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Messages - Julio Di Benedetto

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321
Stephan Schmitt founder of NI has step down as CEO and is now spearheading  http://nonlinear-labs.de/org/about.html

Heres his 1st prototype idea....



Perhaps the future of soft synths is hardware?

322
Other Ambient (and related) Music / Vangelis
« on: December 07, 2013, 06:02:23 AM »
Some Vangelis videos I came across yesterday.....

V.A.T.J.T.I. (excerpt) on Vimeo


S.O.C. - T.M.T.M.T.M. (Vag scenes) on Vimeo


Anyone know what instrument he is play?

323
Computers, Internet and Technology / Re: MP3 vs. FLAC
« on: December 04, 2013, 07:09:44 AM »
My Flac & Apple lossless purchased have dwindled to nothing since my iPod classic was stolen out of my car in my own drive way about 4 month ago.....my own drive way >:(.  I will get around to buying one again but for now Im enjoying playing cds.  My girlfriend has an nano and plays mp3's in her car.  It is hard to listen to for me.  I roll down the windows and it sounds much better.

324
Don't pay too much attention to what I write. Everyone who knows me knows my opinions of who is great and who is over-rated are all out of whack with everyone else. For example, I think Jeff Pearce, as loved as he is here and among his fans, is actually UNDER-RATED. I think Jeff is a freakin' genius when you examine his entire body of work. Why he isn't every bit as revered as Roach and Rich (which is NOT a knock on Steve and Robert, both of whom are also brilliant) is a mystery to me. Just my two cents.

I think the HOS people would agree with you....he was right there on stage performing with both Roach & Rich at Ambicon.  Not at the same time of course though that would be special.




The "show us your studio pics" that Jesse (Numina) started was one that I recall had some 53,000 views and maybe more by now....thats just staggering.  That many gearsultz?

Maybe that thread has so many hits because I posted a link to it over on the gearslutz website a few years ago? Their was a thread going on there about ambient musicians and their studios, so I just linked it. Lots of gearheads over there.  ;D

I seem to remember seeing that Loren....makes sense.  Good way of bring visitors over. 

325


Not a compressor in the strict sense, more of a saturator but its what I use 99% of the time....you actually have to push it quite hard to make it behave as its name suggests.  Just dont touch the punish button.  Its a tone shaper for me





UBK-1: The Concept on Vimeo

This is something Im interested in as a tone shaper


The Electra - Punching Up & Widening the Drum Buss on Vimeo

and this as another tone shaper :)

326
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 25, 2013, 06:52:46 AM »

You mentioned Oophoi in your list of examples of good music - Oophoi released my music (and I've never shared this before) because he was amazed with the creativity with which I used the equipment I had - a Korg D16 and almost nothing else. Oophoi also described to me his favourite source and effects chain and surprisingly it did not include the high end equipment I or others might have expected.


A poorly made Katana Sword in the hands of a skilled Samurai is just as deadly as one perfectly crafted by a master swordsmith.......not a poetic image but something that was once said to me.

327
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 25, 2013, 06:12:45 AM »
Well, I'm 62 and I still remember where I live a lot of the time.

LOL  ;D

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Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 24, 2013, 06:22:41 AM »
I think I'm going to stick with my setup for the most part and just try to improve upon using the things that I have, like Paul and I think some others suggested. I'm sure there's a lot than I can improve upon in terms of recording and production. I feel like I have good ideas and a distinct sound, so I think I can definitely build off of that and get better.

Thats the best advice Ive heard.....and you said it yourself. ;)

In time as your sonic ideas & skill grow you will find that the equipment you use will advance along with you.

329
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 23, 2013, 06:14:25 AM »
You have come to understand and know the sound and its quality from this high end gear and this is not something that is base on how much money a person has to spend....Burl converters on uneducated  ears within the home project studio would be a colossal waste of money.  This sound has to be learned.  Sort of like asking a person to taste a Chateau Lafite Rothschild Bordeaux when they are use to drinking sweet blush zinfandel wine.  Odds are they would spit it out.

I will always push the envelope for my self and go for the best gear I can afford and sometimes more than I can afford.  The complexity that Forrest suggest can be  an issue.  A great converter feed by a crappy pre amp or front end signal path will give what on the other side.....exactly.  So generally if say Burl which is the converter most talked about in this thread is your choice then the rest of the signal path should be of a similar quality or it is a pointless venture.  There can be a good deal of maintenance involve as well.

Ive mentioned this story before and like to when too much lofty high ended - ness dominates.   Bruce Springsteen's Fans consider his album "Nebraska" his best which was recorded on an 4 track cassette deck will the "Boss" was on tour way back when.  What the fans heard was not the tape hiss and poor quality record but the heart felt words and emotion he expressed. Certainly anyone would want to be able to capture every single subtle nuance of a performance that brilliant gear can do so well but the listener at the other end will be moved by the emotion not the the converters, pre amp or microphones used.

P.S......Great post Paul!

330
Music Gearheads Tech Talk / Re: Broken Harbour learns to use Logic 9
« on: November 21, 2013, 09:23:50 PM »
Go to the far right corner of the arrange window in logic 9 and you will see  a snap box, a drag box and then 2 smaller square box with icons....ususally defaults to arrows.  click on say the right box and the menu should open up..  look to the bottom of the menu for "Automation curve tool" this is the envelopes you speak of and will create fades between audio.  This does a good job of seamless merging.

In the left side of the arrange window highlight the audio track and by default you should see and elongated tab that says volume. click on it and it will open a menu which gives options one of which is pan that will behave similar to the volume automation. Clicking to the top of the audio GUI will pan left and clicking towards the bottom will pan right.  In the view tab be sure that track automation is activated.  Once you do it it is simple just a like squirrel like and hide at the beginning.....hope this helps

331
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 06:57:41 PM »
Yes...its been an interesting read and hopeful educational.

 

332
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 05:07:13 PM »
My head is spinning from all this :o    Castleview next time you should put up some sort of specific parameters so us gear heads keep our big guns in the cabinet.....like what was your first studio setup  ;)  because just the sight of the word converters or ad/da brings out the hoarding mass.  This sounds familiar...must have seen it in another threads somewhere.

333
Steve Roach is over-rated, Vangelis is complete crap, Prometheus is a REALLY SHITTY movie, and New Age Music is not the devils's spawn but actually can be really cool.

How's that?  ;)

LOL. ;D

334
Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 06:12:03 AM »
I dont use software reverb much within the DAW.....if I were looking for good reverb plugin I would certainly check out the Lexicon PCM Native Reverb bundle.  Its not cheap at $600 but from what I have heard its the best of Lexicon sound without the hardware cost which is somewhere at $2000 new.  At one time you could buy individual plugins within the bundle, not sure if thats still available

http://www.lexiconpro.com/en-US/products/pcm-native-reverb-plug-in-bundle


I had the demo of Aether which I did like but never did buy it for the reason I mentioned but I was impressed.

http://2caudio.com/products/aether/#_overview


T.C. Electronics Vss3 reverb which was original part of their Powercore platform is a plugin ported over from TC's 6000 system.  I used it alot when I had a powercore pci card in my old Mac G5 so the software is no longer.   I miss it and would put it up against any high end reverb hard or soft.  For those in the Pro Tools dominion you can still get it as a TDM plugin

http://www.tcelectronic.com/vss3-tdm/


As for other software plugins for processing audio......the one and only Sound Toys native bundle.  I recall Paul Vnuk saying on this forum that a good software reverb and the Sound Toys bundle of fx plugins you can come very close to the sound palette of an Eventide Eclipse.  As an Eclipse owner and Sound Toys user I would agree with this.   

http://www.soundtoys.com


As to converters....the title of this thread.  There are so many options.  I dont think today there are really any bad converters out there.  It seems a very competitive market where manufacturers cannot afford to put out inferior products.  An all in one box would be my choice. Pre amps, converters monitoring etc under one hood.  Im actually looking at a Metric Halo ULN8 unit as a possible option for myself.  Its high end with a price tag to match but I would be selling high end gear to make the purchase as I consolidated my studio.

I would advise to buy right the first time and have it for life so to speak. :)

335

Once in a while, a topic comes along that really gets people fired up. At times like that, we see how many people are actually reading.

The "show us your studio pics" that Jesse (Numina) started was one that I recall had some 53,000 views and maybe more by now....thats just staggering.  That many gearsultz?  I guess its also interesting for ambient listen to see where the music they may listen to is recorded.

Actually I find that when your very active on the Forum Mike the participation goes up....thats probably because you say a lot in the context of a thread which can lead to extedted discussions.  Must be the writer in you. ;)

336
Music Gearheads Tech Talk / Re: Ableton Live 9 and Max for Live
« on: November 20, 2013, 05:57:03 AM »
every time I read posts about Live I download the trial to see what its about and how it may change the way I work for the better and each time I come to the same conclusion.....it doesnt work for me.  I understand it and how it is different from logic or cubase and the session view is an interesting place to create ideas etc.  I think its my old school mentality that treats the daw as a mixing desk and tape machine and Live can be this but was not designed to flow the same linear way as traditional daws.  Also 95% of my music is created from synths, mostly hardware recorded directly into logic and the random element the session view offers to explore sonic ideas seems to confuse.   That being said Ive just downloaded the latest trail so can have another look. ;D

337
A good percentage of the forum members are musicians though I feel its a nice mix of ambient music listens and producers.  The lack of forum members really shows itself when IMHO interesting threads come up and the usual suspects respond and the thread dies at about 8 or so replies....we end up talking to ourselves.  Now this does not actually reflect the amount of people that visit the Hypnos forum.  Some topics have immense viewing numbers.  It would be nice if more viewer became active.

I stay away from Facebook and Twitter though I have accounts.

338
Other Ambient (and related) Music / Re: Bandcamp
« on: November 15, 2013, 09:45:31 PM »
Bandcamp do the all file conversion.....the artist sends them wav files, at say 24bit @ 96k and they will convert it to the other formats.  AS to limiting the free format...thats is up to the artist.  From my experience usually all digital formats are available, though I have not check the Rich bandcamp site you mention.....so maybe this is new.

339
If I was shopping I would  do Tomas said and go to ebay and look for a used or refurbished Intel MAc Pro with the specs I need....that being said Im certain the new Mac Pro has more than enough power for my needs.

Perhaps we are not looking into the same crystal ball as Apple how actually create the trends and therefore in some part predict / control the future.

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Music Gearheads Tech Talk / Re: My Music Studio in Progress!!!
« on: November 11, 2013, 06:31:45 AM »
Very sweet selection of equipment Immersion.

I did not know Trident made monitors but why not.  3 way is an excellent choice.  Lynx are great converts from what Ive read

Interesting that you went for the Dangerous controller and external AD/DA as opposed to an all in one box solution like Metric Halo or a Prism Orpheus.  I think you have gone the right way.  I use my Metric Halo ULN2 for DAW connectivity and their Pre amps and use external Lavry AD/DA conversion.

Mogami is the way to go!

Desk is very nice......low profile on the gear racks like a mastering desks.

I use an Eventide Eclipse so I have and idea of what your going to be hearing although with much more programming and sonic possibilities .

What pre amp will you use or mixing system?

Your signal chain is phenomenal, now all you need to do is acoustically treat your studio so that your beautiful gear can be heard accurately.

My Matrix 12 is very deep in programming and can be challenging mostly because of its age and depending on the day is a Matrix 9 or better a Matrix 11.  The voices can be switch off so its not that much of an issue when a voice chip is cranky.  The Matrix 12 / Xpander work best for me when I just dive in deep with no real sound in mind and start patching away......it does help having used a modular synth before because programming The Matrix 12 / Xpander is modular minded under the hood.

Excited for you new sounding sonic explorations.....Look forward to hearing them.

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