Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Messages - richardgurtler

Pages: 1 2 3 [4] 5 6 ... 24
61
I ordered copy from Jeff few days ago, really looking forward to it!!! Yes, no matter in which direction he moves with his guests, it's always nice to see this exceptional artist back!!!

Richard

62
Ordered one last Friday.  There were only six copies left.

Well done, Chris, I am sure you will enjoy "Arctic Conditions".

Richard

63
Thanks a lot for the info, Immersion!!! I didn't know about this release, but I just did a quick search on the net and it looks like this CD is widely available across the globe, even in Hong Kong... The CD is out since June 2013, but it looks like someone forgot to promote it in ambient community, strange... :(

Richard

64


Stormloop "Arctic Conditions" CDr

UK ambient drifter Kevin Spence, known as Stormloop, has returned during the end of hot summer weeks of 2013 with his newest, chilling album "Arctic Conditions". Again released on his own in limited and numbered edition of 50 copies and again packaged in nicely looking hand-made sleeve with stunning cover image. I think Stormloop's albums are attractive collector's items and this newest album is no exception. Once again, nice job, Kev!!!

"Arctic Conditions" open the journey with utterly soothing ethereal washes, floating majestically through enormous spaciousness. Catchy, reverberating dissonances ride along and produce a truly mesmerizing effect while few gentle cyber-tech fragments emerge here and there. Welcome to the deepest end of graciously aerial atmospheric reverie!!! This title composition is followed by two parts of "Winter Into Springtime". Heavenly realms are fully unlocked with divine choirs, exquisite high-tech infusions inconspicuously move throughout deeply embracing sublimity. Part two has more earthy feel due to running water and chirping crow sounds. Yet still strongly expansive and warmly captivating. Freezing drone hums unfold the following cut, "An Evening Snowstorm". Slightly unsettling oscillations precisely display the track title and escalate into helical mindscapes. The longest composition, a 13-minute "Snowdrift", sounds exactly as it is titled. Grandiose dronewalls glide, expand and decline. Colossally absorbing soundscape, this is Stormloop at his most magnificent!!! "In The Frozen Morning Light" with quietly meandering washes, which evoke feelings of longing, and backed by distant, scenic drone hums, paints beautiful dawn sceneries with impressive natural ice formations. Shorter "From The Summit", as its title suggests, has a very strong, warmly panoramic feel. "A Sunday At Twilight" keeps on the same path, with hauntingly evocative atmozones, guarded by heartwarming angelic choirs. And this balmy tranquil and graciously expansive ride continues also through the next piece, "Ice Wind". It serenely waves into everlasting sublimity of amorphous spaciousness and its monstrous calmness pleasantly surrounds the listener. "2nd Sunday At Twilight" closes this journey with slightly more droning and darker soundwashes, enhanced by assorted subtle cybernetic traceries. Again spellbindingly drifting through gorgeously panoramic winter sunset sceneries. A really tranquil finale!!!

If you prefer download version, you get also two extra tracks entitled "Clouds Merge" and "All Pales Into Insignificance", clocking totally to 22 minutes in length. Both these tracks are featured also on the extra CDr, which was available with first 10 orders of "Arctic Conditions" CDr. "Clouds Merge" is as much colossal as its title, deep expansive drone, at times rather monochromatic, but always grandiose with some cyber-tech breaths and swirls thrown in here and there. "All Pales Into Insignificance" keeps its imposing droney path, sublimely drifting and calmly cascading through warmly scenic skyline. Bonus tracks are always welcome!!!

"Arctic Conditions" is another very strong album by Stormloop. And even it doesn't break any new grounds, it offers to each aficionado of drifting soundscapes a truly graceful sonic experience, fully immersing and rewarding. As far I know, most of the limited edition is gone, so give a listen to Stormloop and encounter "Arctic Conditions" in comfortable chair of your listening room... In memory of Pete Namlook and Oophoi.

Richard Gürtler (Now 10, 2013, Bratislava, Slovakia)

65
Amir Baghiri- The Serenity

I usually don't pay much attention to him but this is a great album.

Castleview, give a try also to Amir's following two albums "Prayers For The Earth" (March 2013) and "Light Textures" (July 2013), both released as CDr editions on small German label Attenuation Circuit, highly recommended!!!  ;)

Richard

66
Independent Music Reviews / My review of "Far Go" CD by Al Gromer Khan
« on: November 02, 2013, 03:43:59 AM »


Al Gromer Khan "Far Go" CD

"Far Go" is the newest album by famous German composer, sitar virtuoso and novel writer Al Gromer Khan. Released at March 1st, 2013 through RASA Music, Al's own label, as limited edition of 100 copies. It's packaged in nice digipak (design by Ramona Popa) with beautiful painting by Ghulam Ali Khan, a prolific painter in Mughal Delhi in the first half of the 19th century.

Pristine sitar strings wrapped in hissy clouds open "Jasmin Blossom Day" and hover on the wings of tranquilly drifting aerials. This, rather shorter composition reveals all the sublime beauty of exotically scented soundscapes. Very nice intro!!! "Procession For Vilayat Khan (Study In Raga Gujari Todi)" is a tribute to India's famous sitar player Vilayat Khan. It masterfully bridges expressive, ear-tickling sitar sounds with gorgeously soulful tabla playing, heavenly chants, additional spoken words and background drone blankets. "Gambhira (The Inscrutable)" remains in quieter, mildly percussive terrains with few sharper sitar essences. Female chants along with other voices lead "Procession For Hb". Pensive sitar and deliberate percussions excel as well on the fore, while colored on the background by assorted hissing sounds and sparsely meandering atmozones. "Constantinople (A Deja Vu)" is invaded by distant, static drone, gorgeously divine chants and occasionally emerging warm string-infused fragments. 9-minute, strongly meditative sonic splendor!!! The next piece, "The Nawab Astride ... (Study In Raga Ahir Bhairav)", displayed by the cover image, is merging sitar, tabla (tabla samples by Suman Sarkar), female chants and serene far-off drifts. Hauntingly calm and unique!!! "Urbanicum (Excerpt)" is more droning, quite minimal, with few gently swirling tinkles, while the following cut, "A Strange Kind Of Peace", keeps its meditative backing drone path, expansive, panoramic and immersing, but flavored here and there by some small, soothingly arising motifs. Deep sound contemplation, a journey to tranquilly mesmerizing realms of rare beauty!!! "Black Raga (Study In Raga Malkauns)" dives straightly into mysteriously exotic terrains with intermingling sharp, heavily scented sitar texture and deep sounding tabla expressions. Sinister clouds of voice-like drone ride atop. "Three Kings" are sculpted by serenely sweeping washes, crystalline tinkles, spoken words (by Al's wife Ute) and chants, sporadic calm sitar passage and distant, slowed down heartbeat. Sublimely relieving and exceptionally embracing piece of music!!! "Forêt Diplomatique" is most likely the shorter version of the track from "Forêt Diplomatique" CD (released in 2011). Rather monotonous drone with French spoken vocals (again by Ute), infrequent sitar and remote heartbeat create a quite minimalistic and mysterious feel, exquisitely distinctive, when delicately coalescing ancient with future. Awesome!!! "I Walk Everywhere... (Study In Tantric Jazz)" closes the journey with jazzy, chillout ingredients thrown in. Again a truly unique blend featuring also sitar wizardry and warmly inviting, cinematic uptempos.

"Far Go" is absolutely adventurous ride offering to each listener wealthy palette of atmospheres with filigree instrumentation, where soul, passion and dedication are always exhibited. If you are searching for ambient soundscapes with long lasting oriental fragrance, this is the name you can always bet on. Al Gromer Khan is elite performer and his extensive discography offers a lot of sonic jewels!!! They are not that faraway as you might think...

Richard Gürtler (Nov 2, 2013, Bratislava, Slovakia)

67
Additional info regarding "Seven Sisters" track. In my review I referred this title to the famous Seven Sisters chalk cliffs, in the Seven Sisters Country Park on the Sussex Heritage Coast. But I was wrong. Johan Rehn of gterma sent me the following update: "The track title "Seven Sisters" is a wordplay that refers to the old Nordic Midsummer-tradition of picking seven kinds of wildflower to place under your pillow. In doing so, the person who collected the flowers may encounter the one they are destined to live their lives with, in their dreams.". Thank you so much, Johan, for bringing more light into "Seven Sisters" track, I really appreciate that!!! :)

Richard

68


Mathias Grassow "Sonnenwende" 2xCD

"Sonnenwende" double CD is another chapter on Swedish gterma label focusing on fascinating mysteries of the cosmos. Released during May of 2013, German drone master returns at the top of his unmeasurable craft on "Sonnenwende" and explores solstice event. Disc one is exposing summer solstice, while the second one is taking you to winter solstice realms. As usual for all gterma artworks, the release is accompanied by stunning pictures (16-page booklet) by gterma's protagonist Johan Rehn. Extensive booklets are quite rare these days on this scene, but the label keeps this concept, so I can't start with anything else than awarding first extra points to Johan. You have my deep respect!!!

Mathias fires this exceptional odyssey through summer solstice with long-form piece "Drifting Dawn", which clocks to nearly 30 minutes. Monotonously mind-bending drone, calls of fauna and fragile mysterious tinkles invite each listener to experience absolutely magnificent spheres filled with infinite spirit and grace. Overtone voice magic-like drone steals the show and floats through endless spirals of massive intensity and revealing grandness. Will this man ever stop? This is a pure sonic magic!!! The next composition, "Endless", gets over 7 minutes "only". It's less monumental, but enough chasmal at the beginning and also more "melodious", when slightly tribal-infused pulse sneaks in, prevails and circles, while additional layer intensely cascades and culminates. "Into The Small Hours" shifts quickly into minimal, flatline atmozones, drifting into aerially sublime and tranquilly mesmerizing horizons of gracious immenseness. Gorgeously relieving trip!!! Fragile acoustic strings invade the following cut, entitled "Seven Sisters", and caress the ears (Seven Sisters is the name of chalk cliffs on the Sussex Heritage Coast). Later slowly expanding surroundings appear and intermingle with the stringed wizardry, all wrapped in slightly medieval mood. Dramatic transitions during the second third shift into droning passageway leading to more rhythmic part spiced by expressive bowed strings. Quite unique stuff, this must be Mathias Grassow at his weirdest!!!

Winter solstice is ignited by "The Sleeping Forest", another longer piece getting to nearly 23 minutes. It briskly moves back to traditional dronescaping territory where Mathias masterfully sandwiches layers of drifts. Driven by gracefully divine choir-like drone, here and there emphasized by intenser peaks, yet still tremendously expansive and spellbindingly immersing. This is a gigantic, multi-dimensional drone alchemy of the highest caliber, the gates to the drone heaven are unlocked!!! 22-minute "Twilight Tribes" unfold quite relieving at the beginning, although ghostly guards ride above the deep abyss. Gradually evolving texture becomes more tangible and dense, while the voices transform into heavenly form. Mysterious tinkles and remote rumbles emerge occasionally. Dronewalls get thicker and thicker and climb to a phantasmal peak. Colossal intensity of this track is just unbelievable, an utterly transcendental journey awaits!!! Following composition entitled "Pearls Of Ice" spreads with serene intro, but soon gorgeously spacious bowed strings awake along with celestially exquisite female choirs. Stunningly symphonic feel is quickly achieved and graciously floats throughout the entire length of 29-minutes. Deeply magnificent mindscaping experience continues!!! "Midwinter Century" is the closing, shorter piece hauntingly merging slower, but booming and echoed tribal beats with distant static drones, which slowly increase into more panoramic size.

"Sonnenwende" is a truly monstrous double set, an all-embracing virtuoso performance by The Drone Shaman and one of the most remarkable releases of 2013!!! Kudos to both, Mathias Grassow & gterma!!! A drone tour de force!!! And by the way, 4 days ago was released on gterma a brand new CD by Mathias Grassow, entitled "Tamanoshima", diving into more minimal terrains... Does The Drone King ever sleep?

Richard Gürtler (Oct 27, 2013, Bratislava, Slovakia)

69
I find no evidence of this on his website.  (???)


Hi Chris, it looks like Aucourant Records website is not updated anymore, so all the most recent releases can be found and ordered via Robert's site at Bandcamp.

http://robert-scott-thompson.bandcamp.com/album/upon-the-edge-of-night
http://robert-scott-thompson.bandcamp.com/merch

Enjoy!!! :)

Richard

70
Thanks a lot, BigLooper!!! Yes, I am a really huge fan, collector and supporter of ambient, tribal and deep space, it's my passion!!! All the best!!! :)

Richard

71


Robert Scott Thompson "Upon The Edge Of Night" CDr

In Roswell, Georgia, based composer Robert Scott Thompson describes himself as a musical alchemist and this is definitely the best description suiting to his soundsculptings. Robert Scott Thompson has crossed my radar for the first time during the second half of the 90's with his two stunning works, "The Silent Shore" (1996) and "Frontier" (1998), released on Canadian Mirage label. At that time he had released about 6 other albums, yet still remained quite unrecognized. Now, 15 years later, Robert Scott Thompson owns huge discography counting over 50 solo albums and collaborations, with nearly all of them released through his own Aucourant Records (Hypnos and Lens Records are few exceptions), ranging from more ambient infused titles through electroacoustic, acousmatic, avantgarde and contemporary electronica to more minimal meditative.

"Upon The Edge Of Night" album, released on Aucourant Records during December of 2012 as a CDr edition packaged in elegant digipak, has immediately caught my attention with its title and cover images. 16 and half minutes long opener "Strange Lines And Distances" ranges in the same category with Robert's above mentioned ambient jewels such as "The Silent Shore" and "Frontier". Tranquilly floating dronescaping ambience is masterfully emphasized by gorgeously infinite celestial choir-like gracefulness and few distant piano embellishments. Some cool strange sounds emerge here and there. Warmly inviting and hauntingly expansive beginning, pure beauty, more please!!! Nicely titled "Glass Is The Enemy Of The Secret" shifts straightly into more textured terrains, although backing panoramas remain soothingly sweeping and the main motifs are gently harmonious and poetic with some additional, fragilely swirling synthesized glass-like fragments precisely displaying the track title. All quite sparse and evocative. "The Misty Place" keeps minimal feel of its predecessor. Contemplative atmofields are precisely bridged with translucent tinkles and few ear-catching disruptions pop-up throughout. The piece slowly evolves then again fades into calmer passages, but always having its balmy and nostalgic mood. Essentially sedative journey!!! And it overlaps also to the next composition entitled "In The Flow That Follows". It blends relaxing organic sounds and soft urban rumbles with deeply evocative, cinematic blankets, wistful piano and sluggish strings. Subtly pleasant sceneries arise, quietly relaxing and gently immersing, and for long time buried memories start to awake. Utterly captivating masterpiece!!! "Listening Before Radar" is a short, transitional piece sounding slightly more discordant when comparing to previous cuts. "Far Side Of The Sky" returns again into enveloping panoramas, this time with its eloquently sorrowful touch. "A Winter's Music" is another longer piece, clocking to 16 and half minute mark. Quietly expansive dronescape is attractively colored with highly expressive and captivating strings with some softly swirling trinkets attached. A truly magnificent, deeply meditative composition masterly displaying serene atmosphere of gorgeously glimmering winter wonderland!!! The closing title track, "Upon The Edge Of Night", reveals all the magic of nightfall heaven with coalescing splendidly ethereal washes with bass hums, singing cicadas and ephemeral organics and chimes. Brilliantly beautiful finale bringing to mind (along with "In The Flow That Follows") "The River Of Appearance", one of the great classics.

"Upon The Edge Of Night" is undeniably a very strong album, it quickly became one of my fave atmospheric ambient works by this highly crafted composer, who is currently a Professor of Music Composition/Music Recording Technology at Georgia State University School of Music in Atlanta. I think this recording is still mostly unrecognized, it's a big shame, because Robert Scott Thompson always delivers significant signature, versatility and refinement in his music. This virtuosity certainly deserves to be explored!!!

Richard Gürtler (Oct 24, 2013, Bratislava, Slovakia)

72
As always, great pleasure on my side too, Juta!!!  :)

Richard

73


Juta Takahashi "Transcendence" CD

Japanese ambient sculptor Juta Takahashi has released his previous album "Angel" during the summer of 2012. Then followed two remastered reissues, released as factory-pressed CDs, "Quiet Rain" (October 2012) and "Seabound" (April 2013). Now it's time to introduce his newest album "Transcendence", which has landed at September 21st, 2013, as Juta's 10th album. As for the cover image, Juta again, as with his previous albums, presents another stunning DeviantArt(ist), this time it's Nicolas Monin-Baroille, who is acting as "The Unknown Being", a designer and illustrator based in Offenburg, Germany. Yes, the cover artwork, entitled as "The Garden of Eden", is absolutely magnificent!!!

Juta's compositions are usually longer, 3-4 tracks per album, and "Transcendence" is no exception to this rule. 4 tracks are featured, all clocking between 16 and 17 minutes in length. "Higurashi", a tribute to Japanese late summer forest, is the starting point, where heavenly washes tranquilly unfold, while cicada blankets smoothly meander throughout. Serene piano fragments, emerging here and there, are gorgeously soothing and confront with high-pitched spiraling drones. The more discomforting these drones are, the more embracing they become. Juta is the master of ambient dissonances, they are always utterly spellbinding and slowly become his identifiable trademark. This is absolute monster masterpiece, "Higurashi" could be labeled as magnum opus among Juta's compositions, bravo Maestro!!! Then follows "Nirvana Électronique" with monotonously circling sitar-like drones, flavored by occasional, distinctive flute infusions with few warmer scenic views included. The overall feel is quite exotic and especially deeply mesmerizing. "Maitrī" dives straightly into deeply contemplative, minimalistic realms captured by echoed singing bowl and fragile tinkles. Tranquilly evolving and gorgeously evocative aerial washes step in and then fade away throughout the piece. This is Juta Takahashi at his most minimal and silent, where each listener is continuously immersed by pleasantly atmospheric meditations filled with rare beauty and subtlety. A stunning composition!!! "Transcendence", the title piece, is invaded by intense ethereal expansions, floating with infinite majesty and grace, embellished by nimbly coiling hypnoscapes. Always warmly colossal and soothingly sweeping. This is a truly splendid finale, we simply couldn't ask for more to close this enthralling journey!!!

Yes, "Transcendence" is undoubtedly a new, triumphant masterwork by Juta Takahashi, showcasing again his, rather minimal, but always freshly distinguishing sound magic loaded with many, fully rewarding treasures. So get ready and dive deeply into these realms!!! I can only strongly recommend this grandiosely magnificent recording, because you will enjoy it again and again. Bravo, Juta, "Transcendence" is a must have for all connoisseurs of spectacularly drifting ambience!!!

Richard Gürtler (Oct 20, 2013, Bratislava, Slovakia)

74


Byron Metcalf & Rob Thomas "Medicine Work" CD

An invitation to journey through ancient realms by two medicine men, productive Arizonian shamanic tribal trance drummer Byron Metcalf and virtuoso didgeridoo performer Rob Thomas, one half of the legendary Inlakesh project. "Medicine Work" CD was released during June 2013 on Byron's Dr. BAM's Music. Yes, I was very excited when heard about this collaborative project for the first time. Byron Metcalf keeps busy with his solo projects during the last few years as well as with numerous, highly acclaimed projects with Steve Roach, Mark Seelig or Dashmesh Khalsa. On the other side, Inlakesh was quite silent since their 1999's masterpiece "The Gathering", but I know Rob & Tanya were involved in numerous projects during this period of time, including their latest move from New Mexico's Santa Fe to the mountains of North Carolina to work full-time for Didgeridoo Down Under school programs that combine music, art, social studies, science, reading encouragement, character building. Deep respect for their beautiful mission!!! Of course I will always miss Inlakesh, but who knows, maybe one day... In any case, I will keep my ear to the ground.

The album's title and immersing cover image by Kati Astraeir set the atmosphere even before the first note. But then 14-minute opener "This Way" unfolds with primordial hum, but soon Rob's mysterious didgeridoo drone joins along with Byron's rattle and shaker magics and sparse shamanic drums. Unmeasurable artistry of both curanderos melts together into one, hauntingly cohesive body and slowly unwraps into deeply magnificent and utterly mindscaping vibrant ancient terrains. A true shamanic tribal trance experience awaits!!! "A Deeper Descent", slightly longer than its ancestor, is leaded by spellbinding growls of didge, surrounded by humming wind and deep groans. During the second third thunderous drum passage sneak in, but also intensely mesmerizing shaker rhythms want to keep the pace and highlight this ceremonial rite. Your body and mind is bathed with pure sonic elixir exhibiting chromatic range of two acoustic virtuosities, more please!!! The title track "Medicine Work" keeps on the path with didge drone mysteries, but soon drumming mastery steal the show and takes it into hyper-active organics bridged with sharply shimmering shakers and tight didge backups. A highly tempestuous amalgamate, nearly 17 minutes long, reaches its volcanic peak two minutes before its end. A genuine sound magic!!! 8-minute "Gates Of Initiation" continue with more relieving mind-trip, merging hypnotic tribal rhythms, dreamtime didge, expressive breaths and primal rumbles. Yes, slightly lighter composition, but still profoundly immersing and transcendent!!! "Servants Of The Mystery" is the closing and longest piece, revealing with pristine trance-induced percussions and circling drone pipe hypnotics and growls. Evolving and cascading through briskly moving, positively psychoactive rhythm expansions before diffusing on the cloud banks of didge drones. Another fascinating soundscape!!!

Byron Metcalf and Rob Thomas are high-spirited performers, who are exposing on "Medicine Work" all their musical intelligence and artistry and demonstrate their iconic, distinctive musicianship. They both make music with heart and passion, that's "Medicine Work"!!! Amazing sound quality too, so headphones are highly recommended!!! A truly essential, deeply rewarding listening!!! And most recently, about two weeks ago Mark Seelig has stopped in Prescott Valley at Byron's new studio to enjoy their recording session for their newest collaborative project...

Richard Gürtler (Oct 06, 2013, Bratislava, Slovakia)

75


Amir Baghiri "Light Textures" CDr

Collaboration between ambient composer and painter Amir Baghiri, a native Iranian based in Germany and ambitious German Attenuation Circuit label keeps on growing. Just the same as with "Prayers For The Earth" album, also "Light Textures" CDr comes in nice origami-style cardboard sleeve with eye-catching artwork by Kati Astraeir and design by Attenuation Circuit's leader Sascha Stadlmeier known as Emerge. The album was released in July 2013 in limited edition of 55 copies and is dedicated to a Persian mathematician, astronomer, and poet Omar Khayyam, who was one of the important philosophers and teachers of the medieval period.

"Crossing The Sky" fires the journey as the longest piece clocking to nearly 20-minute mark and immediately setting the atmosphere with moon landing voice transmissions, didgeridoo dronescape, slower tribal rhythm and subtle organic infusions. Smoothly moving through various, richly sculpted elevations, from primordial magic through expansive panoramic drifts to gentle tribal grooves, always immaculately harmonious and fascinatingly spacious. A truly immersing odyssey to the deepest end of atmospheric delightfulness!!! Amir is back at his best and I am completely hooked again!!! Rather noisier didge drones straightly invade "Red, Green And Blue", flavored by humming tinkles, but soon frenzied tribal drumming escapade steal the center stage, with phantoms guarding atop. After about 4 minutes the track converses like a chamaeleon into a landscape of tranquilly moving meanders, here and there enhanced by distant roars and undulating strains. The next, 10-minute cut, "Came With Dust Gone With Winds", unfolds with gracefully floating, ebbing and swelling peaceful washes. Utterly immense soundfields are explored, a virtuoso atmospheric performance continues!!! "Neither Stay, Nor Be Away" remains in continuously embracing terrains, slightly less colossal, but as much warmly sweeping and hauntingly sonorous as its predecessor. And this calmly absorbing journey proceeds with "When The Veil Falls", where rising and falling drifts paint ethereally vaporous tapestries, monstrously wide-screen and mesmerizingly amorphous dronewalls!!! "Sleepwalking Through....", a 10-plus minutes long piece closes this masterfully sublime and divine walk through supremely soothing aural paradise with eternally tiding nocturnal blankets with deep hums showcasing apparent influence by the Master. Fascinating listening experience for all stargazers!!!

"Light Textures" album features a very solid soundscapes by Amir Baghiri, where sonics are beautifully bridged with both, the main theme and the visuals and where the overall, incredibly grandiose spaciousness is cleverly colored by some refine earthy delicacies. If I were in your shoes, I wouldn't wait too long before ordering "Light Textures" CDr because of smaller run, so act now!!!

Richard Gürtler (Sep 29, 2013, Bratislava, Slovakia)

76
Thank you, Chris, I am sure you will fully enjoy it!!!  :)

Richard

77
Independent Music Reviews / My review of "369" CDr by Zero Ohms
« on: September 22, 2013, 05:32:10 AM »


Zero Ohms "369" CDr

US virtuoso flutist Richard Roberts known as Zero Ohms is back with his second installment for Relaxed Machinery label by utilizing his usual inventory of flutes, bass flutes and wind-controlled synthesizers. Released at the end of July 2013 (with cover design by Steve Brand), "369" is a follow-up to his masterwork "Worlds, Afterworlds" (October 2011). Zero Ohms' impressive body of work since 1998 includes also recordings for labels such as Lotuspike, Space For Music or Richard's own Zop Opus label. Acknowledged also for notable collaborations with Craig Padilla, Skip Murphy, Brannan Lane, Gordon Rhyne or Markus Reuter (this last one available as download only via Ian Boddy's DiN label).

"3", a 25-minute long piece, launches the journey with meditative flute dronescapes conjugated with the lush sounds of a fauna and sharply rustling leaves with few additional unrecognized voices, rumbling noises and baby cry thrown in. A deep listening session unfolds into pleasant long paths and undulations, painting strongly tranquilizing sceneries of forested landscapes. A truly gorgeous walk through the rural areas of outstanding natural beauty!!! Next cut, slightly shorter "6", keeps its serenely atmospheric feel although the woodwind drones create more expansive, reverberating and murmuring ambience, a quite mindscaping too. A gentle stillness hanging in the air is fully exhilarating. Fully immerse yourself and dive deeply into this relaxing soundscape and enjoy the whole essence of this impeccably magical place that is within. "9" is the ending piece clocking to 11 minutes and comprising more urgent and aerially unbounded wind-synth blankets, drifting, sweeping, humming and hypnotizing with all its warmly immense grace and great depth. Toward the end peaceful environmental sounds again sneak in, almost unperceivably and take this journey into its finale.

"369" showcases charming harmony between minimal, but strongly mesmeric soulful woodwind reveries and calmly embracing natural surroundings. Richard Roberts is the master of subtle delicacy. That's Zero Ohms in a nutshell!!! So if you are a connoisseur of masterly placid ambient music that has a properly colorful, organic touch, Zero Ohms is your ticket to a soothingly balsamic listening experience!!!

Richard Gürtler (Sep 22, 2013, Bratislava, Slovakia)

78
Hi, please check your inbox, thanks!!!

Richard

79
Independent Music Reviews / My review of "The Great Hoop" CDr by Steve Brand
« on: September 18, 2013, 11:00:15 AM »


Steve Brand "The Great Hoop" CDr

"The Great Hoop" album is one of the latest recordings by acclaimed US ambient journeyer Steve Brand. Released on one of his usual labels, Relaxed Machinery, in mid-June, 2013. Just like one of his older works, "Cahokia", also "The Great Hoop" is inspired by the magical power of Cahokia Mounds, the site of an ancient Native American city, where advanced, sophisticated and influential culture was built, centuries before Columbus reached the shores of America. Abandoned more than a century before Europeans arrived in North America, today, Cahokia Mounds is the largest archaeological site in North America, north of Central Mexico and one of only 21 UNESCO World Heritage Sites within United States.

Firstly, I am impressed by the cover image of small terra cotta figure as well as by inside panoramic photo featuring words of Black Elk, of the Oglala Sioux. His writings, as stated by Steve Brand, inspired some of the track titles. The opener, 16-plus minutes long "Great Plains", grabs quickly my attention with its minimal texture, but enormously expressive with the use ancient tools such as flute, rattles, shakers, guarded by distant, soothingly waving washes and occasional spirited whisperings by Jill Brand, Steve's wife. Very sparse, but strongly embracing, with gorgeous interactions between contemplative primordial ambience and majestically permeating stillness. This composition is magnificently displayed by the insert's inside panoramas. Slightly longer "Hoop Of The Earth" is again sparsely sculpted, but slightly more frightening as chorus of howling coyotes (contributed by Shane Morris) breaks the dark night. Then the fore is invaded by rising and falling drone reverberations along with emerging field recordings of rain. Small flute cacophony joins the stage with assorted, peculiarly unsettling rumbles, some heavy drum beat infusions and other sounds of archetypal instruments. Quite minimal, yet richly transmuting sonic travel into deeper shamanistic realms. Expansive soulful flute wizardry leads "Medicine Bag Ghosts" surrounded by morning frog calls after a rainy night. Deeply humming drones sneak in later with trance-inducing tribal rhythms delivered by guest Paul Casper aka Frore and hallucinogenic voice magics. Massively immersing and intensively transcendental alchemy creating a powerful tribute to Native American spirituality. Large dose of ultimate sonic medicine is served here, a true masterpiece!!! "Mountain Pass" unfolds with graceful bass flute murmur spreading across the valley, intervened by cavernous twinkles with some uncanny faunal sounds swirling above. Deeply panoramic drone warmly rises and expands in gorgeous harmony with acoustic musings and mysterious ethnographics. Another virtuoso performance, bravo!!! "Suspension Vision" remains in stunningly flavored terrains, amalgamating evocative ethnic instruments, distinctive whistling traceries, placid natural sounds and gradually evolving, climaxing and dissolving, spectacularly imposing drone walls. This is a truly grandiose conclusion of "The Great Hoop"!!!

CDr edition with slim jewel case packaging doesn't justify the content of this album, but this is the same old story mentioned in my previous reviews of Steve Brand's recordings. But one thing is clear, "The Great Hoop" is absolutely breathtaking journey to the frontier of primordial shamanistic electroacoustic soundmagic. The best work of Steve Brand to date and one of the finest albums of 2013 so far!!! Deep respect, Maestro!!!

Richard Gürtler (Sep 18, 2013, Bratislava, Slovakia)

80


Oöphoi & Ran Kirlian "The Physics Of Heaven" CDr

This collaborative project was released by Altera Orbe at April 20, 2013, just one week after the passing of Gigi, the grandmaster behind Oöphoi. The semi-finished recordings for this album were sculpted by Gigi at his studio Kiva during 2009-2011, while Ran Kirlian brought this highly ethereal effort into its final shape at his Blue_Room studio during 2012-2013. Italian Gianluigi "Gigi" Gasparetti aka Oöphoi needs no introduction here, he is one of the most respected drone virtuosos, who has left us tremendous amount of unforgettable aural meditations and who will always live in the memories we deeply treasure. Ran Kirlian, one of the driving forces behind Altera Orbe label, is one of the rising stars of the compelling Spanish ambient scene along the likes of Max Corbacho, Bruno Sanfilippo, Landru and Joxan Ruiz.

"The Physics Of Heaven" album immediately attracts with its impressive cover artwork, based on Oöphoi's original image with some additional manipulations by Ran Kirlian. The voyage launches with "Breath", which dives straightly into monstrous chasm of waving voice-like drones, monotonously embracing and guarded by distant rumbling metallic eeriness and organic traceries. 10 and a half minutes long drone wizardry, transporting into superiorly magnificent realms. "Ascend" takes us directly into a towering spiral journey, continuously expanding and excessively drifting through spatial immenseness. Grandiosely reverberating mind-bender!!! "White Shores I", the longest composition here with 20 minutes in length, unfolds into gorgeously graceful dimensions, where ebbing and floating washes are merged with soothingly sweeping ocean waves and seagulls calls. A beautifully continuous and mesmerizingly contemplative images are emerging and carrying the listener away into magically eternal domains. A deeply sophisticated atmospheric bliss, a journey into a vast emptiness of unexplored nothingness, an ultimate magnum opus!!! Exploratory odyssey culminates and reaches "White Shores II" and then tardily fades away into tranquil sublimity of celestial grandness. Relentlessly amorphous and warmly luminous!!! "Transmigration" shifts into monotonous shadowy drone terrains, rather monochromatic with flood tide of intenser, slightly fearing soundwalls. Profoundly mindscaping experience awaits!!! "The Golden Fields" close this exceptional journey with drones swerving into tremendously heartening metamorphosis, where light and dark colors compassionately coalesce together with soothingly encircling field recordings and emit marvelous gleam of blissfulness. Pure magic, thank you so much!!!

"The Physics Of Heaven" is absolutely essential, spiritually powerful recording, uniting together two kindred spirits, who explore the continuum of life and death. Ran, we are very grateful for bringing this album to us, Gigi would be really proud of it!!! The memory of this wonderful person will always be in our hearts. Gigi, we all miss you greatly!!!

Richard Gürtler (Sep 14, 2013, Bratislava, Slovakia)

Pages: 1 2 3 [4] 5 6 ... 24