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Messages - Julio Di Benedetto

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I have Matrix 12 in my studio.....its days are numbered.  What then?  Perhaps Stephan Schmitts new synth will be just what is need.  Can something replace...perhaps.  Will synthesis progress in some shape or form in hardware after electrically feed oscillators. Yes!

Again I welcome a debate....with a positive look into the thread, my rules.  ;)

The new Prophet 12 seemed amazing but it sounded like a average soft synth...
Or the Solaris synth. So much focus on everything else besides the pure sound. 

Immersion.....In one sense Im happy you are so vocal....and I do respect your opinion but you are mistaken.....its ok, you dont have the perspective which is something middle age men like myself  have earned through experience. You have youth that should have hope and a less jaded viewpoint..... ;)

You do know your pursuit for what is pure will only lead to silence...I hope thats what you are looking for.

No offense ment....just tired of having imho potentially good threads trashed.

Love & Peace


well let me guess, another super flexible product with terrible sound quality...
usually that is the way... it is not often both worlds meet together.

I cant fathom how you have an opinion about this metal frame and keyboard when it hardly makes a sound and one that you have not heard, unless you mean that NI soft synths have a terrible sound quality and this man has something to do with the creation of that company so......???  Did you actually read the quote or go to website.  It is the "idea" of something that is one of the most powerful forces on this planet. Its usually simple in essence and can often be extraordinary in completion.

This text is taken from the website......a gigantic looper, I dont thinks so.  But who cant tell at this stage.


The musical instruments we are developing embody a number of fundamental concepts which are important to us: performance-centered technology, product development focused on longevity and evolutionary development, an open source approach, and sustainable production methods.

Standalone systems. Our instruments are fully self-contained no external computers. We rely on ARM microcontrollers for the highest level of real-time performance, reliability and flexibility. Separate synthesis engines tap the vast audio processing power of embedded PCs. Optionally, software GUIs can be added by connecting Android mobile devices.

Full control. We have developed the TCD musical control protocol which overcomes many limitations of MIDI. TCD stands for "Time, Curve, Destination" and implements a high-resolution control over all aspects of a dynamic and expressive live musical performance. Read more about our TCD concept here.

Software-based digital sound synthesis. We are not interested in resurrecting the past by modeling analog machines of yesteryear. We are inspired by the virtually limitless sonic palette offered by digital sound synthesis. "Software-based" means that our durable instruments can evolve without falling into obsolescence. More about Phase 22, our first synthesis engine.

Top-quality hardware. Our musical instruments are built to last. They are not consumables to be thrown out and replaced every few years. We use the best components available to provide musicians with durable instruments.

Open source. Over the past few decades, the dynamics of open source has created many solid and mature technologies and has empowered people around the world. It is an invitation to sharing and community, fitting in well with how most musicians think. For Nonlinear Labs, it also means that our ideas can be used in other areas of music performance and production. Whenever possible, we will make our technologies freely available to these ends.

Local production. Our prototyping and production is 100% "Made in Berlin". Working locally means faster development cycles and better communication with manufacturing partners, resulting in higher quality. And by keeping travel and shipping to a minimum, we reduce our carbon footprint and can ensure that social working standards are met./i]

Stephan Schmitt founder of NI has step down as CEO and is now spearheading

Heres his 1st prototype idea....

Perhaps the future of soft synths is hardware?

Other Ambient (and related) Music / Vangelis
« on: December 07, 2013, 06:02:23 AM »
Some Vangelis videos I came across yesterday.....

V.A.T.J.T.I. (excerpt) on Vimeo

S.O.C. - T.M.T.M.T.M. (Vag scenes) on Vimeo

Anyone know what instrument he is play?

Computers, Internet and Technology / Re: MP3 vs. FLAC
« on: December 04, 2013, 07:09:44 AM »
My Flac & Apple lossless purchased have dwindled to nothing since my iPod classic was stolen out of my car in my own drive way about 4 month own drive way >:(.  I will get around to buying one again but for now Im enjoying playing cds.  My girlfriend has an nano and plays mp3's in her car.  It is hard to listen to for me.  I roll down the windows and it sounds much better.

Don't pay too much attention to what I write. Everyone who knows me knows my opinions of who is great and who is over-rated are all out of whack with everyone else. For example, I think Jeff Pearce, as loved as he is here and among his fans, is actually UNDER-RATED. I think Jeff is a freakin' genius when you examine his entire body of work. Why he isn't every bit as revered as Roach and Rich (which is NOT a knock on Steve and Robert, both of whom are also brilliant) is a mystery to me. Just my two cents.

I think the HOS people would agree with you....he was right there on stage performing with both Roach & Rich at Ambicon.  Not at the same time of course though that would be special.

The "show us your studio pics" that Jesse (Numina) started was one that I recall had some 53,000 views and maybe more by now....thats just staggering.  That many gearsultz?

Maybe that thread has so many hits because I posted a link to it over on the gearslutz website a few years ago? Their was a thread going on there about ambient musicians and their studios, so I just linked it. Lots of gearheads over there.  ;D

I seem to remember seeing that Loren....makes sense.  Good way of bring visitors over. 


Not a compressor in the strict sense, more of a saturator but its what I use 99% of the actually have to push it quite hard to make it behave as its name suggests.  Just dont touch the punish button.  Its a tone shaper for me

UBK-1: The Concept on Vimeo
This is something Im interested in as a tone shaper

The Electra - Punching Up & Widening the Drum Buss on Vimeo
and this as another tone shaper :)

Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 25, 2013, 06:52:46 AM »

You mentioned Oophoi in your list of examples of good music - Oophoi released my music (and I've never shared this before) because he was amazed with the creativity with which I used the equipment I had - a Korg D16 and almost nothing else. Oophoi also described to me his favourite source and effects chain and surprisingly it did not include the high end equipment I or others might have expected.

A poorly made Katana Sword in the hands of a skilled Samurai is just as deadly as one perfectly crafted by a master swordsmith.......not a poetic image but something that was once said to me.

Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 25, 2013, 06:12:45 AM »
Well, I'm 62 and I still remember where I live a lot of the time.


Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 24, 2013, 06:22:41 AM »
I think I'm going to stick with my setup for the most part and just try to improve upon using the things that I have, like Paul and I think some others suggested. I'm sure there's a lot than I can improve upon in terms of recording and production. I feel like I have good ideas and a distinct sound, so I think I can definitely build off of that and get better.

Thats the best advice Ive heard.....and you said it yourself. ;)

In time as your sonic ideas & skill grow you will find that the equipment you use will advance along with you.

Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 23, 2013, 06:14:25 AM »
You have come to understand and know the sound and its quality from this high end gear and this is not something that is base on how much money a person has to spend....Burl converters on uneducated  ears within the home project studio would be a colossal waste of money.  This sound has to be learned.  Sort of like asking a person to taste a Chateau Lafite Rothschild Bordeaux when they are use to drinking sweet blush zinfandel wine.  Odds are they would spit it out.

I will always push the envelope for my self and go for the best gear I can afford and sometimes more than I can afford.  The complexity that Forrest suggest can be  an issue.  A great converter feed by a crappy pre amp or front end signal path will give what on the other side.....exactly.  So generally if say Burl which is the converter most talked about in this thread is your choice then the rest of the signal path should be of a similar quality or it is a pointless venture.  There can be a good deal of maintenance involve as well.

Ive mentioned this story before and like to when too much lofty high ended - ness dominates.   Bruce Springsteen's Fans consider his album "Nebraska" his best which was recorded on an 4 track cassette deck will the "Boss" was on tour way back when.  What the fans heard was not the tape hiss and poor quality record but the heart felt words and emotion he expressed. Certainly anyone would want to be able to capture every single subtle nuance of a performance that brilliant gear can do so well but the listener at the other end will be moved by the emotion not the the converters, pre amp or microphones used.

P.S......Great post Paul!

Music Gearheads Tech Talk / Re: Broken Harbour learns to use Logic 9
« on: November 21, 2013, 09:23:50 PM »
Go to the far right corner of the arrange window in logic 9 and you will see  a snap box, a drag box and then 2 smaller square box with icons....ususally defaults to arrows.  click on say the right box and the menu should open up..  look to the bottom of the menu for "Automation curve tool" this is the envelopes you speak of and will create fades between audio.  This does a good job of seamless merging.

In the left side of the arrange window highlight the audio track and by default you should see and elongated tab that says volume. click on it and it will open a menu which gives options one of which is pan that will behave similar to the volume automation. Clicking to the top of the audio GUI will pan left and clicking towards the bottom will pan right.  In the view tab be sure that track automation is activated.  Once you do it it is simple just a like squirrel like and hide at the beginning.....hope this helps

Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 06:57:41 PM »
Yes...its been an interesting read and hopeful educational.


Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 05:07:13 PM »
My head is spinning from all this :o    Castleview next time you should put up some sort of specific parameters so us gear heads keep our big guns in the what was your first studio setup  ;)  because just the sight of the word converters or ad/da brings out the hoarding mass.  This sounds familiar...must have seen it in another threads somewhere.

Steve Roach is over-rated, Vangelis is complete crap, Prometheus is a REALLY SHITTY movie, and New Age Music is not the devils's spawn but actually can be really cool.

How's that?  ;)


Music Gearheads Tech Talk / Re: Digital to analog converters
« on: November 21, 2013, 06:12:03 AM »
I dont use software reverb much within the DAW.....if I were looking for good reverb plugin I would certainly check out the Lexicon PCM Native Reverb bundle.  Its not cheap at $600 but from what I have heard its the best of Lexicon sound without the hardware cost which is somewhere at $2000 new.  At one time you could buy individual plugins within the bundle, not sure if thats still available

I had the demo of Aether which I did like but never did buy it for the reason I mentioned but I was impressed.

T.C. Electronics Vss3 reverb which was original part of their Powercore platform is a plugin ported over from TC's 6000 system.  I used it alot when I had a powercore pci card in my old Mac G5 so the software is no longer.   I miss it and would put it up against any high end reverb hard or soft.  For those in the Pro Tools dominion you can still get it as a TDM plugin

As for other software plugins for processing audio......the one and only Sound Toys native bundle.  I recall Paul Vnuk saying on this forum that a good software reverb and the Sound Toys bundle of fx plugins you can come very close to the sound palette of an Eventide Eclipse.  As an Eclipse owner and Sound Toys user I would agree with this.

As to converters....the title of this thread.  There are so many options.  I dont think today there are really any bad converters out there.  It seems a very competitive market where manufacturers cannot afford to put out inferior products.  An all in one box would be my choice. Pre amps, converters monitoring etc under one hood.  Im actually looking at a Metric Halo ULN8 unit as a possible option for myself.  Its high end with a price tag to match but I would be selling high end gear to make the purchase as I consolidated my studio.

I would advise to buy right the first time and have it for life so to speak. :)


Once in a while, a topic comes along that really gets people fired up. At times like that, we see how many people are actually reading.

The "show us your studio pics" that Jesse (Numina) started was one that I recall had some 53,000 views and maybe more by now....thats just staggering.  That many gearsultz?  I guess its also interesting for ambient listen to see where the music they may listen to is recorded.

Actually I find that when your very active on the Forum Mike the participation goes up....thats probably because you say a lot in the context of a thread which can lead to extedted discussions.  Must be the writer in you. ;)

Music Gearheads Tech Talk / Re: Ableton Live 9 and Max for Live
« on: November 20, 2013, 05:57:03 AM »
every time I read posts about Live I download the trial to see what its about and how it may change the way I work for the better and each time I come to the same doesnt work for me.  I understand it and how it is different from logic or cubase and the session view is an interesting place to create ideas etc.  I think its my old school mentality that treats the daw as a mixing desk and tape machine and Live can be this but was not designed to flow the same linear way as traditional daws.  Also 95% of my music is created from synths, mostly hardware recorded directly into logic and the random element the session view offers to explore sonic ideas seems to confuse.   That being said Ive just downloaded the latest trail so can have another look. ;D

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