Author Topic: My review of "No Title" CD+3"CDr by Closing The Eternity & Mathias Grassow  (Read 1946 times)

richardgurtler

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Closing The Eternity & Mathias Grassow "No Title" CD+3"CDr

Wow, no title, no track list (except mini CDr), according to some vague net infos recorded back in 2010, but released some weeks ago, during March 2013 on Russian Aquarellist label. Wrapped by enormous mystery since the very first day. But if these are some low points, then be prepared for a truly spectacular sonic and visual odyssey. Yes, the CD is packaged in beautiful 6-panel digipak featuring stunning pictures of subterranean domain, forest pond and flora. Note that limited edition of 50 copies comes with additional mini CDr, while the album is a glass mastered CD. The normal edition is limited to 150 copies. The visual part is imposing, so let's experience its synergy with music. Closing The Eternity is a Russian drone solo project of Anton Shafarostov, who acts as 121 and who is also a member of dark ambient, industrial project Velehentor. To be honest, I don't know too much about Closing The Eternity's soundworlds (shame on me!!!), while the German drone virtuoso Mathias Grassow needs no introduction here. Soft tinkles announce the first track, as mentioned above, the track list is missing, but Aquarellist's website refers to this as "Shegultan", a city in Ural, Russia. But soon we enter into magnificent cavernous realms, where smooth background drones of Mathias Grassow hover in tranquil coexistence with crystalline authentic watery field recordings and other primordial organics crafted by 121. Add a superb sonic quality to this deeply meditative trance, which reveals all the magics of this grandiose underground lake and interacts precisely with the images. The next composition unfolds with variety of organic rumbles and tinkles, merged with spiraling dronescapes and tranquilizing natural sounds. Cascading through beautifully immersing passages ranging from more primeval through mysterious to slightly more soothing. The drone wizardry steps towards the fore in the second half and levels with primitive embellishments and location recordings. Deeply sublime and contemplative reverie, explore the remarkable "Volchimya Rifts"!!! Softly tinkling chimes open the closing piece of the CD, which is entitled on the website as "Blue Night Over Telpos-Iz", a 29-minutes long journey. Telpos-Iz is the highest mount in the Northern Ural. Sparse, but lushly swirling around the ears, then profoundly meditative singing bowls passage takes the lead until colossal, monochromatic drones steal these fascinatingly permeating moments of nocturnal stillness. Powerfully intense and immense, spiced by occasional bone-trembling beats with roughly orotund and eerie sonic explosions. An ultimate wildlife adventure with stunningly culminating sceneries to discover unimaginable sounds and creatures of the harsh night in taiga. Totally awesome!!!

Bonus 3"CDr features 14 and half minutes long composition, "Midnight Over Paitur Fens". And it unfolds massively with rather smooth drone with sacred chants-like sounds on the distant background. But the drone gradually builds, expands and envelops, expertly enriched by soft percussive ornaments. Continuous mind-bending intensity, holding the unique signature of Mathias Grassow, is reached after 4 minutes, the gates of drone inferno are again unlocked, welcome!!! But 121's organic alchemy adds enthralling emerald colors to this once-in-a-lifetime drone experience!!! Pure sonic ecstasy guaranteed!!!

Closing The Eternity & Mathias Grassow have sculpted one of the most mysterious albums I have heard lately and certainly one of the best too!!! Highly recommended journey beyond the borders of the most breathtaking territories, even as a "normal" limited edition without 3"CDr, but if you can, hunt for it too!!! A true masterpiece by two drone lords!!!

Richard Gürtler (May 04, 2013, Bratislava, Slovakia)

Poaalpina

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Thank you, Richard!   Great review. I only must to say that "the most mysterious album" is Velehentor  ‎–  Dyatlov Pass.  http://www.discogs.com/Velehentor-Dyatlov-Pass/release/1956893   http://en.wikipedia.org/wiki/Dyatlov_Pass_incident
Anbient DNA

richardgurtler

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Yes, I can imagine there are even darker soundscapes created by Anton, thank you so much for the link, but my ventures into dark ambient territories are very rare...  ;)

Richard

jim02

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the 1st two tracks sound like a 3rd disc of "Expanding Horizon".
similar mood and high-pitched mastering, and sounds seem also being compressed too much somehow..
for Grassow standards slightly underwhelming so far..

on the other hand, his latest "Sonnenwende" has a distinct clarity and perfect volume-level of mastering imo.
a 2013 favorite for sure and to me one of Grassow's best releases!

drone on

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Yes the mastering is a little rough but its the superior album IMHO.