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Messages - Altus

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Everything and Nothing / Re: US Copyright rant
« on: April 07, 2009, 06:52:25 PM »
and he also might decide the $600 or $1500 or $3000 he might make is a lesser consideration than the possibility of getting 5,000 people to hear his work as a free download, rather than just hundreds who might have bought it.
Exposure is the main reason I release through CC.  Sure, a lot of people might download my stuff casually, listen to one track and just delete it afterward.  But at the same time, I know that there's a lot of people downloading it, enjoying it and keeping in their library.

Loren, I may be reading you wrong, but you seem very defensive on the subject.  I hope you understand that these are my personal opinions and certainly don't think my way is best.  It's just what works for me.  :)  I'm just glad to see other artists take the same approach.

Everything and Nothing / Re: US Copyright rant
« on: April 07, 2009, 04:23:50 AM »
No, CC is not about compensation or money, just sharing.  Distribution?  I would imagine freely distributing your work to anyone and everyone gets your music out there quite well.  And yeah, I agree it can be used as viral marketing by the big boys, such as Radiohead and NiN.  But the plus side of having well known artists use a license they really don't need, I think it legitimizes the whole CC concept and in turn helps people like me.

Anyone have any other thoughts on this?

Everything and Nothing / Re: US Copyright rant
« on: April 06, 2009, 07:26:38 PM »
Curious.  Why would you think releasing through CC would mean giving up the rights to one's own work?

Everything and Nothing / Re: US Copyright rant
« on: April 03, 2009, 06:40:14 PM »
Creative Commons is the way to go in my opinion... although I have a feeling you were being sarcastic.  ;)

Other Ambient (and related) Music / Re: Discovering New Labels
« on: March 04, 2009, 05:17:25 AM »
hearing a recording of a small dog constantly barking and what sounds like someone urinating on a sidewalk looped for minutes on end can catch one off guard and start the questions coming :-\
Haha!  Wow, that does sound irritating.  I understand completely your thoughts on whether the artist is trying to express something important to them, or just trying so hard to be different that they fall flat on their face because it's horrible music that nobody could enjoy.   ::)

Other Ambient (and related) Music / Re: Discovering New Labels
« on: March 03, 2009, 08:12:50 PM »
Here's something to consider...  How many people out there don't "get" ambient music in general?  They say it's pointless... where's the melody, etc.  You could say the same thing about us not "getting" the really avant-garde stuff.  Just playing devil's advocate here.   ;)

Everything and Nothing / Re: Fringe - anyone watching this show?
« on: February 14, 2009, 07:00:06 AM »
Yeah I'm enjoying it as well.  Sort of like X-Files for the 21st century.

Everything and Nothing / Re: Too loud!
« on: February 13, 2009, 05:12:09 AM »
maybe my receiver has some kind of internal gizmo that automatically "adjusts" quieter sounds
My amp has a setting like that.  It's called Midnight Mode.  The idea is you have the volume fairly low, so it brings up the quieter parts so you can still hear it.  No chance a settings like that is on?

Music Gearheads Tech Talk / Re: Camel Audio - Alchemy
« on: February 12, 2009, 05:03:45 PM »
I've been hearing quite a bit about this synth.  I'd love to hear your thoughts on it once you've had some playtime with it.

Music Gearheads Tech Talk / Re: Spectrasonics - Omnisphere
« on: February 03, 2009, 05:20:49 AM »
Very nicely played.  A somber mood, which I love.
Have you considered playing on live show at  They'd eat this stuff up.

I enjoyed this release in bed last night, very soothing.  The final track "Heavenly Ascension" I especially enjoyed.
By the way, I'm really digging your new netlabel.  I like the fact that it caters to one style of ambient music... it means that there's a very good chance I'll enjoy every release.  :)

Music Gearheads Tech Talk / Re: Spectrasonics - Omnisphere
« on: January 30, 2009, 05:15:00 AM »
I haven't played too much with the effects within Omnisphere.  For now, I've been turning them off and using my standard tools.  On another note, I like the added information they include with the samples, such as how they produced the sound and with what synths, processors, etc.  You can tell a lot of love went into this tool.  :)

Music Gearheads Tech Talk / Re: Spectrasonics - Omnisphere
« on: January 29, 2009, 05:41:47 PM »
I recently got Omnisphere as well.  It's interesting how Atmosphere had a "sound" to it, and I find that Omnisphere has it's own "sound".  I agree that a lot of the patches are too complex/busy to write music with (Atmosphere had the same problem), but I use them as a base and edit them to fit my needs.  Also, heavy reverb will smooth out the sharp parts.  The hard part is trying to make it not sound too much like Omnisphere, which I usually fail at.  haha.  Oh well, fun synth in any case.

Music Gearheads Tech Talk / Re: Ambient music and Mastering
« on: January 29, 2009, 05:36:07 PM »
I'm in the EQ camp as well.  While writing, I use a 7-point parametric EQ to roughly "sculpt" the sound.  Then in the mastering phase, I'll use a 30-band EQ to fine-tune it.  I've never used compression, however I will use subtle limiting if I get some stray peaks hitting 0db.

Another thing I've been doing for years when EQing is dropping the 1k range down 3-10db.  Not to the overall mix, but to tracks within the mix that need it.  It opens up the sound beautifully.

For reverb, I'll run separate instances with their own settings for each "instrument" since I find simply putting reverb at the end of the chain is too limiting in what I'm trying to achieve.

It's interesting to see how others master their work.  :)

The ability to shut out the world with headphones makes it my preference.   I also enjoy hearing the little nuances you might miss listening on speakers, as well as allowing one to hear the stereo field clearly.

For nearly three years I have been working on Dynamic Stillness. This 2-CD solo release of all-new pieces is coming in a few months on Projekt. It inhabits the Immersion, Mystic Chords and Magnificent Void dimensions, but deeper and further "inside".
Ok, he's definitely got my attention!!!  :D

Everything and Nothing / Re: It's a new year... let's introduce ourselves
« on: January 21, 2009, 08:42:45 PM »
Greetings from Mike Carss (aka Altus) from Ottawa, Canada.  31 years old.

I've always felt I could express myself better with music than words, hence why I'm usually lurking around not saying much.  But this is a fun thread so I decided to come out my hidey-hole and say hi.

My actual job is in the film and television industry, working with many companies as a consultant, and supporting them in terms of mastering and duplication of their work.  I was planning on starting a film company with another producer, but given our economy, that'll have to wait.

Music has always been a big part of my life, and my need to create music seems to be ever-growing as the years go on.  It's been over 15 years since I started, and I'm finally at a point where I'm completely happy with my work.  So that probably has something to do with my release schedule.  ;)

I'm quite new to your forum (a couple of years), but it's a pleasure knowing all of you.
Here's to hoping 2009 is productive to all of you, no matter how to express yourself.

Other Ambient (and related) Music / Re: Dreamlike/ambient Classical Music ?
« on: December 21, 2008, 05:19:35 PM »
Sorry for derailing this thread a little more, but I felt I should mention this.  If anyone is curious in dabbling with stretched audio, check out PaulStretch.  It creates beautifully smooth, extremely stretched audio... just like "9 Beet Stretch".
This is for PC, however I have seen a Mac version online somewhere.

Very fun program!   :D

Other Ambient (and related) Music / Re: Dreamlike/ambient Classical Music ?
« on: December 19, 2008, 08:14:34 PM »
Your description reminds me of Kit Watkins' release "Unraveled"

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