cypress Rosewood), who belongs to respected multi-instrumentalists (electronics, flutes, guitars...) and Milwaukee's Paul Vnuk Jr. (member of Ma Ja Le), who excels at keyboards, hand and electronic percussion devices. The document stars with "Skytones", which clock to 11 and half minutes and fascinate with primordially charged atmozones, reinforced by the interactions of sublime drifts, evocative flute magics and crystalline and razor sharp tribal percussions. A truly soothing inner journey to calm your body and mind. "Topa" attracts with expressive flute swirls and barks, which are surrounded by distant beats and nature sounds, soon more uplifting tribal drumming join the stage to challenge the flute mastery. A really galvanizing shamanistic adventure!!! "Ulber" rather floats through sky high realms, smoothly meandering from more intense passages to more relieving reveries, flavored by always amazingly evocative flute and enveloped by assorted fragile tinkles. These artistic conversations are deeply immersing, the world of ancient mysteries awaits!!! The next composition, "Kuyn", is invaded by tranquilly plaintive and dreamy ambient guitar, hauntingly beautiful and immensely visualizing!!! The closing track, "Gracious", hits over 17-minute mark and moves, no wonder, graciously through widescreen sonic panoramas, from native-infused to aerially expanding and contemplative. Powerful fusion of ancient flute and gently floating, ruminative ambience with the infusion of wistful strings and gentle tribal drumming. An all-inclusive grand finale!!! "City Skies 2011" invite you to enter into the magnificently tranquil world, where ancient merges with modern, where Tony Gerber and Paul Vnuk Jr. bring to the table the very best of their musicianship. Their mutual standout sound language produces a truly absorbing and mesmerizing electro-acoustic journey!!! I wish I could have been at Kavarna...

Richard Gürtler (Dec 02, 2012, Bratislava, Slovakia)

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Independent Music Reviews / My review of "Quiet Rain" CD by Juta Takahashi
« on: November 29, 2012, 01:08:45 PM »


Juta Takahashi "Quiet Rain" CD

"Quiet Rain" was originally released as CDr version back in 2009 as 6th album by Japanese ambient composer Juta Takahashi, now it returns freshly remastered and released at the beginning of October 2012 as pressed CD on his own Lunisolar Records. I must say I wasn't familiar with the original album, so it was a very nice surprise when "Quiet Rain" has reached my ears. By utilizing analog synthesizers, with Mellotron and acoustic piano, Juta Takahashi has again shaped his album with 4 longer compositions, each clocking just over 15 minutes. "Dawn" unveils with peacefully meandering washes evoking the recall of long-forgotten memories. It's richly emotional and intimate piece with rather amorphous movements. The next composition, "Monochrome Sorrow", drifts within its tranquil realms, but this time having stronger aerial feel, again gliding quite monotonous with interferences of high-pitched intensity. However, these interactions sound hauntingly harmonious and create strong trancelike atmosphere. With title composition "Quiet Rain" Juta Takahashi masterfully immerses each listener deeply into utterly sublime soundscapes sculpted with heavenly choir-like drones, gorgeously fragile piano and soothing rainy sounds. Just imagine sitting under a shelter in a remote forested area and enjoying a quiet misty summer night with pleasantly refreshing natural rhythms of a quiet rain. A haven for everyone tired of the hectic pace of city life. Outdoor gathering at its most captivating, Juta's soundsculpting has never sounded more relaxing and tranquil, bravo maestro!!! It immediately became one of my most fave pieces by Juta Takahashi. The closing track, "The Azure Dragon", moves from state of calm and relaxation into more massive dronewalls, flavored with various sonic dissonances and soaring smoothly through elevated passages, from static and contemplative to more glimmering and intense. "Quiet Rain" is another richly crafted sonic statement by Juta Takahashi, as usual, magnificently balanced and both, powerfully absorbing and profoundly rewarding!!! "Quiet Rain" enters deep into the hope, the sorrow and the pleasure. It gets my highest recommendation for fans of sublime and comforting soundscapes.

Richard Gürtler (Nov 29, 2012, Bratislava, Slovakia)

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Mathias Grassow "Wisdom Of Fate" 2xCD

June 2012 was definitely a very busy month for both, German drone master Mathias Grassow and Swedish ambitious label gterma, who have released three new titles. I was focusing on "Dämmerung" some months ago, now it's time to deeply immerse into "Wisdom Of Fate" double album, inspired by the Norse mythology as continuing path of aural alchemy explored on "Alchemystery" double album. This first CD is entitled as "Alchemy Suite Part III: The Spring Of Mímir" with seven tracks while the second CD is "Alchemy Suite Part IV: The Well Of Urðr" featuring three longer compositions. The journey begins with "Out Of Time And Mind", a composition sculpted with rather subtly gliding drones blended with slower tribal beats to capture magically aerial and hypnotic mood, which precisely portrays the track title. "Across The Ífingr" is monotonously flowing drone with distant, humming percussive elements. Sharper tribals take the lead on "Knowledge of the Hrímþursar", while tranquilly mesmerizing drifts are hovering above. "The Arcanum Of Jötunheimr" dives straightly into immense abyssal realms, flavored with ghostly dissonances and spellbindingly hypnotic beats. Wow, I am deeply immersed by this, nearly 18 minutes long, richly dramatic subterranean odyssey!!! "Standing Amidst Withering Rocks" quickly returns to more static, mysteriously flavored freezing panoramas. "Gazing Deep into a Void of Eons" is another longer composition, clocking to 17 and half minutes and storming with repetitive and colossal tribal beats along with cascading and expanding dronewalls. The return of the drone king at his most monumental and shamanistic!!! The final piece of "Alchemy Suite Part III: The Spring Of Mímir" entitled "Clarity Of Mind" promptly relieves with beautifully sublime soundscape enriched by sky sailing choirs and serenely tinkling bells. Magically mesmerizing medicine!!!

"Alchemy Suite Part IV: The Well of Urðr" unveils with "That Which Has Already Been", a 28 and half minutes long dronescape, massively drifting into immense Nordic highlands gathered by dark clouds and painting truly spectacular sceneries, ranging from more absorbing monstrous and ever-changing dronezones to more magnificent and rich tribal cascades. Hugely adventurous and immersing all-inclusive sonic bliss, definitely one of the highlights!!! The next piece, "On Fragile Wings Once More Arisen" , is again wrapped by deep drone blankets, but gentle tribal grooves step to the fore here and there. Carsten Agthe adds his percussion magics on this composition, which showcases a harmonious synergy and balance between acoustics and drone expansions. More please!!! The conclusion is provided by "Twisted By The Hand Of Fate", nearly 30 minutes long piece, gliding with ever-changing and increasing grace over forested misty areas with fabulous reflections, with occasional percussive rhythmic ingredients thrown in to capture a fully mesmerizing effect. Another enormously thrilling and intriguing scenario!!!

"Wisdom Of Fate" is again stunningly portrayed by 16-page booklet. Another big one from Mathias Grassow, the iconic German drone purveyor!!! And a big one from gterma too, bravo Johan!!!

Richard Gürtler (Nov 24, 2012, Bratislava, Slovakia)

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Deeply immersing odyssey has just begun!!!

Richard

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Wow, what a great news, Dirk!!! You are just in time in Bratislava, Slovakia, at February 8th, 2013, at my Birthday!!! Nice gift!!! :)  All the best and good luck on your tour!!!

Richard

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The Circular Ruins "The Birth Of Tragedy" CDr

DataObscura's driving force Anthony Paul Kerby, aka APK, has returned at the beginning of September 2012 with a brand new offering by one of his projects, The Circular Ruins, entitled "The Birth Of Tragedy". His other two solo projects include Nunc Stans (last album "Peninsula" released in December 2011) and Lammergeyer (last album "Beginning To End" released in May 2009). Anthony Paul Kerby belongs to the most active composers within the ambient genre with over 30 albums on his credit, including some collaborations with artists such as Tomas Weiss, Mystified, Jonathan Block, and Off The Sky. Most of these works were published on his own DataObscura and Blue Oasis labels, a few exceptions include labels like Databloem, Gears Of Sand, In The Bubble Music, Musical Philosophy and Construct.

Okay, let's focus on "The Birth Of Tragedy". The album unfolds with the darker "Setting Out Alone", which takes the listener straight into a misty forest to explore a richly sculpted and ever-changing, slightly dramatic lyrical soundscape, enveloped by hissy breaths. Eerie rumbles navigate "For All Our Days" into a shadowy cave, blessed with spectacular sonic formations, roars and tinkles, and saturated by breathtakingly evocative angelic, nearly sacral choirs, which give to this composition a brand new dimension. This is the longest piece of the journey, clocking to nearly 9 minutes. It's deeply mysterious, yet still safely traversing through gloomy ambient sceneries. Awesome!!! "Simple Truths", on the contrary, is the shortest composition, and moves to more minimal and mournful terrains. "The Birth Of Tragedy", the title track, gets back into a droning path, colored with piano fragments, evoking sadly beautiful nostalgic memories and again submerged into abandoned subterranean spaces. "Displaced" consists of 4 parts, clocking between 4.5 and 8 minutes. Part 1 is more static, droney, glitchy, painting stunningly panoramic landscapes, always flickeringly evolving and warmly expanding into deeply immersing and richly intense cinematic aural bliss, wow!!! This distinctive sonic pleasure continues also throughout Part 2, on which some piano parts step in to reach a slightly more relieving phase, those hissy sounds are less intense, although there is a lot of happening on the background. This is certainly another exquisitely layered composition showcasing APK's wizardry for sound sculpting, where he is not afraid of using a broad palette of catchy colors. And these colors keep on spreading, because Part 3 attractively merges windy drones with sorrowful cello sounds and cavernous rumbles. Some strange voices appear on the back, and hissing noise is again more apparent. Another winner!!! Part 4 attracts at the beginning with hints of gently tinkling tribals, soon followed by rather rougher dronewalls, again hazed throughout by various glitches, cicadas and distant sound effects and outbursts, and closing with crystalline tinkles. Sonic adventure at its most intricate!!! The next piece, "Gathering Lost Things", continues without hissy blankets, but with a slightly more experimental, mechanized touch, immersed into subterranean mysteries. "Q.E.D." dives straight into pulsing, high-tech dreamy sequencer-driven terrains, beautifully melodic and majestically expanding, mingled with sharper mechanized clacks and occasionally enriched with voice samples and rawer swirls. After nearly 9 minutes it brings the album safely to its finale. APK has ventured with "The Birth Of Tragedy" into a wide variety of textures, and on first listening it might be a bit disrupting, but repeated explorations reveal, surprisingly enough, continuity in APK's sonic reflections. Constantly filled with a quite innovative approach, never boring, and always fully entertaining, adventurous and absorbing, "The Birth Of Tragedy" will for sure please all followers of DataObscura, or all of you who enjoy trips into uncharted territories.

Richard Gürtler (Nov 18, 2012, Bratislava, Slovakia)

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Casi Cada Minuto "In White Rooms" CD

Slovak ambient waters are still quite shallow, fortunately thanks to acts such as Strom Noir and now Casi Cada Minuto, they are brightly shimmering. Yes, after Strom Noir here comes another promising, one-man project by Slavo Herman, acting as Casi Cada Minuto. "In White Rooms" is his debut album, released during October on Slovak Exitab label, releasing various genres like experimental, glitch, dubstep, ambient, IDM... Attractive CD wallet design and CD print is the first bonus here, executed by COFO alias Jozef Tušan. Nice work!!! Let's explore now Slavo's soundsculpting. The album opens with droney "Milk (Feat ::.: )", colored by various mechanized glitches, voices, with few distant dubstep-like fragments thrown in. Rather experimental and rawer batch of intense sounds dominate the forefront, while quietly mysterious and immensely gliding deep low dronescapes are breathing on the background. Have no idea who is hidden behind ::.:, however this is a very strong introduction of Casi Cada Minuto!!! "Hibiki" is immediately invaded by enormously relieving crystalline bell tinkles, joyfully swirling and pulsing around my ears, along with serenely spreading atmozones and few softly disrupting samples (maybe processed seagull calls or children's voices?). Rather minimal in its structure, but tremendously effective. Wow, I am deeply fascinated by this magnificently hypnotic composition!!! "Daysaver", according to Slavo's words is one of his older tracks, presented on his concerts 3-4 years ago. It keeps its trance-like mood from its predecessor, this time with sublime panoramic enchantment and bridged with assorted glitches, factory-like sounds, snaps and cracks. "Waves" unfold with circling drone, that is soon joined by nearly hallucinogenic voice transmissions and tinkles. Femme wordless voice by Mallory Knox steps in and strengthen this truly mindscaping journey. "Chievo", the shortest piece on album clocking to 3 and half minutes, moves smoothly into richly nostalgic terrains, again wrapped by the fog of experimentally infused voice fragments. "Lies & Goodbyes" unveil with lush, dreamlike intro, but soon sneaks through thicker and intense passage into more emotionally driven part highlighted by expressively poignant and sorrowful violin by Slavo's guest, Pavol Matej. The synergy between acoustics and electronics couldn't have been more efficient and alluring. Masterful outro, guys!!! "In White Rooms" album is glimmeringly cascading musical kaleidoscope, yet still enough distinctive and harmonious, filled with hidden surprises and treasures, surely a recording with many rewards. Very nice debut, Slavo!!! And don't be afraid of taking longer journey than 41 minutes only...:-)

Richard Gürtler (Nov 18, 2012, Bratislava, Slovakia)

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Welcome back, Bill, it's always a really great pleasure to read your thoughtful reviews!!!  I will keep an eye on your blog and I really look forward to all your future reviews!!! Hard copies of old Wind and Wire still remain one of the most treasured items in my ambient collection. All the best, my friend!!!

And of course big thanks goes also to Jeff for his another masterpiece, it's really nice to see all these pieces on physical CD. Keep on going, Jeff!!!

Richard

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Independent Music Reviews / My review of "Nest" CD by Robert Rich
« on: November 11, 2012, 10:35:23 AM »


Robert Rich "Nest" CD

This album was firstly announced by Robert Rich on his website at the end of August and by his words it reminded him the place he was about 30 years ago when recording works like "Trances/Drones" or "Inner Landscapes". My jaws dropped immediately, I was counting every day and couldn't wait to explore the next chapter of Robert's more atmospheric fragranced works. Inspired by the natural wonders during Robert's Australian Tour in January/February 2012, "Nest" unfolds with utterly tranquil ambience "Memories Of Wandering, Part 1", precisely bridging wonderfully captivating nature sounds with pristine and luscious piano and trademarking, quietly soaring flute-like sounds. Symphony of chirping bird sounds with gentle rain drops with Robert's virtuosity immerses immediately each listener into dense forest, and even if the night falls, this scenery is absolutely beautiful and contemplative. This peaceful sonic postcard overlaps also to the second part of "Memories Of Wandering", this time less organic, but still deeply soothing with quiet interplay of piano and washes, safely guarded by intangible choirs. This magically colorful sonic stillness holds each journeyer in highly relaxed frame of mind. Amazing flute wizardry invades "Seeking Eden", it's mysteriously yearning and primordial and is as good as anything Robert has recorded with this ancient wind instrument. Hauntingly evocative landscapes are explored through this powerfully distinctive electro-acoustic fusion. "Moss Carpet, Sky Blanket" dives deeply into subterranean realms with gently tinkling bells supported by deeper hissy natural soundscapes and masterful lap steel guitar techniques, sounding nearly like some voice roars. This is Robert Rich at his best and most meditative!!! The next composition, "Generosity Of Solitude", is again divided in two parts, clocking over 8 and 11 minutes. The first part, with piano, drones and occasional bells, is again wrapped by hissy blankets. A quite minimal and silent piece, but incredibly intimate and reflective, and enormously soothing. The second part keeps on the minimal, but effective route, where hazy nature sounds appear rather sporadically, with sparse piano textures interplaying with serenely expansive drones and soaring flute sounds, deeply immersing and bringing back nostalgic moments. Few distant, sort of thunder-like disruptions attractively color this piece as well. Meditative bell sounds and deep drones announce "The Gate Is Open", but soon cinematic drifts along with expressive lap steel guitar artistry join the stage for another highly distinguishing and intense listening experience, a journey showcasing extraordinary innate ability and perfection. "Memories Of Home" get close to 14-minute mark and close this triumphant performance with another expertly harmonizing mixture of piano, drones and flutes, surrounded by a tranquil atmosphere of cicadas and raindrops. "Nest" is musically beautiful and utterly captivating, accomplishing highly sophisticated balance between instrumentation and field recordings. "Nest" will resonate in my ears for many more hours. And my eyes are delighted again thanks to the gorgeous artwork by John Bergin, frequent designer of Robert Rich's releases. "Nest" is an essential listening for any quiet activity and another virtuoso performance by Robert Rich, one of the giants of the genre!!!

Richard Gürtler (Nov 11, 2012, Bratislava, Slovakia)

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Great news, Anthony, I am a huge fan of Robert Davies, so I can't wait to explore "Arboreal"!!! All the best and keep on going!!! :)

Richard

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Forum Member Projects News and Promotion / Re: Forrest Fang news
« on: November 09, 2012, 10:56:45 AM »
Great news, Forrest!!! Even if I have the original edition of "The Wolf At The Ruins", I really look forward to Projekt's remastered reissue. All the best!!! :)

Richard

317
Definitely agree with all of you, guys. Ordering a CD is for me a very enjoyable process, but if some label/artist decide to release ultra limited run even if the demand is much bigger, then this process immediately becomes stressful, because you have to be "at the right place at the right time", otherwise you miss the item or you will pay later much higher price at Discogs to someone who is trying to make some money from these strange label politics. Even if you are a true fan and collector, you might miss the item and instead of you, some speculative purchaser buys the item/items. Have no idea what's behind these "strategies" of some labels/artists even if I am hardly trying to imagine being in their shoes... Of course I understand if some artful handmade edition is made, but have no excuse for ordinary packaged CDr edition of 50 or 100 copies, even if much bigger run can be easily sold. Why to make or release music, when it's limited to smaller amount of people only? Exploring new music should be relaxing and comfortable, and not stressful and upsetting, so I simply avoid dealing with these labels/artists.

Richard

318


Bruno Sanfilippo "Piano Textures 3" CD

The third installment of "Piano Textures" has became a reality during September 2012. I won't say anything new when describing Bruno Sanfilippo, in Argentina born, but residing in Barcelona, Spain, as one of the leading figures of the ambient movement in Europe. Released not only as a solo digipak CD, but also as one third of elegantly packaged "Piano Textures" Box Set along with digipak reissues of previous two chapters, "Piano Textures 1" and "Piano Textures 2". Looking for some nice collector's item? This might be one of your choices for sure!!! Anyway, let's explore now the atmospheres of "Piano Textures 3", which consists of 8 parts entitled "Piano Textures". The album unfolds soothingly with minimal, but expressive piano tune backed by captivating natural sounds of bird calls or cow bells. It's no secret that Bruno Sanfilippo is enormously gifted piano player, who studied at The Galvani Conservatory in Buenos Aires with a degree in musical composition. And Bruno Sanfilippo truly excels at his filigree piano playing!!! "Piano Textures 3 II" is deeply intimate and evocative composition hazed by the clouds of profound sadness and nostalgia. Deliberately serene and touching!!! Warm piano ambience invade "Part III" and floats smoothly through various passages, ranging from more melodious and illuminating to more quiet and contemplative with strong cinematic feel, what a beauty!!! "Part IV" blends euphorically swirling phases with more intense, throughout saturated by distant natural sounds. Beautifully sad "Part V" immerses deeply each listener with its emotionally rich piano texture, weeping cello sounds and tranquil ocean waves, at the end joined by child's voices. This composition impresses utterly with its nostalgia, intimacy and warmness. Long forgotten memories are awakening, another masterpiece!!! Beautifully relaxing moods are all over the next piece, "Part VI", this time restful and fragile piano is strongly flavored by myriad of forest birds chirping and few kids voices and dog barks. When absorbed by this composition, naturally colored "BIOMA" comes to my mind. Towards the end few harsher scrapings à la "Urbs" appear as well. And some of these sharper outbursts and low deep sounds can be explored also on "Part VII", with sort of cacophonous intro that is soon softened by euphorically shimmering and lush piano. I like so much the interplay of harsher and velvety parts, it might sound quite perplexing, but the overall feel remains always very sensitive and poignant. Sparsely elegant and strikingly picturesque piano texture of "Part VIII" is again carefully enriched by few nostalgic cello sounds to complete this grand finale composition. Freely meandering and dreamlike, absolutely gracious and gorgeous!!! "Piano Textures 3" is a lyrical performance at its most virtuoso!!! It's absolutely thrilling to witness how Bruno Sanfilippo demonstrates his amazing versatility within ambient genre, always marked with highly sophisticated approach and equipped with massive potential. Just take into account, for example, his last five releases, "Piano Textures 3", "Urbs", "BIOMA" (with Max Corbacho), "Subliminal Pulse" and "CROMO" (with Mathias Grassow). Without any doubt, he is one of the giants in the genre, a composer of great artistry and talent, because otherwise he wouldn't be able to reach this challenging and refined quality. Bravissimo, Maestro, and muchas gracias for all your sonic pearls, I am deeply honored to collect them!!!

Richard Gürtler (Nov 03, 2012, Bratislava, Slovakia)

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Now Playing / Re: Currently listening, part 1
« on: November 02, 2012, 11:21:23 PM »
Ran Kirlian-Formations
Joxan Ruiz-Gaze

Both of these are on Altera Orbe label, sister label of Ad21 in Spain.  Both excellent (reviews forthcoming).

Have to look into that AD21 sublabel soon.

Yes, I definitely agree about expanding Altera Orbe label, don't miss also their two releases by Landru, entitled "Neurotransmitters" and "Fimbria", plus his collaboration with Ran Kirlian "Waterfront". By the way, both, "Neurotransmitters" and "Waterfront", were reviewed on these pages, so feel free to check them out too.

Richard



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Soriah with Ashkelon Sain "Eztica Tour Collection" CDr

"Eztica Tour Collection" CDr was self-released by the band as a limited edition in attractive eco wallet to support their 2012 summer tour mostly through US west coast. Since I am living far away in Central Europe, I immediately started to hunt for this rare item, because I really can't imagine missing this beauty. Yes, since exploring "Atlan" CD and numerous pictures and videos from spectacular live shows that followed, I was always dreaming about seeing these, Portland based guys live. Unfortunately, my dream didn't come true yet, but "Eztica Tour Collection" brings me very close. "Atlan" was a big revelation and "Eztica" only confirmed the huge potential of the kindred synergy between Soriah and Ashkelon Sain. Of course I must add this live gang features except Soriah (voice, instruments) and Ashkelon Sain (guitar, keyboards) also Jonathan Howitt (percussion, drums), Marshal Serna (keyboards, percussion) and Daniel Henderson (drums, gong). "Eztica Tour Collection" is a collection of 9 tracks, recorded during September 2011 in four different venues in Seattle, San Francisco, San Jose and Hollywood. "Nica Anahuatl" ignites the show with rather rawer and mysterious, mostly percussive-infused mood with shamanistic wordless vocals that perfectly paint the atmosphere of the whole set. Tranquil flute opens "Tonacayotica", but soon Ashkelon's sharp guitar riffs and vibrant drumming steal the show, soon followed by Soriah's impressive vocals. The next track is comprised of "Ticochitlehua" and "Eztica", where the first half is more primordial and cacophonous with Soriah's prayers. The second part kicks right away with highly infectious blend of Soriah's throat magics, explosive percussions, warmly drifting washes and erupting guitar by Ashkelon. The first absolute highlight is here and the stage is on fire!!! But that's just the beginning, because "Cehui" follows and that's a true Hall Of Fame track since the very first day I explored it on "Atlan"!!! And yes, also the live version is as much magical as its studio version. Soriah's fascinating voice palette magnificently interplays with gentle tribal drumming and tinkles and surrounded by deeply immersing background atmozones. A truly shamanistic and blissful journey!!! "Iix" is invaded by electrifying guitars, perfectly blended with expressive voices, evocative soundscapes and raw, high-pitched percussions assaulting my eardrums. And filled with stirring energy and infectious melodies. Another stunning live track!!! The next piece "Aldan Ool" features solo throat singing by Soriah and this piece is dedicated to Aldyn-ool Sevek, a prominent Tuvan throat-singer and one of the masters of Soriah, who died 10 days before this piece was performed in San Francisco. "Xopancuicatl" is the most melodic piece here with a very tranquil and heartwarming melodies, catchy tribals and tinkling percussions and Soriah's raw voice magics. Absolutely phenomenal!!! But most likely I will be speechless shortly, because another milestone comes. Yes, "Xiuhcoatl" was one of the highlights on "Eztica" and this live version is no exception. Just like on "Cehui", Soriah's voice works here as another instrument brilliantly merged with leading razor sharp percussions and backed by cinematic atmospheres. Undoubtedly another virtuoso performance!!! But Soriah keeps on excelling with his throat wizardry also on the closing "Atlan" piece, which masterfully fuses exotic strings with panoramic drifts and hard-hitting drums. Deeply mysterious "Atlan" is a finale of high caliber!!! Soriah with Ashkelon Sain and their live crew showcase on "Eztica Tour Collection" all their talent, passion, chemistry, nuance and musicianship in galvanizing and breathtaking live action, I am dying to see them live one day!!!

Richard Gürtler (Nov 01, 2012, Bratislava, Slovakia)

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