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Messages - APK

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1521
Now Playing / Re: Currently listening, part 1
« on: March 06, 2008, 08:29:00 PM »
Quote
'The line between plagiarism and intertextuality/recontextualiztion has become blurred anyway, as notions of authorship and originality have been problematized.'


Alan, could you explain your point a bit more lucidly ?. I'm curious as to what you mean by this statement.
How has the the issue become 'problematized' ?  - is it a problem ? 

Transcontextuations !
Pete


Holy cow that's a mouthful, Alan.   But oddly enough - I think I know what you're saying and agree with you.


Heh. Thanks for that, jkn. Well, Pete asked for it... so, yes, I’ll bite, though you should know that ‘lucidity’ isn’t one of my virtues ;-)
At the risk of typecasting myself as the resident pseudo-intellectual ;), some of the ideas to do with the authorship issue (and yes, it IS a problem, or at least, it has been problematized) can be found in the opening paragraphs of this chapter from a textbook on Semiotics. Caution is advised, though; bedtime reading it is not: http://www.aber.ac.uk/media/Documents/S4B/sem09.html
What it says about “text” and “writer” and “language” is, arguably, applicable to the context of music composition, and underlies my comment on Lähtö's admission of appropriation of Hammock's musical text.



Interesting topic.

I think problematized is preferable to it being called a problem. The semiotic, and general postmodern, stress on intertextuality is a highlighting of the power of influence; that text and music production do not arise in a vacuum, but on the backs of precursors, from which it must borrow. New authors/composers re-write and re-arrange what has gone before, they don't create ex nihilo, and they therefore owe a great deal to the tradition in which they are nurtured ... it is what they work with, and within. But of course, we know this already, and its not really a problem. Its just that authorship, and the notion of author, are constituted within this system of exchanges, and can not be free from it. Appropriation is the name of the game, whether we like it or not. And whether we admit it or not. So given that authors must borrow, the notion of authorship is problematised. But not eradicated. We still attempt to make things our own and put our slant onto what we have borrowed and absorbed. Borrowing only becomes a problem with a shift in the direction of wholesale quoting or mindless mimicing (?) of other works, and leads to plagiarism of a bad sort when this quoting is not owned up to. The extreme is the cover band that pretends the works are their own compositions.

The upshot is that originality is somewhat overrated and misguided, especially in the western "culture of the individual"

But enuf of all that. Time for chardonnay,  and a new episode of Lost !   :)


1522
Everything and Nothing / State of the music business
« on: March 06, 2008, 07:51:21 PM »
A discerning article on the current state of the music business
by Alan Wilder  (ex-Depeche Mode)

http://www.side-line.com/interviews_comments.php?id=29640_0_16_0_C

I agreed with much of this.

1523
Now Playing / Re: Currently listening, part 1
« on: March 05, 2008, 04:53:48 PM »
This evening

- Nusrat Fateh Ali Khan & Michael Brook - Night Song

I think this was from 1996, and a class piece of groove/vocal ethnic it is. Gets regular play here.

1524
I've been looking forward to hearing this one, Ben.

Are there any more samples than the one 2min piece on cdbaby ?

1525
Everything and Nothing / Re: What are your plans and goals in 2008?
« on: March 05, 2008, 07:13:49 AM »
That's great to hear, Loren.

And to John: you'd be surprised what you can beat with a stick  ;)

1526
Music Gearheads Tech Talk / Re: Gear: Studio shots by Deb
« on: March 04, 2008, 05:46:59 PM »
Yep, use heavy metal and sell them Avalons by the pound  :)


On the aluminum thing, my Virus Indigo has 1 cm thick solid aluminum ends.
Its heavy too for a 3 octave keyboard synth.

1527
Music Gearheads Tech Talk / Re: Gear: Studio shots by Deb
« on: March 04, 2008, 05:37:57 PM »
Yep, its certainly good gear.
But i personally prefer the black look over the silver:

http://www.mercenary.com/vtspecmered.html
http://www.mercenary.com/vtvactub.html

1528
Music Gearheads Tech Talk / Re: Gear: Studio shots by Deb
« on: March 04, 2008, 04:58:45 PM »
I remember reading a review of an Avalon preamp where the guy concluded that he would rather have an ugly case and better internal components   ;)

1529
Music Gearheads Tech Talk / Re: Gear: Studio shots by Deb
« on: March 04, 2008, 09:48:16 AM »
I forgot to mention my favorite Behringer product, the Behringer MIC2200 Ultragain Pro also known as the "fake tube" preamp. All the glow of tube electronics but none of the warmth.  ;D

http://www.record-producer.com/learn.cfm?a=2838



In a similar vein, I really enjoyed this little article about an expensively packaged
preamp that was essentially functioning on a few $3 chips inside:
http://www.record-producer.com/learn.cfm?a=4350

Packaging can certainly be deceiving. Its clear with software, but I wonder how much high-end hardware is also just a handsome case !


And thanks, Loren, for pointing out this site, I didn't know it.



1530
Music Gearheads Tech Talk / Re: Gear: Studio shots by Deb
« on: March 04, 2008, 06:53:29 AM »
I really like my Behringer BCR2000.
Think that's all I have apart from a couple of their cheap patchbays.

1531
Music Gearheads Tech Talk / Re: Gear: Studio shots by Deb
« on: February 29, 2008, 11:32:05 AM »
I bet Paul meant your 2 screens ... they look great !

1532
Music Gearheads Tech Talk / Re: Tools for rhythm-making
« on: February 27, 2008, 06:23:04 PM »
I just picked up a used Alesis Micron.
Its sound is ok, but nothing amazing compared to other digital synths.
However, its rhythm abilities set it apart. Has handy phrase recording and other interesting rhythmic/sequence/pattern stuff on board. Lots of rhythmic presets. I was surprised how good it is. Fine little synth for the money, especially if you want something with rhythms.

1533
Now Playing / Re: Currently listening, part 1
« on: February 27, 2008, 06:15:32 PM »
Now playing

- Near The parenthesis: Of Soft Construction  (n5md)

A very good album in the idm kinda style common on the n5md label.
A sophisticated sound. Nothing over the top. Often beautiful.

1534
Other Ambient (and related) Music / Re: Ambient Sub-genres
« on: February 25, 2008, 07:19:17 PM »
Glambient = live performance where the ambient artist wears makeup, glitter, and colourful tights.



1535
Other Ambient (and related) Music / Re: Ambient Sub-genres
« on: February 25, 2008, 05:27:53 PM »

Zzambient = ambient to sleep by

1536
ALAN

You should re-post your nomenclature post to a new topic so we can have a separate discussion of it away from the Entia Non thread. Its a good one.

1537
Now Playing / Re: Currently listening, part 1
« on: February 24, 2008, 05:58:44 PM »
I've been jazzing a lot this weekend.

But on the electro-ambient side

- Paul Bradley : Twenty Hertz  (Interesting early work. Appears not to be guitar-based. Neat sounds)
- Alan Lockett: Swells and Billows 2  (MIX ... its a good set the Bristol Boy strung together)
- Keith Berry: A Strange Feather  (I'm addicted to these curious existential landscapes)
- Spyra: Headphone Concert (that 25min opening track , Jeden, is amazing .. if you like the berlin style its a must)


1538
OK ... I confess  ::)
And have officially updated my personal site:

www.dataobscura.com/APK/bio.htm





1539
Now Playing / Re: Currently listening, part 1
« on: February 23, 2008, 03:37:46 PM »
Mum-go go smear the poison ivy


Spunknik : I'm a fan of Mum, but the Poison Ivy release didn't work for me. Found it quite a change. You enjoying it ?

1540
Now Playing / Re: Currently listening, part 1
« on: February 23, 2008, 03:35:01 PM »
Off The Sky - Cold Distances -- This is still incredibly beautiful stuff. The first couple of tracks are so deep and really does sound like, well, coldness. Excellent!

Rumforskning - Fremtiden -- Essential album. There's just something about the noises and drones in this album. It works!

Yep, couple of mighty fine albums. I'm surprised that more people have not discovered Rumforskning. Can't say I've sold many, but they create some fascinating and addictive glitchy/noisy/drone music.

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