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Messages - Robert Logan

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41
Other Ambient (and related) Music / Re: Robert Rich: Ylang
« on: March 04, 2010, 05:03:15 AM »
Ylang is a bit a short on such moments. I too am yearning for more of that side of Robert Rich.

But, having accepted what Ylang is and what it is not, I think it is a great release. Hopefully his next one will explore those darker, more abstract territories.

42
Now Playing / Re: Currently listening, part 1
« on: March 03, 2010, 06:48:35 AM »
Robert Rich:

Ylang

Just had the first listen. 53 minutes of music and it rushed by in what seemed like a few. My first impression is that it's a fusion of different currents of Rich's work...a masterful fusion at that. And the main element itself could be called a fusion of world musics. Inspiring work this is.

Yes - this is an inspiring piece of music, and those 53 minutes did rush by. Often with newer releases, as I've listened I've felt impatient and wondered when the current track would end and the next begin. Then I've been left feeling somewhat exhausted once the album had finished. Not so with Ylang... when I noticed I was on the final track on my first listen, I dreaded it ending. For once in 2010, I was left feeling energized and wanting more.

43
Other Ambient (and related) Music / Re: Robert Rich: Ylang
« on: March 03, 2010, 05:41:35 AM »
This might well be the most beautiful collection of new pieces of music I've heard in a long time. I'm so glad that Robert Rich takes time over each release - it pays off when the results are this distilled and detailed. I've been a bit disappointed in a few new ambient/electronic releases by other artists in the last couple of months, so it's so relieving and exciting to discover that Robert Rich's latest is something of a masterpiece. You can hear there is blood and sweat put into his music, as well as inspiration.    

44
Other Ambient (and related) Music / Re: Robert Rich New CD and Tour
« on: February 23, 2010, 04:18:10 AM »
The samples sound great. Can't wait till my copy arrives.

This year looks set to be a brilliant year all round for releases. Lots of great new things coming out - including a new Autechre, which I'm sure you're all thrilled about. ;)

45
Paul Vnuk and Ben Swire - I absolutely agree that knowing how to apply compression, different kinds of EQ, multi-band compression and other studio techniques is important in forming beautiful sonics, and that having an understanding of music theory and at least one 'traditional' instrument can only be a help. I certainly wasn't speaking as an anti traditionalist, and I'm just as bored by people who are opposed to any formal musical training on principle as I am by traditional musicians who dismiss our music as not being 'real music' or old skool rock 'n' roll producers who scoff at any unusual or novel applications of studio techniques. A few folk in more noise-based 'avant garde'  circles (for want of a better word) come across as far more close minded than the traditionalists they oppose, and though they think they are free, I believe real freedom comes when you have worked hard at a form, consistently, over many years.

I wasn't speaking about collaboration, or studying music theory or production in an academic way, or even sitting down with a more knowledgeable producer or mastering engineer to listen through your work and critique it. I'm so thankful I've had those experiences, especially when they've been brutally honest - painful though they can be! No; I was specifically uncomfortable with the idea of ambient music being taught by some 'master', as if the rules of the genre have been established like the rules of harmonizing a Bach chorale. I just don't think it fits the nature of this movement (unless, like I said, we're talking about ambient-ish music for commercial purposes, like a film score or adverts or whatever), and I don't think the idea even honours the genre's traditions. Plus, we've already got too many sound-alikes as it is. ;)   

46
In this kind of music, though, should there be a blueprint that's just being used natively? I'm wary of setting parameters on movements like these - once a form of expression is totally defined, it can die. I can understand the idea for more popular genres, or for film scoring or whatever, where the entire point of the exercise is to form something using tried and tested methods for a commercial purpose - but something in me is uncomfortable with the idea of 'ambient' music being taught or passed down in stone. Collaboration is of course a totally different thing.

I agree with everything that is being said about production, but if you have a good pair of ears, are self critical enough, and if you are dedicated to the act of refining your sonics till they really breathe and kick and scream, I think over time you will naturally accumulate technical know-how and musical processes - and a knowledge of how to apply these processes - to get professional results. The love of your form will drive you to explore traditional approaches to production in detail, and perhaps, ways beyond those.

 

47
Other Ambient (and related) Music / Re: My albums
« on: January 20, 2010, 07:32:21 PM »
I know this is very late, but I'd like to thank you for that review!

Here it is, in case anyone else on this wondrous corner of the internet is interested:

http://www.igloomag.com/reviews::1813::Robert_Logan_Accurate_Spit_Boy_EP_Inscape_Slowfoot_

I know I said I wouldn't bump this thread, but I listened to Inscape again for the first time in months - and unlike the feelings and disgust and horror that often permeate my brain while listening to much of my new music - I actually thoroughly enjoyed the experience. I believe the album may please other people's ears also.   

The art work/digipak is very nice, either way. ;)

48
Other Ambient (and related) Music / Re: kraftwerk BBC Interview
« on: January 20, 2010, 06:37:18 AM »
Thanks, I found this on iPlayer. A great program for anyone interested in Krautrock...

http://www.bbc.co.uk/iplayer/episode/b00pzf3j/The_Man_Machine_The_Story_of_Kraftwerk/

49
Thank you for that. An insightful interview...

50
Other Ambient (and related) Music / Re: Where are they now? another edition
« on: December 12, 2009, 07:54:22 AM »
That's a shame. There's an incredible quality to his music, and I love his production values. I'll probably have to somehow track down another copy of Planetary Unfolding soon, though. My vinyl copy won't play anymore.

51
Other Ambient (and related) Music / Re: Where are they now? another edition
« on: December 11, 2009, 06:15:26 PM »
Is Michael Stearns going to put out another solo album any time soon?

52
Other Ambient (and related) Music / Re: upcoming raison d'ętre album
« on: October 09, 2009, 05:33:29 AM »
I didn't know about raison d’ętre's music, but I've been exploring it after reading this thread. It really is great: it's wonderful to hear ambient music with this kind of punch - some of it has got a real visceral energy to it. I suppose I should investigate the rest of the label, too.

53
Other Ambient (and related) Music / Re: My albums
« on: April 20, 2009, 05:15:23 AM »
Thanks Undershadow. I hope you enjoy the C.D.

54
The samples for the new one sound great. I'll be getting it for sure.

55
I thoroughly enjoyed Secret Observatory and Autumn Continent - in fact I've been playing Autumn Continent constantly while doing my dissertation over here in Hungary. It fits in beautifully in these surroundings (not that it doesn't sound amazing everywhere else) and has made the experience much more bearable - even at times, enjoyable - than it would have otherwise been.

56
Other Ambient (and related) Music / Re: My albums
« on: April 07, 2009, 12:18:33 PM »
In case anyone is interested, I've put the title track up on my myspace (though the myspace player has ruined its sound quality more than it usually does, for some reason.) Also, I've noticed Boomkat put samples up of all the tracks for listening, complete with a cute beep every 30 seconds: http://www.boomkat.com/item.cfm?id=173043&highlight=173056

A rather lovely review of the album has also been written: http://www.buzzinelectronicmusic.co.uk/robert-logans-electronic-soundscapes-inscape-album-review/432

Ok, I won't bump this thread any more after this. :) Any feedback would be welcome - things have been quite quiet around this one in general. Never mind! Onwards and upwards and all that.

57
Other Ambient (and related) Music / My albums
« on: March 30, 2009, 03:38:40 AM »
Hello women and men,

Inspired by Parallel World's threads, I thought it'd be good to let the forum humans know about my own non-Hypnos projects. I didn't do it when Cognessence or Grinder came out, but now that the second Slowfoot album, Inscape, is out, and because its supporting E.P, Accurate Spit Boy spurted out into the world a few days ago, I figured it'd be good time to do a thread on them.

They are all the result of months of obsessive playing, recording, programming, mangling, etc. etc. drawn from anywhere in the environment, from any piece of software or hardware... Musical inspiration includes lots of 20th/21st century classical music, the sort of ambient music we discuss here, Hungarian folk (though that element is often buried) and the more experimental ends of electronic music, as well as dub, grime, dubstep, detroit techno, dancehall, "idm", etc.

I reckon the two albums (rather than the E.Ps) would be of more interest to Hypnos folk - the E.Ps are on vinyl and attempt to aim for the dancefloor (I'm not quite sure how successful they actually are at that, but some creatures will dance to anything. ;)

My myspace is here: www.myspace.com/robertlogan

My ambient myspace is here: www.myspace.com/senseproject 

Here is the page Slowfoot did for Cognessence:
http://www.slowfoot.co.uk/Cognessence

Here is the page they've done for Inscape:
http://www.slowfoot.co.uk/Inscape

And here's some reviews:

http://www.bbc.co.uk/music/reviews/9b54/

http://www.barcodezine.com/revrobertlogancognessence260307.htm

http://www.buzzinelectronicmusic.co.uk/robert-logan-accurate-spit-boy-ep/407

http://www.flyglobalmusic.com/fly/archives/europe_reviews/robert_logan_accurate_spit_boy.html

(and I got some scans of magazine reviews and put them on my myspace blog, here: http://blogs.myspace.com/index.cfm?fuseaction=blog.ListAll&friendId=39605485)


Thanks to any of you who have already heard any of my music and shared feedback. I tend to get very self-critical about it, especially once it's out, so that's a real encouragement.




                     

58
Thanks for this! I look forward to reading the rest of the review. :-)

The Wire just did a rather scathing review of my second Slowfoot album, "Inscape", so this has come as a nice surprise. Their review didn't specify any musical problems with the record or mention any tracks, though - in fact, the first half contains a fairly flattering account of the music. Once their attention turns to the "clunky" concept behind the record, however (though it isn't based on any single specific concept - the press release, which I didn't write, amplified a single piece of inspiration into a central theme), they accuse it of having an absense of "taste" and an "unsettlingly careerist sheen".

Still, any critical perspective is interesting and valid, and I'm thankful to The Wire for reviewing the record at all. I just found the final accusation unfair; I don't think any of us here who are involved in crafting the kind of music we're crafting have careerism in mind! ;)

59
Forum Member Projects News and Promotion / Re: Robert Rich
« on: September 19, 2008, 11:17:06 AM »
Thanks for that. The video was excellent... Beautiful visuals and music.

60
Other Ambient (and related) Music / Re: Is Yanni really all that bad?
« on: September 14, 2008, 10:37:31 AM »
I've done some more listening (I've never really paid attention to him before) and what I don't understand is why he chooses such awful sounds for his compositions. I'll admit he can play the keyboard competently for the style of music he's creating, and I've never seen a live, so maybe I'm missing a better aspect to his career, but really, if he's got lots of nice keyboards, even if he can't be bothered to create new sounds, it would be nicer on the ears of the presets he did choose didn't sound so cheap and sappy. 

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