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Messages - El culto

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241
Music Gearheads Tech Talk / Re: 808 documentary
« on: September 19, 2012, 04:02:09 PM »
Seems the director of this video was on drugs  ;D

@APK: 303 isnīt really better, except you are looking for some farty sounds...lol

242
Everything and Nothing / Music by nerves
« on: September 10, 2012, 04:33:56 PM »
I do think, this may become a very interesting and important issue for artists which are interested to "reach" audience:

http://www.smh.com.au/technology/sci-tech/once-again-with-feeling-australian-science-tugs-heartstrings-20120824-24pp4.html

http://www.voanews.com/content/in-australia-brain-power-fuels-emotion-driven-music/1492182.html

Of course, nothing for those which are still believing in musical visions like "individual creation (no matter how it sounds or not sounds) plus public access"  ;D

Cheers,
Tomas

243
Everything and Nothing / Re: CDbaby vs TuneCore?
« on: August 24, 2012, 03:33:59 PM »
My 2 cents on cdbaby and and the distribution clearing houses:

Rather than keep feeding the iTunes (etc) of the world. I think its great to have a place for downloads like Bandcamp, It's well organized, very functional, and has good rates (last I looked). No setup costs. And it's a personal site ... for the artist or for a label. You can edit it. It's a home base. You can link to a blog from it, and so on.

People naturally think they must have exposure, so they go for getting their music up on loads of sites ... which does not equate with exposure, just possible availability. And you don't necessarily need it available in lots of places. One will do.  Exposure is more about people liking your music and spreading the word, which they can only do of course if you promote yourself to begin with, and you might as well promote your single Bandcamp site as a central place for people to checkout your music, buy it, get news, and to come back to.

But maybe I'm just crazy.   8)

Totally agree on that!

Have to add, that finally people have to find an artist on I-tunes. This point sound silly first but you need to have at least a fan base which search for you in those places, otherwise it is only based on "i want to be anywhere" reasons.

I believe a personal website with good service is more important than just listed in a pool of millions of titles. On the other hand, we all know that "hyped" places are very much attractive (almost an "addiction"), no matter if they are useful in a specific matter  ;)

Cheers,
Tomas

244
Now Playing / Re: Currently listening, part 1
« on: July 25, 2012, 02:13:26 PM »
For my taste one of the best songs ever.

michael andrews-mad world

245
Music Gearheads Tech Talk / Re: Soft Synths....What do you like?
« on: July 25, 2012, 11:37:22 AM »
Quote from: Altus
These same people generally don't give netlabel/free music a chance simply because they believe it to be somehow inferior to a paid product... and I think we can all agree: just because you paid for it, doesn't mean you're getting quality music.  ;)

I read this statement several times and still think it is a weird comment.

If i buy a CD or Download iīm sure I will get quality music as i have selected my purchase. What is otherwise the point to buy it? Purchasing just because of too much money?

Cheers,
Tomas

246
Music Gearheads Tech Talk / Re: Soft Synths....What do you like?
« on: July 23, 2012, 11:35:02 AM »
Reminds me of the problem with a piano .... not enough presets, and people all start sounding the same  ;)

Your example doesnīt work ;) By its nature (apart from some string manipulations) a piano has always the same sound. It is restricted in sound by purpose and the mechanic.

So, what about a Synth or Workstation?  ;D

247
Music Gearheads Tech Talk / Re: Soft Synths....What do you like?
« on: July 23, 2012, 11:28:17 AM »
Quote from: Julio Di Benedetto

Thanks for joining in Tomas......this has always been a concern about presets and great presets like those in omnisphere..... sameness.   listeners who generally are not musicians probably can not identify a sound as an omnisphere patch, however there is still a risk of music having a homogenous feel to it.  Historically this was true with hardware synths like the Korg Wavestation & the Roland D50 who's sound was everywhere in film scores etc.....did the general public know this?

I will check out the Linplug synth.....I have heard of Rob Papins Albino synth.

Yep, this issue isnīt new :-) For the public issue - I believe in the old times it didnīt matter so much as there was not so much music spreading. But today people have Youtube an access to samples to almost each new release. Also the customer in today is much more advanced and concerned in this matter because of too much music around. By this, people comparing much more than ever before. Another point are the labels - the people behind are in most cases musicians or producers as well and they know the tools. So, for artists just using just one or several patches as they are or mainly one of the fashion synths to make an album it might have difficulties to find a "respected" label in a specific genre.

Cheers,
Tomas

248
Music Gearheads Tech Talk / Re: Soft Synths....What do you like?
« on: July 22, 2012, 10:16:27 AM »
Hi Julio,

first of all I have to say Iīm not a fan of this fashion synths (Omnisphere, Alchemy) as there is a huge risk of sounding similar to others. Remember, if you like a Patch, 100xxx others may like it as well, especially if it is a workstation like Omnisphere :-) ( I remember this issue with Atmosphere - cannot count the releases using almost the same Sounds or Presets....terrible). For this reason, I always look for synths which arenīt hyped in the market. I can highly recommend "Chronox" by Linplug. You can use your own samples but has also a great library. It includes now the complete content of "Sophistry" which was before released as a separate Plugin, specialized for Ambient/Space. For my ears the sound quality is superb and it is very easy to use and tweak.

A lot of people may not know this Synth and you may ask why! There was an interview a while ago with the header and they ask him the same question. He answered something like this:

"we are not searching for the people like other competitive players do. Our interest is, people finding us and our products for the right reason" 

Have to say, I like this approach very much 8)

Cheers,
Tomas

249
Keep in mind that with OSX Lion (any new Mac has this installed) itīs not possible to run anymore Logic 8! You have to upgrade and pay for version 9.

Cheers,
Tomas

250
Nautic Depths / Tomas Weiss - Submental Vol 1

251
Other Ambient (and related) Music / Re: Overrated Ambient
« on: February 17, 2012, 02:05:04 PM »
@Bill: i do think you mix up things here  ;)

"What do you think are the most overrated ambient albums?"

Itīs by itīs nature not possible to overrate an album which is i.e. for some month or years on the market. So we DO talk here about "older" stuff.

If the question was ""What do you think are the most overrated ambient artist?" then there is a chance for more answers because "hyper hyper" for artists is in today fashion indeed....and if clever done, easy to realize by knowing and using promotion tools like social networks.

Cheers,
Tomas

252
Other Ambient (and related) Music / Re: Overrated Ambient
« on: February 17, 2012, 01:33:14 PM »
Agree with:

FSOL - Lifeforms

Sounds for me very cheap without any content inside....seems they had just fun to play a bit around...LOL

253
Mathias Grassow - Himalaya / 2012 Version (Musical Philosophy)

254
Now Playing / Re: Currently listening, part 1
« on: January 28, 2012, 07:07:48 PM »


Oliver Lieb - One of the most underrated + most flexible artist (if listeners are open and not stuck into 1 style)

255
Our Preorder for both releases ends soon and they will be shipped end of January - official release is end of February/beginning of March. You can combine orders to save a lot shipping costs (more details @ the links below).

Nautic Depths - Submental Vol 1



http://www.el-culto.com/music/projects/submental/vol1nauticdepths.html

- - - - - - - - - - - - - - - - -

Mathias Grassow - Himalaya 2012 (Special Edition)



http://www.el-culto.com/music/projects/mathiasgrassow/himalayaspecialedition.html

Greetings,
Tomas


256
Computers, Internet and Technology / Re: MP3 vs. FLAC
« on: January 18, 2012, 08:07:31 PM »
Something I find odd in these fidelity comparisons, is the nature of ambient music in comparison to say, acoustic instruments /  vocal recordings.

I can see purists having a problem with less than loss-less audio for certain types of music, but I think ambient is an odd one in that a large amount of 'electronic' sound is used in its production and while high fidelity is desirable (in my view), I'm wondering what the detrimental effects of 320 kbps mp3s might be in the case of ambient ?
Soundstage, stereo issues, high frequency distortions etc ?

Iīve enjoyed reading this post  :D

Well, people enjoy to hear birds in the middle of the night!  ;D

I made a test on Cubase Forum some years ago...3 mp3 files...

3 files, titled as A, B, C while the order was mixed . No one was knowing the compressing. I used 3 compression rates (128, 192, 256)

Then i ask the people to tell me the order, starting from best quality.

The most funny thing of all was, that no one of the "big speaker" and "i definately can hear this guys" in the thread actually told their opinion...hahahahha....after some months of voting the result was a pure mix of anything. There was NO tendency for a specific file.

But you know, itīs nice to hear birds in the night, because then there is a reason to discuss and complain.....

Cheers,
Tomas

257
Ahhh, nice to see you back!!!  :D

I always loved your reviews - very detailed and informative!

Good luck with anything :)

Greetings,
Tomas

258
TODAY, Sunday 08. January 2012, 11pm German time

1 hour music of "Quiet Calling III" by Tomas Weiss & Mathias Grassow @ German State Radio  HR2, program "Voyager".  At the specific time you can listen live to the internet audio live stream here (for best quality choose MP3-Stream 128 kBit/s or use the included flash player on the site if MP3 stream doesnīt work on your computer):

http://www.hr-online.de/website/radio/hr2/index.jsp?rubrik=23746

Greetings,
Tomas

259
"Quiet calling 3" is the final chapter of this trilogy. Rising and falling tonal layers fuse into a continuum that seems to lift the listener out of perceptual linearity, expanding space into a perpetual metamorphosis of form. Within its minimalist structure, Chapter 3 weaves intricate complexities that create a weightless veil of vibrating resonance. An amplified silence allows for intimate reflection, evoking both deep peace and a heightened awareness. In the end, the listener returns to the source from which these sounds were born - silence.

Tomas Weiss & Mathias Grassow - Quiet Calling III (Musical Philosophy)


Greetings,
Tomas

260
Quote from: False Mirror

Additionally, about 10 Youtube accounts

Tobias,

i never thought you could top 50 email addresses...LOL  ;D

For what you need 10 Youtube accounts?

Cheers,
Tomas

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