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Messages - Julio Di Benedetto

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21
Now Playing / Re: Currently listening, part 1
« on: October 10, 2014, 05:58:03 AM »
Thanks for the heads up on the Winged Victory for the Sullen cd Chris.....just ordered it.  The soundcloud edit is really good.  Beautifully dark!

22
Music Gearheads Tech Talk / Re: The Seaboard Piano
« on: October 10, 2014, 05:46:52 AM »
Good story Scott.....not sure about the name of the keyboard, something I hope to avoid as I get older ;D

Oraison on Vimeo


The Hakem Continuum has been around for a while.  Heres a great performance from the late Richard Lainhart...RIP.

23
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: October 10, 2014, 05:31:27 AM »
Thanks Pete....I check out the Shures

The only other closed back phones mentioned in this thread were the sony 7506 and the akg 240.  Had a pair of the sony 12 years ago so I dont remember much about them.

24
Music Gearheads Tech Talk / The Seaboard Piano
« on: October 09, 2014, 04:57:49 PM »
Imagining the Seaboard on Vimeo


Seaboard by Roli on Vimeo


Link....https://www.roli.com/seaboard/

The future of controllers?

25
Ive never really warmed to bourbon....its really hard to pin point why.  Perhaps I have not tasted enough.  Jack Daniels & Coke seems to be the norm around here. Always seems a mixer maybe to its discredit.

Im going to have to revisit the Talisker.....My introduction to malts was Craggenmoor 12, Talisker 10 & Lagavulin 16.

Nice Post Thirdsystem!


26
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: October 09, 2014, 03:44:59 PM »
FYI my Focal Spirit Pro headphones cracked today within the swivel housing......so one side sort of hangs without pressure against the ear.  Not good and in less than a year.

Sound was good, as I think I said sort of boring which is ok for studio purposes but Im not going to replace them with the same so Im back in the can search.

First up is the shure's I suggested to Tomas above.....open to suggestions on closed backed headphones.

I still have my notoriously uncomfortable Grado SR325 open backs.... to date the best sounding cans Ive listened to (the discomfort fades when you hear the sound) but I need closed back as well.

27
Now Playing / Re: Currently listening, part 1
« on: October 08, 2014, 05:10:05 AM »
Here are two videos I found for tracks off Plaids Reachy Prints.....perhaps the best electronica Ive heard in a while.  Ive had the cd a few weeks and its getting alot of play 

Link http://warp.net/records/releases/plaid/reachy-prints


Plaid - Wallet on Vimeo
 
Matin Lunaire - Plaid on Vimeo

28
APK the Japanese produce single malts and I think blended whiskey and I have heard good things though I have not tried any myself.....good question?

29
From Projekt Record's Sam Rosenthal.

Over the last 20 years, Projekt has brought in over $7,000,000 ! Color me impressed (sort of an aquamarine, a little on the green side). But don't make the mistaken assumption that I lined my pockets with cash. Projekt was a very effective money churning-machine, moving cash around the economy. Nearly all of that money went right out the door.

Keep in mind that Projekt was really expensive to run back in the peak era (1995-1999):

* Projekt bought full page ads in Alternative Press
* Projekt had massive bills at the pressing plants. Those deluxe-packaged CDs were pricey to manufacture, I would have to order 5000+ CDs at a time, and often 3 big releases at once. Furthermore, while the option was there to press-for-cheap in China or the Czech Republic, I chose to press in the USA. It was the right thing to do, to keep the money in the "local" economy.
* Projekt artists were paid their royalties
* It cost $1000 to make a poster (film + printing).
* Each release had it's own postcard
* At the peak of our time with Ryko Distribution, they got 400 - 600 promotional CDs for stores, and we sent another 200+ to press, radio, etc. For Lycia, that number was much higher, as they were touring a lot, and Pat was working on local press pieces.
* In that 1994-1998 time frame, Projekt was distributing tons of Hyperium and Tess and Cold Meat Industry CDs; after I moved to Chicago, the label had 11 employees with two key employees earning more than I earned, plus they got health care.
Yes, I took a salary, but nothing extravagant. Pretty much all of that seven mil was consumed by the business.

Now wait! Actually, come to think of it, Projekt consumed way more than what it earned. Projekt was building up debt on my credit cards.

Of course, fans in the late 90s had this perception that Projekt was much larger than we were. All those ads, and postcards, and catalogs helped build the mystique. I remember talking with Mike of Lycia about how fans on the road made guesses like, "You guys must sell 20,000 CDs!" "30,000 CDs!" Oh, if only!

A few releases did some lofty numbers, but these were the best-sellers, not the typical sales numbers. Black tape for a blue girl's 1996 Remnants of a deeper purity was the biggest selling non-compilation release, with around 16,000 sold. Love Spirals Downwards first two albums were each not that far behind. Three compilations did extremely well; the two we released exclusively with Hot Topic: 2002's Projekt: Gothic (27,000) and 2003's The New Face of Goth (25,600); and the first Christmas CD, 1995's Excelsis: a dark noel (15,000).

Projekt was really busy, and bands were getting out to their fans, but by early 2000, Projekt was in considerable debt. In fact, $180,000 in credit card debt, and the future looked like a downward slope. Yikes! That was the time when - if I had a business degree - I might have cut my losses and gone bankrupt. But that thought only flickered by in passing. I left Chicago for NYC; I downsized, huddled, got caught up on royalties due to Projekt's artists, and slowly paid down the debt. In a way, I downsized Projekt at the perfect time. Most of America waited for the fall-out from the dotcom bust, and 9/11, to tighten their belts. Because of the excesses of the '90s, Projekt was a year or two ahead of the crowd.

For a while there in NYC, it was only Lisa and I at Projekt. I kept releasing great music and finding new bands to work with. My budget was very sober and close to the bone.

At that time, people were still buying CDs, yet the music industry was changing. Napster existed from June 1999 to July 2001. On January 9, 2001, iTunes 1.0 was released, though it took a while to take off. Projekt's sales were slipping (like every label in the music business); yet I was bailing out the waters of debt; the ship was righting itself (have I tortured enough metaphors?) When Lisa got pregnant in late 2001, I brought Shea on staff to handle the mail-order.

2002 was the year things really shifted in the industry; it was the year when Projekt's key releases stopped selling in the 5-10,000 range (except for those aforementioned Hot Topic comps, which sold amazingly.)

Fast forward twelve years, I've been adapting and learning every since. Gone are the days when we'd regularly ship out 5000 units of a new release to stores. No more big tours, nor ad budgets, and a lot less cash flowing in and out the door. Projekt is lean. The staff hours are about the same as in the early 90s. I don't work 60 hour weeks anymore. 

When people say to me, "Projekt's problem is you don't know how to adapt to the times," I shake my head and sarcastically mumble, "Yeah, right. THAT's the reason records aren't selling! It's because Projekt hasn't changed since the heyday of 1997." Not at all, my friends. Projekt is small but alive, and I'm enjoying my life. And things are good, thanks!

- Sam

30


The Hammond Novachord.....claimed as the first commercially available synthesizer in 1938

Heres a Link to the restoration of the Noverchord pictured above http://www.discretesynthesizers.com/nova/intro.htm

31
What a celebration...just finished watching it.  Wow!

32
Cool...thanks Loren!

33
Computers, Internet and Technology / The internet and our Future
« on: October 04, 2014, 05:23:16 PM »
Douglas Coupland has or will shortly released a book about the biggest internet tech company in the world...Alcatel Lucent.  Im going to read this but below is a link to a quick paraphrase from the Financial Times.

http://video.ft.com/3807882765001/Douglas-Coupland-our-brains-rewired/Life-And-Arts

34
Would love to watch that Pete but it seems I must be in the uk to view it on the BBC iplayer.  Thought I try and download the iplayer app.....not available. 

I'll just have to pull out my Kate Bush cds instead. :( :)

35
Thats true John, though once I commit I find the infinite very quickly comes crashing down to a more human scale as things take their place or the endeavor just simple crashes.

I think getting bored of a project is a bad way to end it...." I just cant be bother to do anything with it".  I do arrive at this place from time to time, perhaps its part of the journey but its where training and experience comes to aid, not musical training per se but the ability to be grown up for lack of a better expression.  Artist can through tantrums for sure but its the experience of dealing with these issues and overcoming the barriers the make us succeed.

We have this fancy Ionizing water dispenser in the kitchen where I work and Im often there during the course of the day / night.....by the water hole there is a picture of the basket ball player Michael Jordan with this quote:
       
                   "Ive missed more than 9000 shots in my career, ive lost almost 300 games, 26 times Ive been trusted to take the wining shot and missed.
                    Ive failed over and over and over again in my life....at that is why I succeed."
     

36
Thanks for all the information Ekstasis...I know the Furman balanced power box you talk about.  It is very expensive1

37
For a while I had about four different malts going at one time.....it was a fun way to taste. 

Agreed.....quality over quantity.  A dram or 2, after that it ceases to be a benefit.

38
Its true single malt whiskey is expensive.......Its defiantly a luxury in the scheme of things but one that is so spirited.....why do they call it spirits in the Scotland / UK?




39
Other Ambient (and related) Music / Re: Echospace Detroit CD's
« on: October 02, 2014, 03:07:39 PM »
I collect CDs, and only want the physical product.  So if they have this obviously rabid following, and every CD shown on their bandcamp page is Sold Out almost immediately, they are doing something wrong...

Isn't there a similar problem with the Autumn of Communion/Nacht Plank limited releases on Txt?  I think it encourages impulse buying for fear of losing out and buying for resale at a substantial markup.  Seems like a questionable ecosystem.  No thanks.

Forrest

Very good point Forrest.  I think for a respected ambient / electronic label or artist a pressing of 300 cds is a good place to start. Maybe more depending on the artist.  The art release are understandably very limited and expensive.

40
Definitely yes. To me, Auchentoshan 12 is good, but Three Wood is special. Definitely worth the extra money, so if you like Auchentoshan 12, definitely try Three Wood.

Good to know Mike, thanks....locally its up in the $75 range.  Getting into the special occasion price range.  I sense just such an occasion coming really soon. ;D

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