Recent Posts

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Everything and Nothing / two sad tape recorders
« Last post by Dave Michuda on February 15, 2015, 06:18:16 AM »
Now Playing / Re: Currently listening, part 1
« Last post by Castleview on February 14, 2015, 06:13:08 PM »
Steve Roach - The Delicate Forever

Just catching up on a bit of a backlog that I have. Haven't listened to much ambient music lately.

I am enjoying this one a lot so far. Nice sounds and textures that I wasn't quite expecting.
Now Playing / Re: Currently listening, part 1
« Last post by thirdsystem on February 14, 2015, 07:29:51 AM »
Robert Wyatt - Rock Bottom.

Just managed to get hold of this 1974 album today. Non ambient obviously but there are some ambient elements to it. An acquired taste Mr Wyatt possibly ! However this is a beautiful , melancholy slice of Canterbury Prog. Love it.
Other Ambient (and related) Music / Re: Robert Rich - Filaments
« Last post by thirdsystem on February 14, 2015, 07:21:32 AM »
I am hoping to order Filaments next week. Just listened to the samples on Robert's website again. Like it.
In addition the artwork is absolutely beautiful.

Have to say I really like "Nest" also. Beautiful album. And Morphology on Anodize, just listened to that this morning actually.
Other Ambient (and related) Music / Re: Robert Rich - Filaments
« Last post by judd stephens on February 13, 2015, 08:51:03 PM »

Another reason I wanted to respond to you is because I had also ordered an older Robert Rich (from '94) that I somehow missed - that 'Propagation' one. I think the cover art put me off (oh dear.) But it is an amazing release, and I am currently enjoying it much more than the new one. It seems so full of life, and the tracks build to such subtle but sublime climaxes. It hasn't dated at all and seems buzzing with fresh energy.

I hope my feelings about 'Filaments' return to where they were on that first listen when I wrote that post!

Propagation is a grand effort in spite of that cover art!  That was the hip, ultra cool and cutting edge type of art back in the 90's, ya know. 

Another one of Robert's I really enjoy and play a lot during my work is Yearning, a collaboration with Lisa Moskow.  She plays the sarod which sounds somewhere between a harp and a sitar, and can say I never tire of this work.  I've looked for more from Lisa Moskow but it all sounds very traditional and lacks the mystery and even warmth of Robert Rich's atmospheres.  There are Robert Rich interludes of flutes, steel guitar and such where the sarod takes a pause, and it really is a nice back and forth.  He takes it to the brink of being dark, but treads the line nicely.    Moskow's sarod playing also seems tailored to this collaboration, being more gently animated.   They perfectly compliment each other- it's a great example of two artists combining their talents to create something special.
Everything and Nothing / Re: Did you ever like KISS?
« Last post by Paul Vnuk (Ma Ja Le) on February 13, 2015, 09:53:19 AM »
Got to see them on 79 tour with original lineup.  It was pretty mind blowing.  I think even my Dad enjoyed it (one of the best presents he ever gave me, namely because he knew how much I loved them and was willing to take me ).  I'd have to say Dressed to Kill from '75 is my favorite album, with Destroyer and the debut self titled one close behind. Not to mention Alive, a legendary live album.

You gotta give them credit for spending two hours putting on the makeup for all those years. 

Looks like we're in the minority here.  I can understand most negative opinions.  I'd call them a guilty pleasure these days.  Cheesy,  yet oh so good.....

I could have written everything you wrote verbatim! The 1979 Dynasty tour (with Judas Priest opening) was my first concert ever! As a kid/early teen they were one of my favorite bands...along with the Beatles and Stones.

I actually have all of their albums including the new ones although the early years are still the best and what I listen too most when I put them on. I proudly admit  that they are still a nostalgic guilty pleasure!!!

I have seen them live twice since 79, both times with makeup and the original 4.

In fact my cousin got free tickets to Ace about a month ago, so I went. yes it was cheezy, but so what  ;D
Art and Literature, Movies and TV / Re: Interstellar
« Last post by mgriffin on February 11, 2015, 12:24:24 PM »

The information that we're given is that somehow, human beings (not necessarily on Earth) survive long enough to discover the non-linear nature of time (or 5 dimensional nature of reality, which is presented as kind of the same thing), and endeavor to affect past events so that humanity on Earth will spare itself of the worse suffering to come.

It doesn't need to be explained how, where or when this occurs, just that it occurred somehow. It's not unreasonable to think that someone on Earth survives underground, or one of the many people sent out in off-world exploration survives and makes this breakthrough. All that's required is that more than one person survive, and continue breeding long enough for this breakthrough in understanding to occur.

I think the reason people are considering the ending paradoxical is that the film, for reasons of wanting MM's character to seem protagonist-like, seems to imply that he's the one who brings this about himself, which doesn't make sense. We see him suffering on Earth, going to NASA, leaving Earth, going through the wormhold, visiting various planets, and learning stuff along the way, none of which involves discovering FOR HIMSELF the non-linear nature of time or the 5 dimensional nature of time. So yes, it would be paradoxical to believe that he created the wormhole and the time rift to send a message to his daughter, but I believe this is set up for him by the beings (future humans) who have discovered this almost godlike ability to create conduits through space and time, yet can't direct affect the past themselves (because "signals" or information can be sent through time, but human beings can't simply visit the past physically and communicate directly) and so rely on MM's character to send messages to his past self and to his own daughter which will be interpreted in ways that will be understood (because of this kind of inside joke language they share, more code and so on) and allow people who exist in the past to make changes that will flow forward into the future and enable the plan to succeed in making humanity's course on Earth somewhat less awful than it would have been otherwise, and to finally send a larger number of people off the planet, as we see happening at the very end.

Again, I think the confusion arises because this is effectively a deus ex machina ending -- godlike intervention from unspecified offscreen future humans actually saves the day, and MM's character merely acts out the role he needs to play, understanding hints he figures out along the way. He and his daughter make the change happen but only because they're acting through a mechanism set up for him by others we never see, who have somehow survived long enough to gain this higher understanding of time and space.

Now, if you think the film presents no possible way for any human beings, even a few of them, to survive long enough to gain this understanding and set up the means for this understanding to be passed along, then this explanation won't really work.
Independent Music Reviews / Re: PDFs of Wind and Wire, the magazine
« Last post by chris23 on February 10, 2015, 09:18:47 PM »
I would be subject to a lot of (good natured) ribbing, trust me...don't forget, I am someone who thinks new age and ambient crossover a lot more than most folks do.

Haha. I wouldn't necessarily disagree with you.  ;)

Art and Literature, Movies and TV / Re: Interstellar
« Last post by Bill Binkelman on February 10, 2015, 07:10:23 PM »
Thanks for the links, Mike. I will be sure to check them out. Here is my problem with Interstellar, which is the ending reveal:


Okay, now, supposedly the wormhole near Saturn and the tesseract (the "bookcase" at the end of the black hole singularity) were created and positioned by us, i.e. future humans who had reached an evolutionary point where they discovered that time is the fifth dimension (as someone in the film explained it, as if time were mountains (future) and valleys (past). They manipulated events so that the wormhole would bring Cooper, Brand, et al to the black hole so that Cooper could go back in time and send the message to Murph so she could solve the "gravity" equation and save humanity. Okay, I'm on board with that...except....

How did the human race evolve to that point if they never survived and by that I mean the paradox. They sent Cooper on a mission to ensure their own future survival but if Cooper didn't succeed they wouldn't exist to create the wormhole and tesseract in the first place, but they did survive yet if they survived "before" Cooper sent the message to Murph (which they did, right?), then why go through all that trouble?

I have read one critic postulate that Cooper actually died and everything in the tesseract and his rescue to be reunited with Murph was merely his "dying dream." Which Matt Damon's character foreshadowed with his monologue to Cooper about "dying." Nice, but way too "Sixth Sense" for me.

I think the only way to avoid the paradox is this. Brand successfully started a colony on the third planet. THAT "humanity" is the one that created the wormhole and the tesseract. Brand "instructed" them about the species downfall and as THAT version of humanity grew and evolved, THEY (not Cooper or Murph) solved the gravity equation and went about "twisting time" so that the "original humanity would survive. Not THAT is a cool concept and I would be on board with it but no way does Nolan seem to infer that (if he did, I missed it). Instead, we get some kind of pseudo science that "love" is the force that made all this happen. While I enjoy movies that address love as a power in the universe, I just couldn't buy it in this case.

I will view it again to seen if maybe on second viewing I like it better. It's happened before with me and a film.

Thanks again, Mike, and I am glad you enjoyed it that much - I sincerely wish I could have because when I saw the trailer the first time, I was severely stoked for it.
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