Goosebumps every time. Haha!
Thanks for sharing.
Thanks for sharing.
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I had no choice, I couldn't get FCP7 anymore. You might want to read this article, it might change your mind about X.
Using FCP 10, still learning it.You're a braver man than I am.
We are suppose to some in here at work for video editing. I will let everyone know what I think when we get them.I'm certainly interested to hear your thoughts on that since I use Macs for the same purpose. What software are you using (FCP or Premiere)?
Yes... I wonder what the trend will be smaller file size..or just better quality..I knowThe main reason this format was created was to support 4k resolution broadcasts. In terms of other usages, yes, most will opt for "similar" quality to take advantage of lower bitrates. That's not necessarily a bad thing to save on bandwidth costs for the customer.
which path the streaming services will choose...will save them a lot of money for sure.
Personally I find transients very important in the mix, that is where the attack and clarity is in the sound, so it is a good idea to bring them up.
What the fans heard was not the tape hiss and poor quality record but the heart felt words and emotion he expressed. Certainly anyone would want to be able to capture every single subtle nuance of a performance that brilliant gear can do so well but the listener at the other end will be moved by the emotion not the the converters, pre amp or microphones used.
I don't think Altus or anyone else is suggesting that artists do not have the right to release their works in any way they see fit.Thanks for clearing that up, Chris. That was exactly my point.
The point is that are real costs that result from limiting people's access to your work via limited editions or by choosing to not make your work available digitally via legal channels.