« on: August 18, 2014, 11:01:50 AM »
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I think everyone missed the big point here: Julio offered to buy everyone a pint of beer.
On a side note:
I´ve noticed the most complains about technical issues of other music is coming from members clearly being newbie (with no references at all in music business). Of course, having enough money in today allows anyone to own the "right and respected gear" but unfortunately it needs a bit more than just owning or talking theoretical about it
to mix bass on these speakers are probably not a good idea..I hope that it is not his mixing monitors..
I've been enjoying the full immersion treatment with Loren Dent's Anthropology Vols. 1, 2 and 3 and his Extras from vol. 1 that we're originally available on a separate memory stick release. Majestic symphonic drone with occasional hints of Stars of the Lid.
QuotePeople often tell me that in order to keep Projekt alive, I have to get with the times: I have to run a label based on the modern way the record industry works.
That seems odd. I've always thought of Projekt is being one of the most visible examples of how a label can be old school (i.e., nurturing a specific image and advocating for the artists) while also pushing the boundaries of modern technology and distribution platforms. Projekt, at various points in time, for example, has made albums available on Spotify, releases digitally on Bandcamp and iTunes, and, of course, sells CDs via good ole' fashioned mail order. I'm not sure I understand what Sam's critics are advising him to do.
" This is usually said by people who don't realize I have been keeping up with the times; I am aware of the industry trends. It doesn't mean I agree with all of them, or want to follow all of them. It doesn't mean that all of the trends apply to the music Projekt releases.