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Independent Music Reviews / My review of "Invisible" CD by Steve Roach
« Last post by richardgurtler on April 26, 2015, 08:32:37 AM »

Steve Roach "Invisible" CD

Steve Roach, the genius ambient soundforger, is known for his numerous legendary long-form releases. "Invisible", released though his Timeroom Editions imprint at February 13th, is the latest one, if I count physical editions only, released just in time before Steve Roach's two live shows at the Galactic Center in Tucson, Arizona at February 13th & 14th. Originally, a slightly shorter, 58 minutes long version was released at 2015 New Year's Day as a New Year's gift for all Steve's dedicated journeyers. The CD was released in limited edition of 300 copies, while the first 100 copies were signed and hand numbered by the artist, but it quickly sold out.

Created during the last cold and rainy days of 2014 over the Timeroom, the journey quickly dives into fascinatingly unfolding euphonious soundfields exquisitely displaying Steve's window and patio views of shadowy, gently sloping Rio Rico terrains guarded by Mount Shibell and immersed by breathtakingly dramatic cloud formations. Deepest sonic meditation has just begun!!! Aural bliss unfathomably invades my listening room, The Dream Alive memories from February 15th awake, while heading for the Timeroom with Steve and the tribe, we are approaching this cloudscaping rainy spectacle, this must be the call of the Timeroom's magic!!! Precisely layered and traversed, melting meticulously the very best of ambient and dark ambient billows with perplexingly ear-tickling fragments and ghostly groans continuously permeating through this massively embracing stratum, while strikingly intangible tribal groove rides atop, giving extra workout to my speakers. There is no way to escape, so all you can do is to connect profoundly to the wizard's sanctum, close your yes and let his intense and monumental earmarks reveal all its magic, sheer atmospheric grace awaits here!!! But don't hesitate to choose also an headphone journey, it's fully rewarding as well. After about 25 minutes distant beat inconspicuously dissolves into hauntingly coalesced mass of dronescapes, spectacularly nuanced and crescendoed. Towards the 40th minute groovier feel resurfaces, drives sharper and guides the composition into warmly mesmerizing, organic-infused fields, reinforced by piercing cyber-tech rumbles. Sonic turmoil escalates and climaxes before 50th minute, when an utterly jaw-dropping transition conquers. A truly magical heavy drone escapade steals the show, merging splendidly majestic, yet gloriously enigmatic magma with erupting high-tech scraps and click-clacks. Thrillingly crepuscular, extraordinarily adventurous and intriguingly mindscaping 20-minute conclusion, a pure eargasm, welcome to the Drone Pantheon!!!

With "Invisible" Steve Roach reveals the very best of his most nebulous soundcarving, the title couldn't be more precise!!! This is undoubtedly another ultimate long-form 70-minute jewel, I even won't hesitate to write a milestone, bravo Maestro!!! Last but not least, all above lines are just my personal feelings about this recording, but this CD will be always a very special one to me. After exploring the first digital version, I didn't have any idea there is a CD version in the pipeline until the evening of February 12th, when Steve gave me this CD during our first ever personal meeting at the Hotel Congress Pub in Tucson. As most of you know already, I was Living The Dream between February 11th and 19th!!! Please excuse me for being more personal during these lines, but to me, this is a truly essential part of this journey!!! For all those who missed this CD version, I will always pray for its reissue, but since the Master constantly takes care of reissuing his out of print titles, I see there a glimpse of light. Until then you can always grab the extended 70-minute digital version. Do it, because "Invisible" is a sonic phenomenon!!!

Richard Gürtler (Apr 26, 2015, Bratislava, Slovakia)
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Everything and Nothing / Re: Vinyl Reissues vs Originals
« Last post by LNerell on April 25, 2015, 11:52:52 AM »
My first album Point of Arrival that I released on cassette back in 1986 was mixed to digital. When we released it on vinyl a few years ago we used those same digital masters, although I cleaned them up some for the new release. A lot of stuff as far back as the early 1980s was digitally mixed, and those mixes were used for cutting vinyl, it's not like its a new thing and I doubt anyone can hear the difference.
very awesome....
can't wait to see the other videos:)...

Thanks for checking out the video. I created both videos on my own. They were created using Apple Motion 5 and Final Cut Pro X. One more video will be out very soon! The new album will be ready for release mid- May.
Art and Literature, Movies and TV / Re: "Mythos and Music"
« Last post by Seren on April 25, 2015, 09:43:50 AM »
> I wondered if anybody had any suggestions about what might be covered in a discussion like this?

APK's reference to Davies is a good one because, although some of the themes, titles, and whatnot are Lovecraftian, the music doesn't always strike me as dark per se. I sometimes wonder if it is too easy to play into the dark side of Lovecraft when making music rather than emphasizing the mystery or the sense of other-worldliness. 

Here is something I like that is clearly inspired by Lovecraft, but not sinister or overly dark in its atmosphere--one of my favorites from 2013: The Ashes of Piemonte - Datura Notes

Hi Chris - your post was a little small
Hi there Chad...
looking forward to your new album..
Really quick question...did you do the video yourself or did someone else make the video for you???
I love it and was just wondering what tools were used in making it...
Now Playing / Re: Currently listening, part 1
« Last post by phobos on April 24, 2015, 01:10:15 PM »

Kammarheit Unearthed 6 CD box set
Arrived today and I think I have gone to heaven :)
Everything and Nothing / Re: Vinyl Reissues vs Originals
« Last post by Scott M2 on April 24, 2015, 12:57:01 PM »
I tried a little googling on digitally cut vinyl and found some long discussions on the Steve Hoffman forum and such. Apparently some European pressing plants ask for the masters as Redbook CDrs. Also, when you think about it, for quite a while people were mixing to DAT tapes anyway, so while vinyl may "warm" the mix, it's still a 16bit 44.1 or 48 source.

This is just stuff I hadn't really thought about before - I'm not a vinyl nut - though I have a wall of it. I currently like to spend my money on SACDs, DVD-As or Blu-rays with surround mixes. That's my personal audio treat. BTW - I highly recommend Diatonis for excellent ambient music surround mixes.
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