I think vintage gear as discussed in the article does not have the same mystique and wonderment that say a classic british motorcycle like a Norton or BSA does. Why, because there is money in the equation. The article is written by an audio professional about the recording business. Certainly all the passion for this vintage gear is there but as a business where money is to be made reliability and repeat performance are paramount. I don't have a picture in my mind of a garage full of vintage recording gear being lovingly maintained and resurrected, but I do have a picture of a garage where vintage bikes or cars as Harry talked about are striped down and rebuilt and driven because I know people how do this. There is only money to be lost. Granted it is apples and oranges but it resides under the label "vintage".
If I run my Matrix 12 through a vintage Neve pre amp and hear the synth like I have never heard it before I am reminded of what an incredible and creatively inspiring instrument it is not how phenomenal the Neve preamp is. I have had some good modern tube and solid state pre's and they are gone. The M12 is still here. What does that say?
Thanks for listening to me debate this with myself