Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Messages - El culto

Pages: 1 ... 10 11 [12] 13 14 ... 20
I have noticed on some recent purchases the practice of printing inner booklet liner notes in German.  Two that come to mind are Mathias Grassow "Wisdom of Fate" on Swedish Gterma label and Klaus Schulze "Shadowlands" on SPV.  Any theories on why the text wouldn't be translated into English?

Möglicherweise gibt es dazu keine Theorie, sondern ist lediglich eine Entscheidung des Künstlers. Und ausserdem - warum sollte oder muss alles auch in Englisch geschrieben sein?

Feel free to connect ("Like") with us there to be up-to-date about new and upcoming CDs / Offers on el culto


Great work Tomas.....had to listen without looking at the screen to get a sense of the music by itself because the actual music merges so well with the visuals and creates the mood while supporting the drama......The key elements to a good film score
Hope the movie makes it over the atlantic to us!

Hello Julio,

many thanks for your appreciation!

I do agree that the pictures and the music merges well - it was a very interesting experience for me too that finally (as a viewer) you won´t anymore separate pictures and music....imo it feels like "one" by complementing each other.


Trailer for the upcoming movie "Cafe Journal" - Soundtrack by Tomas Weiss, Mathias Grassow and Circulum Musicum

Cafe Journal is an upcoming independent romanian feature film written and directed by Ciprian Brasoveanu.

Synopsis: Tudor, a young guy who is photophobic and insomniac, receives an unexpected nocturnal visit which will lead him to a mysterious café that exists only during nighttime.

Youtube Player: 1080p or 720p HD recommended for best video/audio quality

Music Gearheads Tech Talk / Re: Korg MS20 remake
« on: February 22, 2013, 02:38:43 PM »
Interesting articles.  Though the MS-20 is a neat machine, I wouldn't have thought there would be a demand for a monophonic synth these days, especially when polyphony seems to be almost a given with software synths.

Thought the same, but it seems like just those key words "analog" and "MS 20" creates excitement - good for Korg though  ;D

Maybe i´m alone with this opinion....never mind, but is this a "review"?

Lets be realistic...

- The writer mention who is behind the release
- Next he speaks very vaguely about the content and refers to some well know artists in this genre.
- Very soon we reach "All in all..." already

Sorry, but all of this could be also a text of a press release by the artist.

I´m just wondering, what is the value of something called "review" if it doesn´t go into depths or more detailed aspects? As an interested person for new/other music and/or artists, really, I can´t get much information out of this review.

For instance:

 "The ethereal and the atmospheric "shake hands" throughout the single tracks, evoking similar imaginary spheres and rich emotions as found on certain Robert Roach and Steve Roach releases"

More or less a standard phrase....i think some reviewers makes their life a bit too easy in today.


Music Gearheads Tech Talk / Re: Is Analog the future for hardware synths?
« on: February 09, 2013, 07:14:34 AM »
See Julio, you should have better kept your Andromeda  ;) Anyway, why did you sold this extraordinary piece of hardware? I would never sell mine  :D


WINTER OFFER (01. February - 15 February)

+ Save up to 50% of the listed prices (many albums for 9,90 Euro only)
+ You will get a FREE album for download in lossless FLAC format or as high quality MP3
+ You will get a 30% discount for the first album on our upcoming new el culto label

:: Available for 2 weeks only
:: Available while stocks last
:: Most CDs are available in limited quantities only

And I don't like to be the bearer of bad news but electronic ink is also going up in price this month, and very soon Mike will have to charge people to post in this thread.


Where i can deregister?

Now Playing / Re: Currently listening, part 1
« on: January 29, 2013, 09:45:59 AM »
Einaudi - Divenire

Quote from: Numina
Shipping a 5-OZ CD package to Canada jumps up 238%

oz. before after

5 $3.60 $8.55

238%?  ???

I wouldn´t be surprised at all if the old shipping prices was a result of subsidies by the state for economical reasons (increasing exports). So very likely those old prices wasn´t balanced in terms of expenses to run this business model in the long term.

Other Ambient (and related) Music / Re: Star's End :: year in review
« on: January 13, 2013, 07:40:17 PM »
Anthony, what are exactly the interesting things?  ;D

Almost overlooked it - Thanks Richard!

Just posted it in the original thread - If some is interested, there is very soon an airplay today in German State Radio (internet broadcast as well)


Sunday 06. January 2013, 11:05pm German time

55 minutes music of "Beyond the Veil" by Aestrata @ German State Radio  HR2, program "Voyager". At the specific time you can listen live to the internet audio live stream here (for best quality choose MP3-Stream 128 kBit/s or use the included flash player on the site if MP3 stream doesn´t work on your computer):


Music Gearheads Tech Talk / Re: How to delivery music? CDR vs FLAC download
« on: December 13, 2012, 04:22:40 PM »
ciao Tomas,

I agree, personally I have been critical with Bandcamp rules at  first glance, leaving it immediately!

for my (our) "niche" realm, all these "big" mainstream channels
are not too useful immo,
I experienced cdbaby and through it amazon/itunes... a flop.
By example have been almost impossible to agree the final price with cdbaby (mainly with his third parties digital distributors like amazon and itunes.
non accetable my side that itunes decide proces against my will!

Probably the real point is that I do not like intermediator and fee-makers.
and I enjoy to have a "direct" producer-to-consumer link ...
But technically, what do you think regarding my "individualistic" proposed flow ?


Hi Giorgio,

by reading your issues, the only thing what i can say is "do it yourself"!  :)

No doubt, this needs of course investigations and work from your part but in today there are so many programs on the market to build your own website including a shop for physical and digital music with Paypal option (for example Joomla or other CMS - Content Management Systems). Of course it needs a bit learning but you end up with freedom.

For i-tunes: For me this is the worst portal/service i´ve ever experienced. I simply call their service "dictatorship" as you don´t have any control about ANYTHING. Also with the rest of Apple´s idea it goes like this: What they say or offer is seen as something like "divine" and all the disciple have to follow (or will by choice). I have some "outside" release where the labels decided to sell via i-tunes and when i see the reports by the end of the year it just makes my smile  ;D I prefer to deny an amount of payment worthy for a restaurant visit and not to be a slave of this sick system where only Apple wins and makes the rules.

Unfortunately a lot of artists are not critical enough about the "whole" or too innocent, especially newcomers, which into today wanting just quick, impressing and personal pleasing results ("wooow my music is now worldwide available").


Music Gearheads Tech Talk / Re: How to delivery music? CDR vs FLAC download
« on: December 13, 2012, 02:54:59 PM »
For Bandcamp: I would be a bit more careful and critical for this service.

At the end it´s a company which need to earn money, although their fees are rather decent at the moment (!). But 2 points should be considered:

1. Depending on the business strategy of companies (especially those which offer at the beginning a rather attractive service) you can never be sure it will last for a long time.

2. This interacts with point 1 - if they decide to change rules more or less you have to except their rules (i.e increasing of fees) and - it in a way - it makes you dependent on their services (especially if you have created a fan base on this sites over the years which are then used to find your music only there).

Personally, I don´t like such dependencies when it comes to my music and I would always try to find a solution (even it needs more work) which leaves me the freedom of decisions. The experiences how a lot of these companies are working (and changing things after they have a lot of customers - see currently Facebook) makes me always critical even the "at the moment service" sounds great and rather attractive.


I once got the Historic Edition, but I quickly ripped it and sold it. Only a few tracks are really worth it, like "Schwanensee I".
Seems to me the philosophy behind those massive releases is to just release anything that was recorded by KS no matter how weak the content.
While I still hold KS in very high esteem for his timeless classics from the 70s and the occasional good album in later decades, I've become more critical towards him recently.
When I take a look at some more recent videos of live performances on youtube, I feel that he is a bit of a one trick pony and his music hasn't evolved at all... doing the same thing over and over again, the endless synth noodling, playing the same chords he has used for decades and randomly improvising a bit with his limited keyboard abilities. Sometimes it has its moments, but after a while it just gets dull.
It's nice for him that he still enjoys what he does and that there are still fans, but I have to say that - just like Tangerine Dream - KS' prime was in the 70s and he never really moved beyond that time.

Very good point of view. Of course a lot of hard core fans would like to kill you now for these words you have said (even for DT) but I totally agree on this - his time simply has passed. To be fair, in the 70´s this was rather "new and different" music but in general i never felt ever that his music had a long term value.

When i first heard the double album with Lisa Gerrard i honestly thought "what is this for a crap?" (and, before in a while APK appears here and trying to explain "you may have to get used to it..." - no need, thank you ;-))


Pages: 1 ... 10 11 [12] 13 14 ... 20