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Messages - richardgurtler

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Forum Member Projects News and Promotion / Re: Loren Nerell news
« on: June 14, 2012, 01:57:50 PM »
"Slow Dream" is a breathtaking deep drone journey!!! My best congratulations, Loren!!!



Neu Gestalt "Weightless Hours" CD

In Edinburgh, Scotland, based sonic architect Les Scott aka Neu Gestalt has just released during June 2012 his second full length album "Weightless Hours" through local Alex Tronic Records, a follow-up to his debut "Altered Carbon", released in 2008. I am immediately amazed with the visual quality of the CD, which comes with stunningly designed artwork featured on 8-panel foldout insert, containing various pictures (with many appearing in tiny cameo) and extensive liner notes on release, used images and field recordings, which surround everyday's life of Neu Gestalt's sole protagonist. I really nice effort I must say, especially nowadays when the sales of physical products are lower. The first points were awarded already!!! "Toxicology", unveils the journey with primordial ambience, enriched by water sounds and shakuhachi, crossed with hovering tech grooves and expressive piano sounds, and presents David Anderson as guest on keyboards and co-composer of this track. Nice intro! "Abandoned Cities" attract quickly with shakuhachi magics and gentle tribal tinkles, swirls and gurgles. Crystalline synthetic downtempos are precisely fragranced with sporadic hisses and organics. Shimmering world fusion electronica!!! Locomoting high-tech grooves of "Cold Wave" are seductively blended with circling, more dramatic, nearly cinematic passages, spiced here and there by mysteriously distant voice. Rather minimally carved, but maximally mesmerizing and visualizing!!! Relaxing downbeats overlap into "Saturn Park", another richly and pristinely detailed composition. "Winter" enters into more atmospheric combo of modern classical piano, crispy grooves and cyber hisses and outbursts. "Sub Rosa" remains in slower, picturesque organic atmo zones, while the next piece, "Curtain Of Rust", swiftly moves back into high-tech filigree chemistry of trance-inducing beat locomotions and pleasantly evocative moments. "On Haunted Shores" follows the footsteps of its predecessor, but piano, shakuhachi and glitches harmoniously join the stage too. "Aerial Eleven" is another stirringly exciting and absorbing trance-infused groovy soundscape. A truly relaxing hypermodern vibe!!! "Metalline" showcases highly polished synergy of aerial washes, post-classical elements and glitches, all masterfully wrapped into tremendously refreshing and warmly inviting mood. One of the ultimate highlights!!! "Sheltering Skies" venture into more active terrains, featuring all kinds of catchy swirling and tinkling sounds with cascadingly emerging nostalgic washes. Interplay of rhythms and atmospheres is hauntingly attractive here!!! The closing piece, "We Who Walk Through Walls", again expertly blends various sonic outbursts, disruptions, pulses and twinkled drifts. Technoid exotica at its most adventurous!!! "Weightless Hours" skillfully explore very personal sonic visions of Les Scott, who has managed to bring to us superb work, musically, sonically and visually!!! This album will grow on you with every listening, and don't forget your headphones!!! Highly recommended to all aficionados of downbeat/ambient electronica!!!

Richard Gürtler (June 09, 2012, Bratislava, Slovakia)


Broken Harbour "Gramophone Transmissions" CDr

Broken Harbour is a drone ambient endeavor of Edmonton, Canada, based artist Blake Gibson, who introduces here his second full length album released during September 2011. We are first confronted with stunningly looking cover images. Yes, you can't go wrong with having Michal Karcz, a Polish photographer and image wizard, responsible for the graphic artwork duties. Michal has already worked within ambient genre with renowned artists such as Steve Roach, Erik Wøllo or David Helpling & Jon Jenkins for example. But let's investigate the sonics by this newcomer to my ambient collection. "Drift" unfolds Broken Harbour's soundscaping exactly as indicated by its title, where deeper drifts are bridged with crackles from old vinyl records spreaded across the piece and with modern classical-infused piano, all wrapped by moods of longing and remembrance. A very strong intro marking a small change in the course, when moving from more darker and colossal, nearly mind-bending drones on self-titled debut "Broken Harbour". "Gramophone Transmissions" venture into slightly lighter drone and glitchy zones with the cover images precisely portraying the title and main source of this album, which features except classical vinyl records also recordings of piano, mellotron and choral. Then follow two parts of "The Ballad Of Dave Bowman", the first one is colored with slowly spiraling washes, very tranquil and mesmerizing, with angelic choir-like sounds floating in sky high realms, and supported by sensitive glitches and hisses, fragile piano and mysteriously emerging voice samples. Another deeply evocative sound sculpture!!! The second part of "The Ballad Of Dave Bowman" is mostly based around monotonously droning pipe organ sounds, slowly cascading and awaking the old, long forgotten, memories. Beautifully surrounding and tranquilizing the listener's mind!!! "Titan" attracts with the synergy between various, aurally effective glitches and hisses with silent passages, peaceful washes and hints of hidden drama, all glimmeringly interweaving and evoking more melancholic, nearly ethereal feelings. The unmeasurable and unmistakable beauty of "The River Of Appearance" is gracefully hovering above. Well done, Blake, certainly one of my fave pieces on this journey!!! The next composition "Dark Clouds Approaching From The West", as its title suggests, is invaded by heavier and darker drone walls, strenghtened by ghostly sounding choirs, masterfully painting images of cloudy seamless sunset panoramas. "Maelstrom (The Descent)" remains in the darker, nocturnal terrains, quite dramatic and adventurous, but also much more frightening with cryptic voices emerging here and there. This is a truly unsettling, transcendental sonic ride, clocking to 16 and half minutes. The closing "Unforeseen Consequences" is fortunately more relieving with its static, but slowly rising drone before it peacefully fades away into silence. "Gramophone Transmissions" are skillfully crafted, and even if self-released as a CDr edition only, with strong attention paid to its visual part. Congratulations to Broken Harbour!!! I will keep my eyes and ears wide-open, Blake!!! Highly recommended for all traversers hanging on the edges of ambient and dark ambient genres!!! And get your headphones ready...

Richard Gürtler (Jun 03, 2012, Bratislava, Slovakia)

Independent Music Reviews / My review of "Tele" CD by Pjusk
« on: June 02, 2012, 02:31:32 AM »

Pjusk "Tele" CD

"Tele" is the 3rd album by Pjusk, a Norwegian ambient project featuring Jostein Dahl Gjelsvik and Rune Sagevik. While Pjusk's first two albums came out on US label 12k, their newest work was released during March 2012 on Italian label Glacial Movements, the connoisseurs of arctic dronescapes. Gorgeous images on the digipak look really impressive (executed by Erika Tirén and Noah M/Keep Adding), so let's explore the sonic visions of these Norwegians. Shorter intro "Fnugg" dives strightly into mysteriously subterranean worlds, where remains also the next composition "Gneis", assembled with shadowy soundscapes and occasionally invading heavy weight drones, all precisely interacting with distant metallic rumblings and deeply cavernous organic sounds and covered by haze and eeriness. Absolutely awesome journey!!! "Flint" moves into strange glitchy terrains, with more experimental, oddly colored structure, but towards the end reaching slightly more relieving aura, announcing the next escapade entitled "Skifer". Floating in subterranean territories and hauntingly enriched by cascading intense, nearly cinematic passages and rather slower, hypnotic groovy pulses. "Skifer" is another, truly fascinating sonic revelation evoking spectacular images of immense northern landscapes and presenting Pjusk at its most distinctive soundscaping, loaded with pure adventure and virtuosity!!! Misty groovy heartbeats can be explored also through "Krystall", but this time heading into celestial realms, painted with angelic choir-like washes, assorted sonic disruptions and polished languid rhythms. More minimal and tranquil, but beautifully mesmerizing and evocative!!! "Granitt" delves into more active terrains, dominated by mid-tempo rhythms, enriched by factory-like noises and carefully integrated with organic and cinematic soundscapes. Hugely stirring and immersing!!! "Kram" sinks into deep cavern with more relieving and meditative mood, attractively colored with secretly shimmering sound injections. Shorter "Bre" remains safely in these shadowy zones, while the closing composition "Polar" is invaded by the monstrously frightening flood of heavy drones, the grand finale is here!!! Soon the high-tech metallic grooves steal the journey and icy panoramic sceneries are permeated by warmly mesmerizing and elatedly uplifting images. Wow, these Norwegian guys are phenomenal!!! Not to forget, additional guest list include Andreas Nordenstam (mastering and album arrangements, co-composer and co-producer of "Fnugg"), Frodebeats (modular sound design, co-composer and co-producer of "Flint"), Tor Anders Voldsund (guitar treatments) and Joe Scarffe (glacial sound effects). No questions here, "Tele" is not only another groundbreaker by Pjusk, magnificently illustrating unique, dramatic and one of the earth's most scenic winter environments, but also another highly sophisticated sonic pearl in the growing Glacial Movements catalogue!!! To me, "Tele" is a magnum opus by Pjusk!!!

Richard Gürtler (Jun 02, 2012, Bratislava, Slovakia)


Bruno Sanfilippo "Urbs" CD

Field recordings are the key elements of "Urbs" and "BIOMA", the last two albums of Bruno Sanfilippo (on "BIOMA" he was joined by his fellow soundscaper, Max Corbacho). While on "BIOMA" documenting the life of a nature, on "Urbs" Bruno has decided to focus on everyday's life of a city, when collecting location recordings from various European metropoles plus New York by mapping surrounding environments like train or subway stations, streets, bars, churches... This brand new album, Bruno's 16th when counting also his collaborations with Mathias Grassow or above mentioned Max Corbacho, is not only his premiere work for renowned Hypnos label, but also a quite radical departure from all his previous works that are spanning from rather ambient/new age oriented, through deeper organic or cinematic ambience to modern classical influenced. Bruno Sanfilippo is now venturing with "Urbs" into more minimal soundscaping with gently portrayed pulsing life of the city. To be honest, without knowing the name of the artist who is behind "Urbs", I would never connect it to Bruno Sanfilippo. But don't be afraid, because this chameleonic change is not only totally adventurous, but also proving the unlimited creativity and considerable talent of this sound architect (born in Buenos Aires, Argentina, but residing in Barcelona, Spain). "Urban Flow" is perfectly chosen name for opening piece, with dominating colder on-site recordings of various rumblings, noises, buzzes, creaks or squeaks, all wrapped by hazed nocturnal atmosphere and masterfully merged with deeply evocative drones and assorted mesmerizingly or mysteriously emerging voice and choir samples. Wow, this is absolutely phenomenal, nearly 15-minute intro!!! Grandioso & mágico, Bruno!!! Voice transmissions unfold the next piece, "The City Reflected", clocking over 20 minutes. Deep, nearly ear-bending echoes, various rumblings, mysteriously odd voices enter the stage as well, everything harmoniously crafted and bridged, and superbly evoking a place similar to some underground lively corridor. Cascading sonic palette is minimal, but intense and maximally effective. "Chaotic Order", a 25 and half minutes long opus reveals with deeper drones, again enriched by distant conversations and various street rumblings, serenely drifting before entering during the second third into slightly more active areas with glitchy and hissy elements invading. The last third returns to more mysterious and droning course with assorted noises, breathings and voices on the back. Definitely another deeply absorbing masterpiece!!! The closing piece, 7-minute "The Gray Umbrella", is colored by various voice recordings, possibly the most textured sonic escapade slowly moving towards the end into minimal and quieter, nearly meditative outro. "Urbs" is stirringly challenging and refreshing, carefully sculpted and fused into amazingly homogeneous structure, with strong attention paid to every detail. This album delivers enormous amount of spectacular listening moments and transports each listener into magnificently immersing urban environments. Bravo to Bruno Sanfilippo, bravo to Hypnos!!!

Richard Gürtler (May 27, 2012, Bratislava, Slovakia)

Thank you, drone on and Harry, for your kind words, as always it's much appreciated!!! Feel free to explore Andrew's music through his own website or through CD Baby. The physical copies are more pricey, but it's worth! Keep on enjoying great music!!! :)


Great review, drone on!!! I am really enjoying "Urbs" too!!!


Art and Literature, Movies and TV / Samsara
« on: May 25, 2012, 02:05:47 PM »
The creators of Baraka and Chronos are back!!! Original music composed by Michael Stearns, Lisa Gerrard... In theaters August 24, 2012.



Andrew Forrest "Resonance (Harmonics Trilogy ~ Volume 1)" CD

Highly gifted ambient composer and painter Andrew Forrest, born in the UK, but since 1998 residing in New Zealand, has returned during the end of 2011 with his 6th full length album and the first part of "Harmonics Trilogy", entitled "Resonance" and packaged in elegant 4-panel digipak. Andrew Forrest is definitely one of those well-hidden and strongly underrated artists journeying through gorgeous deep space realms. "Harmonic Resonance" is the sole track title, presented in three longer movements, all clocking between 20 and 24 minutes. "Harmonic Resonance - 1st Movement" reveals with slow-motion drones, venturing across various, richly textured and evolving phases, from more deeply drifting and powerfully colossal drama through slightly more lighter and melodic paths to heavenly peaceful washes, but always preserving Andrew Forrest's identifying ethereally tranquil sound sculpting, which easily holds the attention of each journeying listener throughout the entire lengthy composition. A brilliantly entertaining and harmonic soundscape!!! "2nd Movement" floates through beautifully grandiose open spaces, masterfully enriched by celestial choir-like sounds and tenderly tinkling bells, before swelling into more intense and progressing sonic cascades. Again brightly colored in depth and spaciousness, always amazingly evocative and filled with unmeasurable majesty and grace. Hauntingly magnificent washes lead "3rd Movement", ornamented with assorted bell sounds, fragilely swirling around listener's ears. Stunningly immersing composition that again advances into other, spectacularly dramatic and cinematic deep space domains, precisely highlighted also by additional angelic choirs. Purely eternal sonic bliss is here!!! And a splendid conclusion of this magically fascinating "Resonance"!!! In case you are not familiar with Andrew Forrest's discography, act now, it's highly recommended to all aficionados searching for thrilling deep space explorations!!!

Richard Gürtler (May 24, 2012, Bratislava, Slovakia)

Hi Greg,

and welcome at Hypnos Forum!!! I am very glad to read about your upcoming projects and releases. You have my deep respect for taking or considering the more expensive route when releasing a CD. I will keep my fingers crossed for you and will support your project/releases as much I can!!! All the best :)!!!


Thank you, Juta, it was my great pleasure to review "Silence"!!! And welcome at Hypnos forum, have a great time here!!!


Thank you, guys, for all your feedbacks, I really appreciate that!!! Once again, big thanks to Forrest for this masterwork!!!



Juta Takahashi "Silence" CD

In Sendai, Japan, based ambient drifter Jutaro "Juta" Takahashi, comes here with his 8th full length album "Silence", released in November 2010 through his own Lunisolar Records imprint. Comprised of 4 longer compositions, clocking from 13 and half to 15 and half minutes, the album "Silence" is accompanied by totally magnificent and eye-catching brown-colored cover image of vast open sea, entitled as "Midnight In A Perfect World" and executed by German artist Anja Stiegler, precisely interacting with Juta's soundscapes. "Silence" is ignited by "Ararat", a composition dedicated to Mount Ararat, a two peak hill located in Turkey on Armenian Plateau. "Ararat" unfolds with gracefully gliding slow-motion drones, serenely immersing and picturesque, ornamented throughout the piece by delicate Middle East fragranced string sounds, and reveals a beautifully panoramic and soothing view from the summit. "Wet Dream" steps in slightly more active poetic texture with stronger cinematic approach, masterfully spiced by occasional distant and fragile metallic and piano sounds. Another highly evocative piece of music, drenched in the ocean of deeply mesmerizing beauty and blissfulness!!! The next composition, "Continua Shift", is the most massive dronescape, supported on the back by mysteriously fumed factory-like rumblings and celestially floating voice-like sounds. A truly transcendental sonic experience awaits!!! The closing title track, "Silence", returns, as indicated by its name, into more quiet and peaceful territories with highly relieving piano sounds. More minimal sculpting is based on altering harmony of silent moments with passages of fading in and out synth and piano blankets. All the magic and essence of the nocturnal journey is fully explored through this beautifully captivating epilogue. "Silence" is skillfully crafted, stirring and varied, but gracefully balanced and elegant!!! A must have for all ambient connoisseurs seeking for pure sonic beauty and tranquility in their music!!! Absolutely gorgeous, Juta!!!

Richard Gürtler (May 20, 2012, Bratislava, Slovakia)


Forrest Fang "Animism" CD

The brand new work "Animism" by the Chinese-American ambient exotica virtuoso Forrest Fang is ready to hit the streets during the June 2012. After checking the credits on elegant eco CD wallet packaging, everything is more than clear, Forrest Fang is again unveiling all the secrets of his acoustic wizardry by utilizing except violins and mandolins many exotic instruments, mostly originated from Mediterranean region (Baglama and Lavta, both stringed instruments), Southeast Asia (Kulintang - a set of horizontally laid gongs, Dan Bau - a monochord, one-string instrument with a rod, serving as a resonator), South America (Bandurria - a stringed instrument, similar to the cittern or mandolin) or North America (Marxolin - a bowed instrument). A long multi-cultural variety of instruments I must say, among them some that I most likely didn't hear before. "Tailing Wind" hits straightly this fascinating route with its intense, nearly eclectic blend of strings, percussions and gongs, that should be above mentioned Kulintang. This opening composition attracts with strongly primordial feel. Darker dronescapes of "The Chameleon's Paintbox" are soon joined by enchantingly expessive palette of euphoric strings. And even if some delicate Western-infused elements join the stage, just close your eyes and you are immediately transported by this ultimate masterpiece into absolutely exciting places, where all the fragrances and glamor of wonderful Middle East palaces can be explored. Magnificently colorful and beautiful piece, Forrest!!! Sorrowful strings with gongs lead "Islands In The Sky" into deeply meditative realms, which are later shifting into chillout phase before journeying into adventurously magical and filigree fusion of finest Asian and Western musical ingredients. Organic groovy exotica at its most alluring!!! We are encountering a richly sculpted, intriguingly fragranced and skillfully balanced mixture of atmospheric or meditative soundscaping with Forrest's Chinese heritage and Fourth World musical traditions. The next two compositions, "Evening Chorus" and "Passing Suns" sedate with heavenly floating washes, a purely aural bliss is awaiting for everyone!!! "A Tributary Unwinds" is colored with deeper drones and cavernous distruptions at the beginning, but soon the tribal drumming and string magic steal the show. A performance holding the signature that is only Forrest Fang!!! The interaction of all acoustics and electronics is just amazing in this composition, to my ears, certainly an Ambient Hall Of Fame virtuosity!!! "Sleeping Snakes" are joined by heavier and intense spiraling drone sounds enriched by fragilely tinkling bells. The closing piece, "Resting Point", precisely displays its title with serenely wandering drifts presenting Forrest Fang at his most tranquil craft!!! Not to forget, having Robert Rich behind the mastering desk is another bonus. "Animism" is the next benchmark release of Forrest Fang and one of the undisputable highlights of 2012 so far!!! Thank you so much, Forrest, for inviting me to experience spectacular adventures and breathtaking sceneries of all these extraordinary territories, you are a true sonic innovator!!!

Richard Gürtler (May 20, 2012, Bratislava, Slovakia)

Hypnos Label Releases / Re: RELEASE: Bruno Sanfilippo - Urbs
« on: May 18, 2012, 11:02:25 PM »
Wow, thank you so much for your first impressions, drone on!!! I can't wait to receive my order with "Urbs", I am getting it from Bruno, so I am keeping an eye on my mailbox... :)


Regarding Mobineko, as far I remember also Databloem used Mobineko for some titles, but it was during 2010. I don't know how many copies were pressed. Most recently also 36 "Lithea" CD was pressed by Mobineko, released in March 2012, packaged in a very nice matte-laminated 4-panel folded cardboard sleeve case with spine. The first run was limited to 200 copies, which are sold out now. According to the artist, additional repress of 100 copies is planned.


Hi Paul,

all the best with your performance and enjoy the whole festival!!! Great to hear about the upcoming CD, I am very interested. Any chance to reserve one copy for me? Thank you so much and have a great time :)



Netherworld "Over The Summit" CD

Netherworld, the project of Glacial Movements' driving force Alessandro Tedeschi, has returned in January 2011 with his second GM offering entitled "Over The Summit", an album dedicated to Hyperborea, the mythical unspecified territory in the Far North known as a warm and sunny land with the sun shining twenty-four hours a day. The album opens with the title piece, "Over The Summit", which is invaded by minimal, freezing drones with arctic breathings and occasional distant heartbeats perfectly setting the mood and portraying spectacular images of unbounded icy landscapes. Elements of coldness are all over this enormously immersing composition, however the overall feel is mesmerizingly warm and inviting. Grandióso, Alessandro, I am hooked right away!!! Absolutely gorgeous nocturnal sceneries of pristine vast areas with shimmering sky show are magnificently explored through "Aurora Performs Its Last Show". Kind of joyfully droning hymn praising this breathtaking light show, mastefully enriched by glitchy voice transmissions (most likely in Norwegian). Artic dronescapes have never sounded more charming than this, magnífico!!! "Iceblink (Aurora Borealis Mix)" is leaded by looped deep drone winds with distant and tender noise rumblings, all wrapped by filigree subterranean feel. Few sharper sonic buzzes and outbursts and ominously remote voice-like sounds invade here and there. Not only another masterpiece, but certainly a truly transcendental experience!!! "Crystallized Words" are coming out of the foggy glacier's cavern with otherworldly formations of glowing ice crystals and uniquely mysterious ice walls, where deep spiraling drones are interplaying with slowed-down vague beats and whispering voices. "Thoughts Locked In The Ice" are sculpted with more tranquil, but slowly cascading texture featuring also few sounds of wind and more especially fascinating deeply droning sounds, which might be emitted by the expanding and contracting ice. "Iperborea" is wrapped by hiss with more minimal structure, where distant and cavernously echoed heartbeats are joined by icy drones, resonating singing bowls, abyssal noises, ghostly voices or moments of silence. Grand finale at its most mysterious and desolate!!! "Over The Summit" is fascinatingly visualizing, strangely challenging and intensely inviting. Another superb album from Glacial Movements!!!

Richard Gürtler (May 8, 2012, Bratislava, Slovakia)

Hi guys,

yes, that's true, this topic keeps on returning, but I don't care when it can bring some new ideas or improvements based on these discussions, when fans, artists and label/mail-order owners are involved.

My point of view as of a big collector of physical CDs was already presented several times on this forum. And I will repeat again and again, when it comes to a physical product, it should be presented as "all-inclusive" package, to me I will always see each physical product as piece of art. At some point I can accept even a CDr release, but it definitely has to come with more attractive packaging. And the slim jewel case it's at very end of the attractiveness, at least to me. Yes, it probably saves your space on shelter, but I don't care about that if I can't locate it without the spine... I have maybe around 30-40 of these slim jewel case CDR editions in my collection, but there are still many good releases available on this format that I don't buy beacuse of this packaging. Just like "Drone on" said, they somehow slip to the bottom of my want list. I like the music, but I am simply unable to accept this packaging. I think it ruins the music or devaluate, as mentioned by Anthony. Maybe my words are hard, and yes, I understand, the CD sales are very low during these times, however I think this product has much lower chance to be picked up by some other, even small distros/mail-orders. There are many of them across the globe trying hard to spread the music they love and survive. No matter how difficult are the economics during these days, I would never go this way as a label or artist. Well, I am not in their shoes, if I would be, maybe my view might be different, but I hope not!!!

Speaking about CDR editions with slim jewel cases, there are still some other choices, for me much more attractive. For example slim poly case with a full wrap-around insert, printed on both sides, with a spine, as used by Anthony and his DataObscura label. Or the older type of slim jewel case with spine, used by Databloem's Practising Nature or Bluebox editions. Yes, I understand the later is not easy to buy and replace when it arrives broken during the shipping.

10,00 USD for CDR in slim jewel case or 15,00 USD for CD (CDR is acceptable too) in digipak, eco wallet, standard jewel case... My choice is definitely 15,00 USD. Yes, I understand, maybe there are many people who rather prefer cheaper product and don't pay any attention or pay less attention to packaging, 100 people, 100 tastes, however, this is my point of view. I think we are here quite strong community on Hypnos (or Relaxed Machinery), no matter if artists, labels, small distros, reviewers, radios, fans..., so why not to search for the best solutions that will evaluate physical products. I am quite sure there are some printing plants that are able to offer good or acceptable prices for smaller runs of 100, 200 or 300 copies with nice packagings. There are labels and artists going and using this way. So therefore they have some experiences that might be shared with other artists or labels searching for these choices, hopefully these helpful infos would be not "top secret"...

I agree with "Drone on", paying 10,00 USD for download instead of 10,00 to 13,00 USD plus shipping for CDR edition in slim jewel case, is much more reasonable. Bad luck for me, I don't buy any downloads, only physical products...:-( However, I think 10,00 USD per download is too much when comparing to physical product.

Please don't get me wrong, I didn't want to sound bad about these packagings, my big thanks and deep respect go to all those labels and artists releasing CDR editions with slim jewel cases, I know they work very hard, but the bottom line is that I am simply unable to identify with these products.

Keep on enjoying great music!!!


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