Author Topic: My review of "Eye Of The Wizard" CD by Deborah Martin  (Read 1766 times)

richardgurtler

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My review of "Eye Of The Wizard" CD by Deborah Martin
« on: November 08, 2015, 11:13:42 AM »


Deborah Martin "Eye Of The Wizard" CD

Deborah Martin joined Spotted Peccary team in 1991, became partner/owner of this label and debuted on "Tracks In Time" label compilation with several collaboration and solo contributions. In 1995 her first album "Under The Moon" was released, this quickly became a benchmark release for the label and artist and it was used also during the 1996 Summer Olympic Games in Atlanta. By the way, about 7 months ago, a 20th Anniversary special, re-mastered edition of "Under The Moon" was released on Spotted Peccary. But the most recent album, "Eye Of The Wizard", which is out since the beginning of October 2015, marks return of Deborah Martin after her longer silence on this Californian label. About 6 years have passed since Deborah's last Spotted Peccary release, a collaboration "Between Worlds" with Norwegian ambient guitar ace Erik Wĝllo. Back to the newest recording, "Eye Of The Wizard" 4-panel eco wallet immediately strikes with gorgeously enigmatic cover images shaped by Spotted Peccary's visual master Daniel Pipitone. What a beauty!!!

"Dance Of The Faeries" unfolds this magical journey with pristinely balladic acoustic strings counterpointed with calmly ethereal washes and distantly meandering whistles. Soon vivacious hand percussions join the stage along with additional fanfares and clandestinely emerging mesmerizing shakers. A highly spirited blend of richly flavored acoustics and subtly glimpsed ambience. The next composition, "Watchers", reveals with another lyrical delight scrupulously amalgamating hypnotically pulsing subtleties, fascinatingly nuanced oracular blankets and persistently ear-tickling glimmers of dulcimer. Stringed poignancy announces "Lords Of The Vale", while ephemeral percussive echoes intermingle with empyreal choirs and orchestral patterns. Crystalline clinks inconspicuously sneak in as well and add another dimension to this textural delicacy. "Waiting" explores quietly mysterious horizons, where placidly, yet spellbindingly undulating and mind-bendingly helixing layers are permeated by warmly cinematic blankets and intricately coalesce with serenely arising bulky drone glimmers and organically swirling fragments. Intensely transporting soundscape!!! "Metamorphic", with 8-plus minutes the longest piece on the album, quickly returns into acoustic stringed terrains, poetically embracing, while guarded by distant waves of hummed winds. After about 2 and half minutes the track calmly transmutes into a sparklingly cadenced and abundantly fragranced texture, ingeniously wandering through variously crescendoing and diminuendoing passages, before closing the circle. "The Alchemist's Robe" is ignited by euphorically enrapturing dulcimer magic, meticulously backed by spaciously drifting enigmas and tinkling fragility. Then another stirringly chamaeleonic change resurges and shifts the composition into high-tech-infused laid-back scenario, exquisitely nuanced and leaded by synthetic downtempos, shaking hypnotics and dulcimer wizardry. Wow!!! This must be one of the most pinnacling moments on this magnificently rewarding odyssey, masterfully melting galvanizing electronic enhancements with brilliantly engrossing acoustic tapestries, more please!!! On the title track, "Eye Of The Wizard", Paul Frye on E-bow guitar joins Deborah Martin and Matthew Stewart, who accompanies the main protagonist throughout the album. Buzzing electric guitar dissonances keep on meandering and add a brand new feel to this expansive ballad, while acoustic strings, mesmeric pulses, gossamer percussions and sinuous oddities join this fascinating spectacle as well. Another tour de force of strikingly crafted hypnotic-charged ambient alchemy!!! Shorter "Into Mist" closes the album with heavenly-driven, orchestral-like washes reinforced by intangibly shimmering chimes, dreamy strings and transient opaqueness.

To make the credits complete, Jon Jenkins joins the team on the opening composition with his technical support and extra mixing, Chriss Lemmon (Deborah's husband) enriches the creative process with additional support, while Howard Givens controls the mastering duties. "Eye Of The Wizard" album, which clocks to nearly 43-minutes, is a truly fascinating potpourri of tricky melodies, mesmerizing beats and ambiguous soundscapes, exhibiting distinguishing artistry of Deborah Martin and her guests, and showcasing uncanny finesse in bringing acoustics and electronics into an intriguing equilibrium. Deborah Martin is incredibly passionate and experienced story teller and her craft on "Eye Of The Wizard" safely guides each listener through bewitching forest realms imbued by fabulously magical mysteries. A little gem of soundsculpting and musically superior listening experience!!! I should also mention that other notable Spotted Peccary collaborations involving Deborah Martin include label mates and artists such as Steve Gordon, Greg Klamt, Mark Rownd, Cheryl Gallagher and J. Arif Verner.

Richard Gürtler (Nov 07, 2015, Bratislava, Slovakia)