I think I need a 'purge' !
I spend an awful lot of time trying to determine as to whether software programs – synths, effects, samplers etc. may be useful (or not) for my musical projects. If I decide to buy a certain program, I spend even more time figuring out how it works. Of course, some things are pretty straight forward, but something like Native Instrument’s ‘Kontakt’ (for example) has an awful lot going on ‘behind the scenes’ as it were, and I’ve spent a significant amount of time with it, trying to figure out how I might find some interesting elements to it which aren’t immediately obvious.
I’m wondering now if I’ve succumbed to that most odious and insidious condition that musicians can be afflicted by – ‘GAS’ (Gear Acquisition Syndrome). I have a relatively humble set-up, which probably cost me less than a half-decent 5 year old car would do. Saying that, I have a LOT of stuff and as I’ve said earlier, I spend a lot of time working with that ‘stuff’.
When it works, it’s cool, in that it gets used in my music and I get to broaden my sonic palette and look at new techniques and ways of working. Also, it keeps the old noggin ticking over, I feel it’s always good to try new things out. Some of my ‘core’ techniques have come out of happy accidents with working with some program or using a program in a different way in which it was intended to be used.
However, I’m starting to wonder if is less is more and do I need to stop looking to new ‘shiny’ things and concentrate on what I have ? I think that marketing people know that a lot of musicians are looking for that killer application that will improve their work markedly in some way. Look at the amount of ‘ambient themed’ sample libraries / synths / loops and the likes that are out there. Whole synths are marketed as making great sounding ‘pads’, for example. My feeling is that you need to spend time with what you know in a lot of cases, to come up with interesting results. I’m fortunate in that I’m quite an imaginative chap, so new ideas are never too far away. ‘Ambient X Super synth’ may yield great results, but there’s a lot of satisfaction in the DIY approach, methinks.
On balance, exploring synthesis and sound-mangling techniques is something I’m deeply fascinated by, so even though a lot of this experimentation never sees the light of day in my material, I believe that the time energy ‘invested’ is never wasted in the pursuit of artistic endeavour and it feeds into the final work, one way or another.
Original text here:http://igneousflame.wordpress.com/2012/09/17/process-mini-blog-and-the-evil-gas/