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Messages - Julio Di Benedetto

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41
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 05, 2017, 05:25:42 AM »
Stay away from these for Grado Headphones.....these are what I meant by "Fluffy"  They are comfortable but kill the sound on my Grado SR325's



Amazon link for reference.....https://www.amazon.com/EarZonk-Long-Life-Leatherette-Cushions-Headphones/dp/B00OM21W1I/ref=pd_lpo_vtph_23_bs_img_2?_encoding=UTF8&psc=1&refRID=78X3HPN97BQYKN3K1VKK

42
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 05, 2017, 05:14:05 AM »
Seren these are what original came with my Grado Prestige SR 325's and what I recently got to replace the fluffier on ear ones.

https://www.amazon.com/gp/product/B0006GCCO0/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1

These are uncomfortable, being over ear,  the headphone mechanics so to speak does make contact with the ear and after long periods, for me about an hour or so I begin to notice it.  Grado users seem to put up with this because the sound quality is worth it.
Mine has the newer g cushion shape and debating which to get - and do I get cheaper versions available on the internet?


I see the G cushion is much bigger than the L.....and twice the price.  I might have to try those G's.if they offer more comfort.   Appears they do cover the ear completely.  Did those G cushions come with your headphones?  It looks like they were designed for the Grado Professional line.....http://www.4ourears.net/Grado_G_cushions_p/4e-gcush.htm

Heres a picture of the PS1000e that has G cushions.


I would go for cushions made by Grado...usually is the best approach though can be more expensive.  The L cushion I got through amazon are Grado made.

43
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 04, 2017, 05:23:30 AM »
Really sorry to hear the bad news.   :-\  That must be devastating, Julio.
I hope you get some good recompense for the failure.


As a side note, I always use much less expensive headphones ... so that if I tread on them
or the dog chews them to shreds I have little concern about simply buying another pair.   :)

I'm in the market for a new pair (wasn't the dog this time), and currently use, and am happy
with,  AKG. So interesting to see your post, Jaja, about your AKGs. Will have to audition them.

Hi Anthony.....its got a definite sting to it.

I feel quality headphones are very important generally but perhaps even more so for our genre while creating to give the music a unique space that headphones give and naturally for pleasurable listening.

Those AKG K702 headphones that Jana uses are fine cans as are Paul's selection....theres a lot to choose from and it seems you do get what you pay for.

44
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 03, 2017, 07:56:40 AM »
Julio, that's a bugger !

I get pretty hacked off when gear fails - I expect it to work for ever :) It must be particularly galling as it wasn't the usual wear and tear / drivers failing etc. I've had more phones fail on me over the years than anything else.
My ancient Shure E500 IEMs died recently, they were held together with hot glue and nail varnish, but I kept them as I find them invaluable for mastering. Fortunately, a good friend sold me on his unwanted Shure SE535s , so I'm covered again.

Hey Pete,

Yeah, new gear as in a few years that dies prematurely is definitely annoying.....and quality equipment built to last.  When one pays a lot of coin longevity is part of the sum.  In my case the Headphones were victims of the pre amp so can't fault them.

Did not know nail varnish had build applications... :)

45
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 02, 2017, 12:03:22 PM »
Seren these are what original came with my Grado Prestige SR 325's and what I recently got to replace the fluffier on ear ones.

https://www.amazon.com/gp/product/B0006GCCO0/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1

These are uncomfortable, being over ear,  the headphone mechanics so to speak does make contact with the ear and after long periods, for me about an hour or so I begin to notice it.  Grado users seem to put up with this because the sound quality is worth it.

46
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 02, 2017, 05:21:47 AM »
oo...sorry to hear about that - not nice.

I lost my previous Beyers when I got a feedback loop and had to choose what to turn down first - VS2480 or headphones....

I still have the beyers, but they buzz on one side if the bass frequencies hits a certain note or presence or tone.

Hope you get the amp fixed and replace the headphones with something that excites you.






had these 2 years now - still think they are fantastic. Though those Focals look very, very nice Julio

and still using them......though may need to get replacement foam pads - 25.


Yup, the Grado's are really good headphones....Im happy to still have them.  I put a softer ear cups on them, not grade brand and it killed the higher frequency so best to replace the cups with what grado make for them which I just did a few days ago.

I find myself in what I call "The leasing a Porsche Syndrome"  Here in America there was a Porsche that could be leased for under $500 a month, something that was manageable for some until that first service and a complete tire change at $500 plus a tire......thats sort of where Im at with the HD800 headphones.  Its a lot of cash to come up with to fix them but I will get to it because they are that good.

Good to hear that your able to record again in a happy enviroment Seren!

47
Music Gearheads Tech Talk / Re: Cans.....Whats on your head?
« on: June 01, 2017, 07:03:09 PM »
Its been so quiet around here of late so I thought I would spice it up with some smoke and fire.... :o

My SPL Phonitor 2 headphone amps right channel died the other day and while it did so it sent a load signal to the right channel of my Sennheiser HD800 headphones......what an indescribable sound.....shattering paper thin carbide sheets under blackhole pressure, ok its describable.  Whats not describable  are my thoughts, well actually not printable. Think of words to describe $3400 of beautiful designed dead metal and the sweetest sounding headphones gone.

Within seconds came the cremated electronic smell that permeated the studio.....more non printable words.

Warranty on both amp and cans ran out in December 2016.....almost printable  F..K!

I contacted Zen Pro Audio where I got the SPL Phonitor 2 and the owner Warren jump into action to see what could be done...within an hour or so I had the sales rep for SPL, followed by the service manager for SPL in contact with me...impressive.  I think once I had explained how the amp had absolutely crush and destroyed my HD 800 cans some sympathy or empathy at least was given......their words were "we will be gentle with you"....lets see.

Now the Sennhesier HD800....firstly you can't talk to them, Sennheiser that is.  No warranty, click here on the website....type model number here.....flat service fee $585. 
A lot more words not fit to be printed here....but what gets one thinking is what sort of great headphones can you get $585, right.  Certainly the HD800's are truly wonderful with the right amp. Like nothing Ive ever heard before.  Much to think about.

The amp will be fixed but not for the headphones.  The one other paramount aspect of the Phonitor 2 amp is that it also drives my studio monitors, well they are power monitors but the signal that goes to the cans also goes to the monitors through the Phonitor....listening as I have to now with my system reconfigured it is sonically lacking without the Phonitor 2 amp to drive those monitors.

The Sennhesier HD800 sit in their box like a silk laced funeral casket while I decide how to approach this and Im enjoying my old Grado SR 325 cans, the ones in the first post in this thread.

I hope this comes across as me having some fun with these  bizarre events. :)

 

48
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 23, 2017, 08:57:16 PM »
APK posted in the "currently listening" r Beny's, Full Blossom of the Evening...a mostly eurorack modular recording so I thought id post some of his modular video performances here.







There are quite a few more videos that you can track through youtube.

49
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 22, 2017, 08:46:43 PM »
Yes, I read about the Audio Damage Eos Reverb -- 
a $45 reverb plugin (a nice one too), becomes a $500 eurorack module !!!   :o

Compare that to Behringer coming out with a complete 3 osc Model D synth clone in eurorack format for around $400.

Yeah things do get more expensive once you put on a nice suit and tie....Sean Costello of Valhalla DSP is the coder for the Eos soft verb for Audio Damage. Not sure if there was any new coding for the eurorack module.  Halls of Valhalla dsp card for the $500 Tiptop audio Z-DSP FX module was $75 and Shimmer was $75. I have had them. 

Generally Im not that fond of reverb within the eurorack format....but this seems a lot more focused.

As to the Behringer Model D....from what I have seen it sounds very good but a Moog model D....No. Better to have the Moog Mother 32. I sense this is Berhringer trying to prove some sort of point.

Hopefully this might spark Moog to enter the eurorack market and do it right.


50
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 22, 2017, 06:47:14 AM »
A few interesting modules from Superbooth 2017 in Berlin

4MS 6 Oscillator Wavetable Module






Audio Damage recreation of their Eos Reverb plugin into eurorack




51
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 22, 2017, 05:58:16 AM »

The Bitbox is a 24bit 48k stereo sampler for eurorack.

Damn, I was waiting for the Rossum sampler module but this may be better for live use. I'll be checking this one out soon.

Dave Rossum showed his sample at Superbooth in Berlin.  Seems it maybe more powerful for sound manipulation.  Loren I do think for live performance the Bitbox maybe it.  Im using the Bitbox more like a Daw but it would be so straight forward to record parts of a set prior to a performance and trigger those sounds live as well as the unit has 12 presets available so that actually is 12 x16=192 possible sounds depending on micro sd memory.


52
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 22, 2017, 05:46:44 AM »
That is a gorgeous looking box of tricks you have there, Julio.  8)

I sense that eurorack is becoming more and more digital.

Hi Anthony.....It is becoming more digital. My system is about 50 /50 analog and digital.  The most exciting modules do seem to be coming from the digital side, oscillators, processors and Fx. An analog oscillator will be just that and much needed but a digital oscillator does not have to operated by analogs guidelines that still have not really changed over the years both in design and circuitry.  Perhaps electricity has its limits.

Even though my system is half of its former size it is still very capable and with the addition of the Bitbox sampler now has actually more potential than when it was a larger system.  :) 8)


53
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 15, 2017, 06:59:44 AM »
And while Im at it, here's my eurorack system now......consolidated to about half of its former size.


54
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 15, 2017, 06:37:30 AM »
So interesting modules coming soon or currently available....



The original MT module is some 7 years old and this new design is available this coming September, possibly the king of wavetables with many created by Robert Rich.  Not sure if the screen has functions beyond eye candy.  Can import your own wavetables.




Remember the E-MU Morpheus Z Plane Synth.....the famous filter inside that is now reborn in eurorack format!


55
Music Gearheads Tech Talk / Re: The Modular Synthesizer Thread
« on: April 15, 2017, 06:09:23 AM »
This thread has been asleep a while.....time to wake up.



The Bitbox is a 24bit 48k stereo sampler for eurorack. You can record 16 track / loops from your modular and then have them triggered as you please, by contact on the touch sensitive screen or by cv triggers and gates. 16 independent sonic events.  Also as a sample playback of externally recorded material to be processed by the modular.

Its like having a DAW within your modular system.  It can also export via the micro sd card into Ableton Live and open as a ready to go session.

For live performance its potential is huge. 

I have had the Bitbox for a short time but I am very excited to be able to extend a modular patch into many sonic events simultaneously. Create a massive piece of music without having to commit anything to disk until performance ready.




56
Music Gearheads Tech Talk / A new soft synth worth looking at.
« on: April 14, 2017, 05:28:10 AM »


Spitfire Audio are one of the premier sample library developers today and are in heavy use in film scoring around the world.  They have come up with this new soft synth in conjunction with trance producer/ film composer BT.

Website......http://www.spitfireaudio.com/shop/a-z/bt-phobos/

Here's a walk through demonstrating the synth.


57
Now Playing / Re: Currently listening, part 1
« on: April 07, 2017, 10:51:10 PM »

58
Now Playing / Re: Currently listening, part 1
« on: April 07, 2017, 10:27:57 PM »
Billow Observatory - II: Plains/Patterns
A melding of shoegaze guitar styles, electronic sequences, and ambient atmospheres. This manages to sound both retro and contemporary at the same time. Excellent release.
https://billowobservatory.bandcamp.com/album/ii-plains-patterns

Thanks Chris....picked up one of the last few cds!  Very special.

59


Amazing movie that I highly recommend if you have not seen it.  This is a fascinating look at the making of the film score to Arrival

The composer Johann Johannson is score the upcoming Blade Runner movie  8)


I replace the original video with this similar one. 4/23/17

60
Very good post!

I have not listened to Pandora in more than a year but I did enjoy listening and creating various "station".  For me it was like listening to the radio though specialized to my taste and I treated it rather casually as background music.

I shared both of your approaches to streaming.....as a way to discover new music that I will buy hopefully in a physical format.

I wonder if "All Access" and the saturation streaming creates also diminishes the experience.  Too much to choice from is not always a good thing and we live in a world that succeeds by maximizing the amount of options.

Less is more or more is simply more and better.

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